A detective in post Katrina New Orleans area has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching and corrupt local businessmen.
In occupied France, German-run Continental Films calls the shots in the movie business. Assistant director and Resistance activist Jean Devaivre works for Continental, where he can get "in ... See full summary »
As the Japanese surrender at the end of WWII, Gen. Fellers is tasked with deciding if Emperor Hirohito will be hanged as a war criminal. Influencing his ruling is his quest to find Aya, an exchange student he met years earlier in the U.S.
Daniel is schoolmaster of a kindergarten in a small French town. The local economy, which depended entirely on coal production, has been mired in a depression ever since the mines were ... See full summary »
Three adolescents, a girl who serves as the priming and two boys, kill two men cold blooded who were known by the girl only for to steal the money of them. With the money the three want to ... See full summary »
Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before. Written by
John Bell Hood died aged of 48; in this movie he's played by 68 year old Levon Helm. See more »
Tommy Lee picks the lock with one hand and one tool. A flashlight is in his other hand, he holds. Lock-picking usually requires one tool to hold the tumblers and one to turn the mechanism. Most people can only do that with both hands. See more »
Lou Girard always called at night. I have picked him out of the gutters from New Orleans to Lake Charles, held him when he had the shakes, and driven him to A-A meetings more times than I can remember. And he had done the same for me.
See more »
Excellently cast; and well-acted, directed, and photographed
There aren't too many movies where you find that each and every actor seems realistic, without overplaying his or her part. I definitely have a bias towards moody, dark Louisiana movies with psychotic killers and corruption. This movie has all the virtues of that genre. Tommy Lee Jones is excellent as a worn-out, aging, alcoholic detective (on the wagon) who has a strong moral sense, but cuts corners when he deems it necessary.
John Goodman is so versatile that I didn't recognize him as the same actor who was in The Big Lebowski which I had watched only the day before. The script was so adept that they handled the issues of race relations in what I considered a realistic manner without any preaching. The settings, whether swamps at night, Southern mansions, broken down shacks, or merely country scenery all seemed highly realistic. The editing was excellent. Thus, the timing of most scenes was just right, so there wasn't the problem of boredom.
The only reason I gave the movie an 8 rather than a 10 is that it suffered from too much mumbled dialogue, so you have to be willing to live with about 25% of dialogue shooting past you (unless perhaps you are from "Loozyana"), and perhaps missing some of the relationships between people early on. However, while this meant that you might miss out on some of the subtleties, the story is not that fast moving and complex that it warrants bypassing the movie, given all its virtues.
8 of 8 people found this review helpful.
Was this review helpful to you?