WALL·E (2008)

In the distant future, a small waste collecting robot inadvertently embarks on a space journey that will ultimately decide the fate of mankind.

Director:

Andrew Stanton

Writers:

Andrew Stanton (original story), Pete Docter (original story),

Stars:

Ben Burtt, Elissa Knight, Jeff Garlin

Top 250 #60 | Won 1 Oscar. Another 52 wins & 49 nominations.

Cast

Cast overview, first billed only:
Ben Burtt	...	WALL·E / M-O (voice)
Elissa Knight	...	EVE (voice)
Jeff Garlin	...	Captain (voice)
Fred Willard	...	Shelby Forthright, BnL CEO
MacInTalk	...	AUTO (voice)
John Ratzenberger	...	John (voice)
Kathy Najimy	...	Mary (voice)
Sigourney Weaver	...	Ship's Computer (voice)
Lori Alan	...	(voice)
Bob Bergen	...	(voice)
John Cygan	...	(voice)
Pete Docter	...	(voice)
Paul Eiding	...	(voice)
Donald Fullilove	...	(voice) (as Don Fullilove)
Teresa Ganzel	...	(voice)

Storyline

In a distant, but not so unrealistic, future where mankind has abandoned earth because it has become covered with trash from products sold by the powerful multi-national Buy N Large corporation, WALL-E, a garbage collecting robot has been left to clean up the mess. Mesmerized with trinkets of Earth's history and show tunes, WALL-E is alone on Earth except for a sprightly pet cockroach. One day, EVE, a sleek (and dangerous) reconnaissance robot, is sent to Earth to find proof that life is once again sustainable. WALL-E falls in love with EVE. WALL-E rescues EVE from a dust storm and shows her a living plant he found amongst the rubble. Consistent with her "directive", EVE takes the plant and automatically enters a deactivated state except for a blinking green beacon. WALL-E, doesn't understand what has happened to his new friend, but, true to his love, he protects her from wind, rain, and lightning, even as she is unresponsive. One day a massive ship comes to reclaim EVE, but WALL-E, ...

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Plot Keywords:

robot | plant | future | rescue | captain | 

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Taglines:

After 700 years of doing what he was built for - he'll discover what he's meant for.

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Genres:

Animation | Adventure | Family | Romance | Sci-Fi

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Certificate:

G

Details

Official Sites:

Disney [gb] Disney [uk]

Country:

USA

Language:

English

Release Date:

27 June 2008 (USA)

Also Known As:

The Adventures of WALL·E 3D

Box Office

Budget:

$180,000,000 (estimated)

Opening Weekend:

£4,253,736 (UK) (18 July 2008)

Gross:

$223,806,889 (USA) (2 January 2009)

Company Credits

Production Co:

Pixar Animation Studios, Walt Disney Pictures

Technical Specs

Runtime:

98 min

Sound Mix:

DTS-ES SDDS Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

EVE completes the Rubik's Cube in a little bit more than 3 seconds.

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Goofs

WALL-E records part of the the song "It Only Takes A Moment" from "Hello, Dolly!" and then plays it when he goes outside to look at the night sky. When he replays the song, it starts from an earlier point than when he hit the record button.

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Quotes

[first lines]
Voice in commercial: Too much garbage in your face? There's plenty of space out in space! BnL StarLiners leaving each day. We'll clean up the mess while you're away.

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Crazy Credits

An image during the credits reveals what WALL·E and EVE's plant finally grows into, as well as a hint at what the future holds for the couple.

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Connections

References Half-Life 2: Episode Two (2007)

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Soundtracks

"Put On Your Sunday Clothes"
Music & Lyrics by Jerry Herman
Performed by Michael Crawford
Courtesy of 20th Century Fox Film Corporation

User Reviews

More Than 1st Rate Animation. More Than Even 1st Rate Pixar. A First Rate Movie by Any Standard

Wall E

A square-bodied, binocular-faced, wide-eyed, little robot named Wall E lives potentially one of the loneliest lives imaginable. He is the only remaining inhabitant of earth, machine or organism (that is save a cockroach he adopts early on). Day in, day out, he continues the dutiful task he was beset by his creators: compact garbage in an attempt to clean up the now deserted earth, which has become an endless desert of waste. Eventually his several hundred year routine is interrupted by the landing of a spaceship that sends out a sleek, white chrome, advanced robot that's mission is to search Wall E's wasteland home for signs of life. That probe's name is Eve...and instantly Wall E is smitten. So begins a touching story of romance only Pixar could create, that soon launches to an unexpected journey (one I will not ruin, as some reviewers are) that whisks us off to a world and adventure that like the best of this studio's work, captures our imagination and never lets go; culminating in something original, captivating, and sublime.

That's the setup of Pixar's latest marvel; an animated juggernaut to rival their 'Citizen Kane', "Toy Story". Andrew Stanton ("Finding Nemo") directs the first few scenes, in which the adorkable main character shuffles aimlessly and collects human relics, with a quiet mystery; it spookily evokes the lost world in which we are shown, even as it slowly builds Wall E's character.

Then comes Eve, and Stanton continues to use this careful pacing to maximum effect. As Wall E and Eve develop an affection for one another, the film doesn't get cheap, cutesy 'aws' by trying to make you go "oh how adorable. They're cartoons and they like each other". It earns your empathy. Their courtship comes at an elegiac pace that makes it believable. Through careful nuance, a nice easy build, Wall E and Eve's romance is the most genuine, pure, real-feeling and emotionally absorbing love story in...well a long time in American cinema.

The real miracle here? It's all accomplished without a word of dialogue. Wall E has tremendous emotional affect; it communicates visually, and spectacularly so. The sound department here deserves special recognition: with almost no words until we reach the culmination of Wall E's adventure (and even here it's sparse), we the audience are never in doubt of what is happening or what the characters are communicating. People, it takes a lot of talent to make that happen. This isn't just a great animated work, or even just a great Pixar thrill ride. This is simply just spectacular film-making. Period.

Speaking of visuals, where "Toy Story" created a look that appeared thoroughly (and appropriately) plastic, the animation in Wall E looks spectacularly mechanical. It's almost...real; a beautifully rendered photo-realistic world. Combined with a wonderful original music score, old music tracks that sound Kubrickishly eerie in the early scenes (and speaking of Kubrick, there's a great reference to another sci-fi classic "2001: A Space Odysey", with a villain reminiscent of Hal and...a gag using the main theme is all I will say), and a phenomenal use of physical comedy (Wall E is something of a little, mechanized Charlie Chaplin or Buster Keaton) and emotive sound effects, as I keep mentioning, "Wall E"'s universe continually evokes massive emotions through minimalist techniques.

Whoever said Pixar has to make a bad movie sometime just because is wrong. They can continue to make marvels forever as far as I'm concerned. This studio has proved they can accomplish anything: including whisk us off on a ride that has great humor, marvelous visuals, a subtle warning about consumerism, and the most genuinely touching romance this century has yet scene in a movie...all with virtually no speaking. Wall E is a beautiful love story, a witty kids movie, a successful experimental motion picture, and even a classic sci-fi flick. Now the question is do I dare use the "M" word? Well...I'll let you decide. 10/10