Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bundling women (the 3 stooges?) who are all connected in some way. However a team of ... See full summary »
In a future, dystopian New York City, turf gangs and cops rule the streets. When one gang leader tries to bring all gangs together against the cops Coney Island's The Warriors are framed for his murder and the entire city turns on them.
Lazy court-process clerk and stoner Dale Denton has only one reason to visit his equally lazy dealer Saul Silver: to purchase weed, specifically, a rare new strain called Pineapple Express. But when Dale becomes the only witness to a murder by a crooked cop and the city's most dangerous drug lord, he panics and dumps his roach of Pineapple Express at the scene. Dale now has another reason to visit Saul: to find out if the weed is so rare that it can be traced back to him--and it is. As Dale and Saul run for their lives, they quickly discover that they're not suffering from weed-fueled paranoia: incredibly, the bad guys really are hot on their trail and trying to figure out the fastest way to kill them both. All aboard the Pineapple Express. Written by
During a July 2008 interview with the Orange County Register about Pineapple Express, the interviewer told Seth Rogen and James Franco that he prepared for the interview by watching the classic stoner comedy Fast Times at Ridgemont High the night before. When he asked Rogen and Franco if they prepared likewise before making this film, Franco said he prepared by making out with Spicoli (a reference to his having shot Milk, in which he and Sean Penn play lovers). See more »
When Dale and Saul are sharing the "cross joint" near the beginning, they each smoke a different joint. The joint that Saul smokes is obviously thicker than the joint that Dale smokes, but they are acting like they are sharing a single joint. See more »
[Matheson kills Budlofsky for refusing to refusing to shoot Saul when he had the chance]
I knew you were going soft. Dinner's gonna be cold tonight, asshole!
Fucked up, man.
[Points his gun at Saul]
Well looky here, Mr. Forges. Wussup, Saul?
Look, I didn't want to hit you, man...
SHUT THE FUCK UP! You think you was gonna get me, motherfucker? Huh? You need to set your little sexy ass down and watch yourself get killed now!
Alright! You know what, if this is how it's gonna be, alright. Silence!
[...] See more »
The film opens with the 1960's wide screen Columbia Pictures logo. See more »
A pothead (Seth Rogan) and his dimwitted dealer (James Franco) hit the road after witnessing a cop (Rosie Perez) murder a man. Pretty soon the two are trying to get away from the cop as well as two drug lords in the middle of a war. As far as pot comedies goes this one here is nearly the best the small genre has to offer. I'm sure Cheech and Chong would give this thing two bongs up as it does contain plenty of laughs but I couldn't help but feel it had the same shortcomings as other Judd Apatow movies. That one issue with this film, as well as the others, is that it runs too long for its own good. Clocking in a nearly two-hours I couldn't help but feel that the film could have lost thirty-minutes and not much would have been missed. This is especially true during the ending shoot out, which just keeps going and going. Outside of that issue this film contains some great big laughs with most of them coming in the form of pot jokes and stuff dealing with stoners. Seth Rogan turns in another winning performance as he gains plenty of laughs from his older guy. James Franco is the real jewel in the film as he's dead-on perfect as the drug dealing loser who just sits around his house getting high, selling pot and watching reruns on television. Franco gets the look down just right but his facial gestures and voice tone perfectly capture that pot head many of us have met in our lives. I thought Perez was pretty much wasted in a thankless role that didn't offer her too much to do. Ed Begley, Jr. has a funny bit as Rogan's girlfriend's father. The screenplay really doesn't offer us any jokes we haven't seen countless times before and in many ways there's not an original idea here but that doesn't really matter because the performances are what makes the movie funny.
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