When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
Passion, obsession, wealth, jealousy, family, guilt, and creativity. In Madrid, Harry Caine is a blind screenwriter, assisted by Judit and her son Diego. The past comes rushing in when Harry learns of the death of Ernesto Martel, a wealthy businessman, and Ernesto's son pays Harry a visit. In a series of flashbacks to the 1990s, we see Harry, who was then Mateo Blanco, a director; he falls in love with Ernesto's mistress, Lena, and casts her in a film, which Ernesto finances. Ernesto is jealous and obsessive, sending his son to film the making of the movie, to follow Lena and Mateo, and to give him the daily footage. Judit doesn't like Lena. It's a collision course. Written by
Pedro Almodóvar's brother, and the film's producer, appears as an employee of Ernesto Martel, in the scene where Lena returns from hospital. Agustín has cameos in 15 of the 17 films which Pedro Almodóvar has directed. See more »
At the end of the movie, during Matteo remakes the video, we see two chairs in old video record which are made by Spanish designer Patricia Urquiola for Italian furniture brand Moroso (Antibodi chaise lounge - produced in 2006). While Lena was going to open the door for red dress woman there behind we can see each of them. And also outside in the terrace we can see another chair designed by P. Urquiola for Moroso (Tropicalia chair - produced in 2009). But from 1990 to 1996 P. Urquiola was the assistant professor to Achille Castiglioni and Eugenio Bettinelli at the Politecnico Di Milano and ENSCI in Paris. See more »
[in Spanish, quoting English subtitles]
What's your name?
I used to be called Mateo and I was a film director. I was always tempted by the idea of being someone else, as well as myself. Living one's life wasn't enough, so I invented a pseudonym, Harry Caine, an adventurer who, as fate would have it, became a writer. I had him sign all the scripts and stories I wrote. For years, Mateo Blanco and Harry Caine shared the same body, mine. But a moment came when ...
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In 1992, in Madrid, the secretary and escort girl Lena (Penélope Cruz) becomes the mistress of the powerful entrepreneur Ernesto Martel (José Luis Gómez) that is her boss and takes care of her terminal father. In the present days, the blind screenwriter Mateo Blanco (Lluís Homar) known by his code name Harry Caine meets a beautiful blonde (Kira Miró) on the street that offers to read the newspaper for him and tells that Ernesto Matel has died. Then his agent Judit García (Blanca Portillo) and her son Diego (Tamar Novas) arrive and Harry promises to end the screenplay that he is writing until the end of the day. Judit leaves the apartment and Harry is visited by a man code named X-Ray (Rubén Ochandiano) that introduces himself as a filmmaker and asks Harry to write the screenplay of his documentary about his intolerant father. Harry recognizes him, refuses the request, sends him away and recalls the year of 1994, when he was casting for his film "Chicas Y Maletas" and met Lena. Sooner they fall in love for each other and Ernesto Martel, who was the producer, sends his homosexual son to prepare the behind scene and making off of the movie. With the support of a reader of lips, the jealous and obsessive Martel daily falls each step of Lena with tragic consequences for the couple of lovers.
"Los Abrazos Partidos" is another magnificent film of the talented Spanish director Pedro Almodóvar, who is among my favorite contemporary directors. The plot has a complex, but perfect screenplay with use of flashbacks with a marvelous development of the characters. Lluís Homar performs the lead character Mateo Blanco a.k.a. Harry Caine (a pun with hurricane) that uses two alternate names of Pedro Almodóvar and has a great performance. His erotic scene with the unknown and extremely gorgeous Kira Miró is astonishing. Penélope Cruz is stunning and has another top-notch performance directed by Almodóvar. The open conclusion is ironic after the remark of Mateo Blanco about "Chicas Y Maletas" and I liked it. My vote is nine.
Title (Brazil): "Abraços Partidos" ("Broken Hugs")
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