| Photos (See all 13 | slideshow) | Videos (see all 4) |
| Campbell Scott | ... | Narrator (voice) | |
| Gerald Burke | ... | Himself | |
| Ali Fadhil | ... | Himself | |
| Omar Fekeiki | ... | Himself | |
| Robert Hutchings | ... | Himself | |
| Paul Hughes | ... | Himself | |
| Marc Garlasco | ... | Himself | |
| George Tenet | ... | Himself (archive footage) | |
| James Bamford | ... | Himself | |
| Dick Cheney | ... | Himself (archive footage) | |
| Donald Rumsfeld | ... | Himself (archive footage) | |
| Paul Wolfowitz | ... | Himself (archive footage) | |
| Colin Powell | ... | Himself (archive footage) | |
| Samantha Power | |||
| Feisal Istrabadi | ... | Himself (as Faisal Al-Istrabadi) | |
| George Packer | ... | Himself | |
| Joost Hiltermann | ... | Himself | |
| Ahmad Chalabi | ... | Himself (archive footage) | |
| Lawrence DiRita | ... | Himself (archive footage) | |
| Barry Posen | ... | Himself | |
| Lawrence Wilkerson | ... | Himself | |
| Seth Moulton | ... | Himself | |
| David Yancey | ... | Himself | |
| Hugo Gonzalez | ... | Himself | |
| Chris Allbritton | ... | Himself | |
| Jay Garner | ... | Himself (as General Jay Garner) | |
| David McKiernan | ... | Himself (archive footage) | |
| James Fallows | ... | Himself | |
| Nir Rosen | ... | Himself | |
| Paul Eaton | ... | Himself | |
| Robert Perito | ... | Himself | |
| Paul Bremer | ... | Himself (archive footage) | |
| Walter Slocombe | ... | Himself | |
| Amazia Baram | ... | Himself | |
| Yaroslav Trofimov | ... | Himself | |
| Ray Jennings | ... | Himself | |
| Linda Bilmas | |||
| Ann Gildroy | |||
| Sérgio Vieira de Mello | ... | Himself (archive footage) | |
| Jamal Benomar | ... | Himself | |
| Mahmoud Othman | ... | Himself | |
| Paul Pillar | ... | Himself | |
| Zalmay Khalilzad | ... | Himself (archive footage) | |
| Robert Gates | ... | Himself (archive footage) | |
| Aida Ussayran | |||
| Matt Sherman | ... | Himself | |
| Ashton Carter | ... | Himself |
Directed by | |||
| Charles Ferguson | |||
Writing credits(in alphabetical order) | ||
| Charles Ferguson | ||
Produced by | |||
| Jennie Amias | .... | producer | |
| Charles Ferguson | .... | producer | |
| Alex Gibney | .... | executive producer | |
| Audrey Marrs | .... | producer | |
| Jessie Vogelson Childs | .... | producer (as Jessie Vogelson) | |
| Mary Walsh | .... | associate producer (as E. Mary Walsh) | |
Original Music by | |||
| Peter Nashel | |||
Cinematography by | |||
| Antonio Rossi | |||
Film Editing by | |||
| Chad Beck | |||
| Cindy Lee | |||
Production Management | |||
| Alan Oxman | .... | post-production supervisor | |
| Jessie Vogelson Childs | .... | post-production supervisor (as Jessie Vogelson) | |
Sound Department | |||
| Neil Cedar | .... | sound editor | |
| Gautam Choudhury | .... | additional location sound | |
| Paul Flinton | .... | additional location sound | |
| David Hocs | .... | location sound mixer | |
| Peter Miller | .... | additional location sound | |
| Peter Miller | .... | sound recordist | |
| James David Redding III | .... | sound re-recording mixer | |
| James David Redding III | .... | supervising sound editor | |
| Charles Tomaras | .... | additional location sound | |
Camera and Electrical Department | |||
| Maryse Alberti | .... | additional cinematographer | |
| Mia Barker | .... | additional camera operator | |
| Charlie Beyer | .... | additional cinematographer | |
| Ben Bloodwell | .... | assistant camera | |
| Mariusz Cichon | .... | assistant camera | |
| Nathan Clapp | .... | assistant camera | |
| Andrew Federman | .... | lighting assistant | |
| Christopher Gleaton | .... | assistant camera | |
| Tom Hurwitz | .... | additional cinematographer | |
| Alan McIntyre Smith | .... | gaffer (as Alan Smith) | |
| Rey Miranda | .... | assistant camera | |
| Edward Rodriguez | .... | assistant camera | |
| Jon Shenk | .... | additional cinematographer | |
| Joia Speciale | .... | assistant camera | |
| Brett Wiley | .... | additional cinematographer | |
Editorial Department | |||
| Marc Brown | .... | film output: digital intermediate | |
| Will Cox | .... | colorist: high definition | |
| Donna Donato | .... | assistant editor | |
| Bob Eisenhardt | .... | editorial consultant | |
| Edward Jaszi | .... | assistant editor | |
| Antonia Law | .... | assistant editor | |
| Alan Oxman | .... | editorial consultant | |
| Sandy Patch | .... | editor: high definition | |
| Stephen Stept | .... | editorial consultant | |
| David Kuther | .... | additional editor: HDTV (uncredited) | |
Music Department | |||
| Brian Deming | .... | score mixer | |
| Brian Deming | .... | score recordist | |
| Tracy McKnight | .... | music supervisor | |
Other crew | |||
| Jay Beverly | .... | production assistant | |
| Kit Bland | .... | production assistant | |
| Ryan Bronz | .... | production assistant | |
| Robin Cutter | .... | production accountant | |
| Richard Dworkin | .... | transcriptor | |
| Jacqueline Eckhouse | .... | production counsel (as Jackie Eckhouse Esq.) | |
| Kathy England | .... | production insurance | |
| Ali Fadhil | .... | translator | |
| Blair Foster | .... | additional archival researcher | |
| Marc Garlasco | .... | archive footage | |
| Roja Gashtili | .... | production coordinator | |
| Erin Heidenreich | .... | sales agent | |
| Warzer Jaff | .... | production crew: Iraq | |
| Amer Mohsen | .... | translator | |
| Christopher Murphy | .... | research and archival footage | |
| Dana O'Keefe | .... | sales agent | |
| Emily Osborne | .... | production coordinator | |
| Dana Reiser | .... | production insurance | |
| Nir Rosen | .... | archive footage | |
| Nir Rosen | .... | production crew: Iraq | |
| Andrew Siceloff | .... | production intern | |
| David B. Smallman | .... | litigation counsel (as David Smallman) | |
| Dan Stein | .... | production assistant | |
| Robert Stein | .... | legal counsel | |
| Greg Steinbruner | .... | production assistant | |
| Bethany Thomas | .... | production insurance | |
| Adriano Valle | .... | production assistant | |
Thanks | |||
| Jake Abraham | .... | thanks | |
| Joella Atilano | .... | thanks | |
| Reagan Beck | .... | thanks | |
| Eamonn Bowles | .... | thanks | |
| Trish Brush-Krums | .... | thanks | |
| Ivan Capovski | .... | thanks | |
| Won Hee Chang | .... | thanks | |
| Antoine Douaihy | .... | thanks | |
| Omar Fekeiki | .... | thanks | |
| Charlotte Ferguson | .... | thanks | |
| Ed Gargan | .... | thanks | |
| Alex Gibney | .... | thanks | |
| Richard Gladstone | .... | thanks | |
| Jamie Gross | .... | thanks | |
| Carter Gunn | .... | thanks | |
| Kate Hohman | .... | thanks | |
| Tom Hurwitz | .... | thanks | |
| Carl Kayson | .... | thanks | |
| Ellen Knickmeyer | .... | thanks | |
| Camille Leblanc | .... | thanks | |
| Tom Luddy | .... | thanks | |
| Jesse Michaels | .... | thanks | |
| Kristen Molina | .... | thanks | |
| Charles R. Morris | .... | thanks | |
| George Packer | .... | thanks | |
| Andrew Pang | .... | thanks | |
| Chad Queirolo | .... | thanks | |
| Louise Roug | .... | thanks | |
| Orville Schell | .... | thanks | |
| Alex Schuessler | .... | thanks | |
| Olivier Varenne | .... | thanks | |
| Alice Waters | .... | thanks | |
| Yasmina Ykelenstam | .... | thanks | |
| Jeany Zhao | .... | thanks | |
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| Superpower | The Dreams of Sparrows | Fahrenheit 9/11 | About Baghdad | Gunner Palace |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
In retrospect, I suppose 2007 will go down as the year in which filmmakers began addressing the problems in Iraq. The number of Iraq-themed films has piled up and disappeared at a breathtaking pace. Maybe it's not a surprise that the best of them so far is the one that doesn't try to turn the conflict into something fictional. All of the other Iraq movies have been well intentioned but limp; you can tell they want to address what's wrong without truly enraging anyone. Well, Charles Ferguson, the writer and director of "No End in Sight," has no such qualms, and his film enrages indeed.
Meticulously crafted, "No End in Sight" proves what everyone has already known for a long time: the Iraq conflict is a complete disaster. The film is certainly biased; anyone who wants to discount it based on that fact is welcome to. But anyone who wants to deny that America's handling of post-invasion Iraq has been anything but a complete "quagmire" (to borrow a word from the film) is hopelessly deluded. "No End in Sight" is not about whether or not the war in Iraq was justified; in fact, the film goes out of its way to affirm that at first many Iraqis were happy that the U.S. had deposed Saddam Hussein. Rather, the film is about what went wrong after the invasion, about how groups that actually had a reconstruction plan were met with indifference at every step by an administration that really cared nothing for the Iraqi people even as they fed the American public a lot of hooey about bringing freedom and democracy to them. This film makes clear that for all of its recent talk about dangerous nations destabilizing the world's peace, the United States is one of the most dangerous countries currently in existence.
It's terrifying that governments are run like this; if this film is accurate, my office at work is better managed than the project for occupying post-war Iraq. Ferguson can't be blamed if his film seems one sided. None of the key decision makers managing Iraq policy -- Cheney, Rumsfeld, Rice, Bremer -- agreed to be interviewed for the film. The only consolation the film offers is that Cheney, Bush and Rumsfeld now look like complete fools. Either they thought they had a good plan for rebuilding Iraq and proved themselves to be ridiculously incompetent; or (and more likely) they never really cared about what happened to Iraq in the first place and have proved themselves to be downright scary.
Grade: A