3 out of 5 people found the following comment useful :- Domo Arigato Mr. Roboto!, 22 July 2008
Author:
dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Earth. 700 years in the desolate future. A small robot that looks like
E.T. blissfully rolls along on little tank treads, compacting trash
into cubes that he builds into towering trash skyscrapers. He is a
Waste Allocation Load Lifter, Earth class WALL-E.
Humankind has abandoned the ravaged Earth, leaving only their refuse
behind, which stretches into orbit like filthy facsimiles of Saturn's
rings; a dystopian, disturbing, Terry Gilliam-like vision, tempered by
a smarmy CEO (Fred Willard, the first live human integrated into Pixar
animation) entreating us with space as the final frontier, in holograms
re-playing to dead cityscapes.
WALL-E is the last of his kind - broken-down WALL-E's litter the
blighted garbage-land. Unmindful of the dead planet, he plies his trade
in simple joy. On his time off, he fills a cooler with artifacts,
retiring to a derelict trailer each night (with a free-roaming pet
cockroach) where he files everything, while watching HELLO DOLLY on VHS
and yearning for tactile contact.
Pixar Studios have slammed another one right outa the park! Written and
directed by Andrew Stanton (FINDING NEMO, 2003), WALL-E is one of the
few *original* movies this season (not a sequel or remake or derived
from a TV show). How does Pixar craft these ingenious, inventive
nuggets (where each viewing reveals new discoveries)? Their movies and
characters are imbued with so much energy and verve, authenticity hits
our nerves in all the right g-spots. A combination of effective
storyline, unbridled 3D animation and cuteness so contagious it'll burn
your breakfast.
One day a thunderous spaceship leaves behind a sleek, pill-shaped
"female" robot named EVE (Extraterrestrial Vegetation Evaluator), with
a lethal power-blast right hook. Her mission: to find Life on Earth.
(Waiter, there's a little iron in my irony.) WALL-E immediately falls
in love.
So begins a wondrous, accidental journey for WALL-E and EVE, back to
the AXIOM, the spaceship housing all Humankind. By bringing back a lone
plant, EVE signals Humankind may safely walk the Earth again. But there
is a slight problem: over seven centuries, Humankind have become
hover-chair blobs, insensate slaves to Big Brother holo-screens in
front of their triple-chinned faces Humankind can't think anymore,
let alone WALK, their bones having deteriorated.
Again, the horror of this totalitarian society might have slapped us in
the BRAZIL bone was it not for the Pixar team injecting robot
buffoonery at every pixel.
EVE's plant becomes the symbol for freedom and sparks a power struggle
between the ship's evil computer (voiced by Sigourney Weaver), who
wants to destroy the green and continue cruising amongst the black, and
the AXIOM Captain (a more cognizant blob than the passengers, voiced by
Jeff Garlin), who is aided by WALL-E and EVE in potting the plant to
drive the ship Earthward.
And this is why Republicans are outraged! As juvenile and unbelievable
as it sounds, the duplicitous, traitorous, treasonous swine of the
Republican Klan of George W. Bush's Amerika vilify WALL-E for its
"message." And what "message" are they protesting?...
The ship's Manual instructs a return to Earth when organic life is
found, yet the ship's evil computer has been instructed by Fred Willard
to "Stay the Course" (Willard's exact words!) instead of ever returning
to Earth if "conditions on the ground change." Sound familiar? Exactly!
Though there is *no intent* to analogize Iraq and George W. McCain, the
plot line accidentally highlights how unutterably asinine the
McBush-Cheney administration's foreign policies are.
Only the insane are offended by the insanity of the ship's computer,
who *Stays The Course* supposedly for the good of Humankind, while
keeping Humankind blind to the actual good it can bring upon itself.
Trust the Repubs to focus on this paradox of their own laughable
design, while the movie gets away with so many other anomalies: from
anthropomorphism, to the ship's "gravity" which causes it to "tilt"
when the computer twists the steering wheel; and the decision to go
deep space, when two stable Lagrange Points exist on Earth's orbit
where a ship could perch without any fuel expenditure at all, and could
make the short trip back to Earth without having to traverse billions
of miles through theoretical hyperspace and wormholes.
Of course, I only mention these anomalies because I am a stickler for
educative fiction. If WALL-E caused even one Republican's refried brain
to reconsider their satanic party's non-ethics, I say:
Own the rights?
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3 out of 5 people found the following comment useful :-

Domo Arigato Mr. Roboto!, 22 July 2008
Author: dunmore_ego from Los Angeles, California
*** This comment may contain spoilers ***
Earth. 700 years in the desolate future. A small robot that looks like E.T. blissfully rolls along on little tank treads, compacting trash into cubes that he builds into towering trash skyscrapers. He is a Waste Allocation Load Lifter, Earth class WALL-E.
Humankind has abandoned the ravaged Earth, leaving only their refuse behind, which stretches into orbit like filthy facsimiles of Saturn's rings; a dystopian, disturbing, Terry Gilliam-like vision, tempered by a smarmy CEO (Fred Willard, the first live human integrated into Pixar animation) entreating us with space as the final frontier, in holograms re-playing to dead cityscapes.
WALL-E is the last of his kind - broken-down WALL-E's litter the blighted garbage-land. Unmindful of the dead planet, he plies his trade in simple joy. On his time off, he fills a cooler with artifacts, retiring to a derelict trailer each night (with a free-roaming pet cockroach) where he files everything, while watching HELLO DOLLY on VHS and yearning for tactile contact.
Pixar Studios have slammed another one right outa the park! Written and directed by Andrew Stanton (FINDING NEMO, 2003), WALL-E is one of the few *original* movies this season (not a sequel or remake or derived from a TV show). How does Pixar craft these ingenious, inventive nuggets (where each viewing reveals new discoveries)? Their movies and characters are imbued with so much energy and verve, authenticity hits our nerves in all the right g-spots. A combination of effective storyline, unbridled 3D animation and cuteness so contagious it'll burn your breakfast.
One day a thunderous spaceship leaves behind a sleek, pill-shaped "female" robot named EVE (Extraterrestrial Vegetation Evaluator), with a lethal power-blast right hook. Her mission: to find Life on Earth. (Waiter, there's a little iron in my irony.) WALL-E immediately falls in love.
So begins a wondrous, accidental journey for WALL-E and EVE, back to the AXIOM, the spaceship housing all Humankind. By bringing back a lone plant, EVE signals Humankind may safely walk the Earth again. But there is a slight problem: over seven centuries, Humankind have become hover-chair blobs, insensate slaves to Big Brother holo-screens in front of their triple-chinned faces Humankind can't think anymore, let alone WALK, their bones having deteriorated.
Again, the horror of this totalitarian society might have slapped us in the BRAZIL bone was it not for the Pixar team injecting robot buffoonery at every pixel.
EVE's plant becomes the symbol for freedom and sparks a power struggle between the ship's evil computer (voiced by Sigourney Weaver), who wants to destroy the green and continue cruising amongst the black, and the AXIOM Captain (a more cognizant blob than the passengers, voiced by Jeff Garlin), who is aided by WALL-E and EVE in potting the plant to drive the ship Earthward.
And this is why Republicans are outraged! As juvenile and unbelievable as it sounds, the duplicitous, traitorous, treasonous swine of the Republican Klan of George W. Bush's Amerika vilify WALL-E for its "message." And what "message" are they protesting?...
The ship's Manual instructs a return to Earth when organic life is found, yet the ship's evil computer has been instructed by Fred Willard to "Stay the Course" (Willard's exact words!) instead of ever returning to Earth if "conditions on the ground change." Sound familiar? Exactly! Though there is *no intent* to analogize Iraq and George W. McCain, the plot line accidentally highlights how unutterably asinine the McBush-Cheney administration's foreign policies are.
Only the insane are offended by the insanity of the ship's computer, who *Stays The Course* supposedly for the good of Humankind, while keeping Humankind blind to the actual good it can bring upon itself.
Trust the Repubs to focus on this paradox of their own laughable design, while the movie gets away with so many other anomalies: from anthropomorphism, to the ship's "gravity" which causes it to "tilt" when the computer twists the steering wheel; and the decision to go deep space, when two stable Lagrange Points exist on Earth's orbit where a ship could perch without any fuel expenditure at all, and could make the short trip back to Earth without having to traverse billions of miles through theoretical hyperspace and wormholes.
Of course, I only mention these anomalies because I am a stickler for educative fiction. If WALL-E caused even one Republican's refried brain to reconsider their satanic party's non-ethics, I say:
"Thank you very much, Mr. Robot!"
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