Directed by | |||
| Jason Kohn | |||
Produced by | |||
| Julio DePietro | .... | executive producer | |
| Joey Frank | .... | producer | |
| Jared Goldman | .... | producer | |
| Jason Kohn | .... | producer | |
Original Music by | |||
| Force Theory | |||
| Michael Furjanic | |||
| Neill Sanford Livingston | |||
Cinematography by | |||
| Heloísa Passos | |||
Film Editing by | |||
| Doug Abel | |||
| Jenny Golden | |||
| Andy Grieve | |||
Production Management | |||
| Jair Neto | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Joey Frank | .... | assistant director | |
Sound Department | |||
| Coll Anderson | .... | supervising sound editor | |
| Gabriela Cunha | .... | sound mixer | |
| Nelson Ferreira | .... | sound editor | |
| Sean Garnhart | .... | sound editor | |
| James Nichols | .... | stereo sound consultant: Dolby | |
| Matt Snedecor | .... | assistant sound editor | |
| Michael Suarez | .... | sound technician | |
Visual Effects by | |||
| John Dowdell | .... | 2K digital intermediate colorist | |
| Lloyd Forcellini | .... | 2k digital intermediate editor | |
| Peter Heady | .... | 2k digital intermediate editor | |
| Nuncle | .... | title design | |
Camera and Electrical Department | |||
| Silvia Gangemi | .... | assistant camera | |
| Yugo Nakamura | .... | assistant video engineer | |
Editorial Department | |||
| Jean Lane | .... | digital intermediate producer | |
| Robyn Semien | .... | assistant editor | |
| Tim Spitzer | .... | digital intermediate supervisor | |
| Mike Trinker | .... | digital intermediate editor | |
Other crew | |||
| Erin Heidenreich | .... | sales agent | |
| Cory Monden | .... | senior engineer | |
| Dana O'Keefe | .... | sales agent | |
| Nathan Liebold | .... | technical operations (uncredited) | |
Thanks | |||
| Thomas Doherty | .... | thanks | |
| Emilia Mello | .... | special thanks | |
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| Fury | The Spider Returns | The Best of Youth | G-Men Never Forget | Traffic |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Brazil section |
"Manda Bala" is everything you could want in a documentary, or in any film, for that matter! Directed in a style akin to the finer films of Errol Morris, "Manda Bala" is beautifully shot, brilliantly edited, and has a tremendous musical score. Shot in Brazil over several years, this documentary smartly examines the nature of corruption and class division in a truly engaging & entertaining way; the film is gripping from beginning to end, and has an immediacy that has world-wide relevance and resonance. The story is tightly woven, but the film still breathes in an almost perfect way, with just the right amount of tension & release. I am INCREDIBLY impressed by the amazing, dare I say artistic work that first-time director Jason Kohn has toiled to put together. Everyone-and-their-brothers-in-law-too should go see "Manda Bala", as soon as it's given wide-release, post-Sundance!