| Anne Archer | ... | Monica Barrett | |
| Michael Shanks | ... | Jack Sullivan | |
| Erin Karpluk | ... | Jennifer | |
| Anna Hagan | ... | Victoria | |
| Matthew Harrison | ... | Martin Murphy | |
| Tracy Waterhouse | ... | Detrick | |
| William B. Davis | ... | Senator Garland Wolf | |
| Mylène Dinh-Robic | ... | Annie (as Mylene Dinh-Robic) | |
| Angelique Naude | ... | Sales Clerk | |
| Nelson Wong | ... | Manager | |
| Nimet Kanji | ... | Dr. Rajid | |
| Brent Chapman | ... | Tom | |
| Peter Bryant | ... | Attorney | |
| Ted Friend | ... | Newscaster | |
| Dee Jay Jackson | ... | Jackson | |
| Brian Drummond | ... | Gate Guard | |
| Andrew McIlroy | ... | Booth | |
| Kurt Evans | ... | Press Secretary | |
| Sean Allan | ... | President | |
| George Gordon | ... | University chancellor | |
| Brett Delaney | ... | Marshall | |
| Darcy Cadman | ... | Hotel Waiter |
Directed by | |||
| George Mendeluk | |||
Writing credits(in alphabetical order) | ||
| George Mendeluk | ||
Produced by | |||
| Stanton W. Kamens | .... | executive producer (as Stan Kamens) | |
| Joseph Lawlor | .... | executive producer | |
| Lindsay MacAdam | .... | producer | |
| Kirk Shaw | .... | executive producer | |
| Kirk Shaw | .... | producer | |
Original Music by | |||
| Clinton Shorter | |||
Cinematography by | |||
| Kamal Derkaoui | |||
Film Editing by | |||
| Joel Snowden | |||
Casting by | |||
| Candice Elzinga | |||
| Dean E. Fronk | |||
| Donald Paul Pemrick | |||
| Laura Toplass | |||
Set Decoration by | |||
| Jennifer Kom-Tong | |||
Costume Design by | |||
| Karen Munnis | |||
Makeup Department | |||
| Tara Colledge | .... | hair stylist | |
Production Management | |||
| Christian Bruyère | .... | production manager | |
| Charlotte Clark-Gamache | .... | post-production supervisor (as Charlotte Clark) | |
Second Unit Director or Assistant Director | |||
| Rob Duncan | .... | first assistant director | |
| Dylan Staniforth | .... | third assistant director | |
Art Department | |||
| Alexandra Jastrzembska | .... | set dresser | |
| Alida Jung | .... | assistant set decorator | |
| Ben Krakowsky | .... | property master | |
| Karolina Safar | .... | assistant property master | |
Sound Department | |||
| Chester Biolowas | .... | sound effects editor | |
| Hennie Britton | .... | foley engineer | |
| Derick Cobden | .... | sound supervisor | |
| Viorel Ghiocel | .... | sound mixer | |
| Matthew Gionet | .... | sound supervisor | |
| Jeff Jackman | .... | sound effects editor | |
| Michael Keeping | .... | foley artist | |
| Chris Ove | .... | adr recordist | |
| Chris Ove | .... | dialogue editor | |
| Vince Renaud | .... | sound re-recording mixer | |
| Jo Rossi | .... | sound re-recording mixer | |
Special Effects by | |||
| David Barkes | .... | special effects coordinator | |
Stunts | |||
| Owen Walstrom | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Dave Riley | .... | gaffer | |
| Armand Santos | .... | grip | |
| Lohengrin Zapiain | .... | Steadicam operator | |
| Lohengrin Zapiain | .... | camera operator: "b" camera | |
Costume and Wardrobe Department | |||
| Karen Anshelm | .... | truck costumer | |
| Natalie Simon | .... | assistant costume designer | |
Editorial Department | |||
| Todd Giroux | .... | technical supervising editor | |
| William Higgins | .... | post-production coordinator | |
| Jason Koroluk | .... | on-line editor | |
| Mark Yuen | .... | first assistant editor | |
Other crew | |||
| Hannah Rita Rose Amar | .... | production assistant | |
| Laura Collini | .... | script supervisor | |
| Oliver De Caigny | .... | business affairs | |
| Scott A. Matthews | .... | business affairs | |
| Wendy Nahanee | .... | production coordinator | |
| Arminder Randhawa | .... | business affairs | |
| Michael Schaus | .... | business affairs | |
| John T.L. Tang | .... | key production assistant | |
| Jason Walters | .... | title designer: title sequence | |
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| Freeway | Strangers on a Train | Eye for an Eye | All Good Things | The Last Wave |
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| Full cast and crew | Company credits | IMDb Drama section |
| IMDb Canada section |
Circuit Court Judge Monica Barrett is told she may be on the short list for the next Supreme Court nomination. At the start of the movie, we see two different images of her: first, she has trouble deciding what to wear--but then why does it matter if she is wearing a robe, she finally realizes. However, when a CEO who has embezzled gets sentenced, she has no trouble being decisive and professional. Monica is a strong woman and not to be messed with.
Monica lost her husband Paul three years ago, and she has a grown daughter Jenn, who is a workaholic like her mother. They visit before Monica takes a vacation in San Francisco. While there, Monica meets a charming Irish writer named Jack Sullivan. Well, that's what he says, anyway. Before returning home, Monica has an experience that may cause trouble for her Supreme Court nomination, if it does happen.
After her return, Monica hears from someone who knows what happened, and this person won't go away. And he seems capable of anything.
Sen. Garland Wolf strongly supports Monica, despite some differences they may have had in the past, and the news is good. Monica is the nominee. All of the others have something in their pasts, though so does Monica, if anyone finds out.
Anne Archer does a fantastic job. She's quite attractive for a woman her age, and though conservative in her dress, Monica always looks stylish yet professional. Monica is quite a strong character and she smiles a lot, and yet we often see a vulnerable side too. But regardless of what she goes through, she won't back down from what she believes.
The writing is quite intelligent, and I can believe this is how life for a Supreme Court nominee might be, with the advice and various meetings and appearances. Naturally, this movie provides a little something extra in the process; most nominees wouldn't go through this much.
William B. Davis as the senator and Anna Hagan as another judge both give impressive performances. Michael Shanks also did well as Jack. I think Angelique Naude deserves mention too, even with only a few lines. She made me like her right away, and I hoped to see more of her, though it was clear she was never going to have a big role. Unless they made her a wardrobe consultant or something.
We get to see a lot of fine architecture. In addition to the Washington landmarks, there is Monica's courthouse, and the fabulous San Francisco hotel. Even on the inside it's fabulous, though I imagine if the credits say the movie was filmed in Canada, the interior was a different place or places.
Certainly a worthy effort, and not your usual Lifetime film.