A young evangelical filmmaker is granted unprecedented access inside a controversial Christian behavior modification program for teens, where she discovers shocking secrets and young ... See full summary »
A scorching indictment of the Mormon Church's historic involvement in the promotion & passage of California's Proposition 8 and the Mormon religion's secretive, decades-long campaign against LGBT human rights.
Dustin Lance Black
Documentary about Father Oliver O'Grady, a Catholic priest who was relocated to various parishes around the United States during the 1970s in an attempt by the Catholic Church to cover up his rape of dozens of children.
We meet five Christian families, each with a gay or lesbian child. Parents talk about their marriages and church-going, their children's childhood and coming out, their reactions, and changes over time. The stories told by these nine parents and four adult children alternate with talking heads - Protestant and Jewish theologians - and with film clips of fundamentalist preachers and pundits and news clips of people in the street. They discuss scripture and biblical scholarship. A thesis of the film is that much of Christianity's homophobia represents a misreading of scripture, a denial of science, and an embrace of quack psychology. The families call for love. Written by
I had good kids. We had one of each sex. When my kids were growing up I said "God, please don't let my son grow up to be a faggot and my daughter, a slut." And he did not. He did not do that. He reversed it.
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It Ain't Necessarily So
Written by George Gershwin, Ira Gershwin, DuBose Heyward
Performed by Jamie Cullum
Published by WB Music Corp. (ASCAP)
o/b/o George Gershwin Music (ASCAP),
Ira Gershwin Music (ASCAP)
Du Bose and Dorothy Heyward Memorial Fund Pub. (ASCAP)
Courtesy of Candid Productions Ltd. under license from Universal Music Enterprises See more »
I also saw the film at Sundance and being a Christian, I can say that Karslake left out some of the stronger Biblical passages that were in the New Testament, but I don't believe he was shooting for a theological argument. I think he wanted to show that family is important and that gays/lesbians are people just like everyone else and deserve to be treated as human beings. To hear Karslake tell the stories that inspired this film deeply touched me and I think this film could stir a lot of good emotions in people, despite the fact that some areas of the film are a little weak. I think if Christians step away from what's right/wrong long enough to remember what love is all about and if non-Christians stop ridiculing the Christian community for the same reason, our world could be a better place.
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