A detective in post Katrina New Orleans area has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching and corrupt local businessmen.
A hardened New Orleans cop, Dave Robicheaux, finally tosses in the badge and settles into life on the bayou with his wife. But a bizarre plane crash draws him back into the fray when his family is viciously threatened.
Mary Stuart Masterson
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before. Written by
Told from the perspective of the character Dave Robichaux, who appears in every scene. See more »
When Tommy Lee bashes the guy's head into the pay phone at the bus station, his head clearly goes between the phone and the divider, not hitting anything. See more »
Did you know Cherry LeBlanc, a little white girl about nineteen years old?
She work here, ain't she?
You know if she had a boyfriend Tawn?
If that's what you wanna call it. She in the business.
Mr. Prejean involved?
I don't think he was. Otherwise he wouldn't be tellin' me all these things.
She a sad girl. I told her, 'A pretty white girl like you could have anything you want'. When that girl dress up, she look just like a movie star.
Who was her pimp?
I don't know nothin' else, me. ...
[...] See more »
Tommy Lee Jones has either read Burke's books or he is really that good. Unlike Alec Baldwin's Robicheaux in "Heaven's Prisoners" Jones has the complex nature of Robicheaux's personality down. Jones can deliver on the character's contrasting moods -- the sensitivity of his care for others versus the fire of his smoldering anger. Good flick. No stupid CGI tricks, no political correctness, just a good old fashioned crime mystery with a very riveting main character. There are some unresolved elements regarding the Goodman and Beatty parts but the dogged pursuit of the criminal element by Jones is worth the price of admission. I've read all of Burke's books and this is as close as anyone is going to get to myriad aspects of Dave Robicheaux's tortured soul. Burke fans disappointed by "Heaven's Prisoners" should see this one.
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