When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course. Written by
When the movie goes back to 1992, Ernesto Martel speaks from his office about getting a contract to build Caracas' Metro. This Metro was built more than 10 years earlier than that. See more »
[in Spanish, quoting English subtitles]
What's your name?
I used to be called Mateo and I was a film director. I was always tempted by the idea of being someone else, as well as myself. Living one's life wasn't enough, so I invented a pseudonym, Harry Caine, an adventurer who, as fate would have it, became a writer. I had him sign all the scripts and stories I wrote. For years, Mateo Blanco and Harry Caine shared the same body, mine. But a moment came when ...
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A far cry from its typical genre, Los Abrazos Rotos is a bridge of destiny between a Love Triangle and a Dual Family Disaster
Harry Caine is a blind scenarist and an outdated film director, whose life is broken down due to a traffic accident 14 years ago in 1994. While he was directing his movie "Girls and Suitcases" he was having an affair with his leading actress Magdalena(Lena in short) playing by Penélope Cruz. New make-ups and new hair designs every other scene, Cruz stands out brightly at all the scenes that she's involved. She came to the spot at the 7th minute of the theatrical cut, left 15 minutes earlier than everybody else in the movie.
This excellent work of storytelling in such a melodramatic plot worths to be vigorously applauded. It never becomes a melodrama even within in the crying scenes of Cruz nor the scenes of Mateo Blanco reminiscing Lena. The psychological trauma constituents enrich the focus of the movie right in position. Pedro Almodovar is known for using a script supervisor at his film set; and this surely brings the dialogues to perfection. Beefing up the storyboard via the scene connections, the time gap between 1994 and 2008 is used very wisely. You can still find a couple movie mistakes in anachronisms or factual errors -like mixing GBH and MDMA liquid drugs one after another, which will cause to golden hit and kills you, instead of giving you a girlishly fainting- yet the plot has no serious flaw as far as I realize.
Mainly together with 4 supporting actors and actresses, the film drew 6 different schemes for each character. Among all, Rubén Ochandiano played the toughest role as Ernesto Martel Junior decoding a gay person's characteristic development in a 14 years of period.
A traffic accident in which the lovers involving changed the lives of 6 people. This was the main idea here, reminding the Crash and David Lynch's Mulholland Drive with this concept and it deserves to be recognized with awards like them. Not advised to watch for a family movie due to mature subject matters, female nudity, drug usage, scenes of violence and mild language.
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