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In the Electric Mist (2009)

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A detective in post Katrina New Orleans area has a series of surreal encounters with a troop of friendly Confederate soldiers while investigating serial killings of local prostitutes, a 1965 lynching and corrupt local businessmen.

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Title: In the Electric Mist (2009)

In the Electric Mist (2009) on IMDb 6.1/10

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Cast

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Cholo Manelli (as Julio Cesar Cedillo)
Bernard Hocke ...
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Storyline

Lt. Dave Robicheaux, a detective in New Iberia, Louisiana, is trying to link the murder of a local hooker to New Orleans mobster Julie (Baby Feet) Balboni, who is co-producer of a Civil War film. At the same time, after Elrod Sykes, the star of the film, reports finding another corpse in the Atchafalaya Swamp near the movie set, Robicheaux starts another investigation, believing the corpse to be the remains of a black man who he saw being murdered 35 years before. Written by anonymous

Plot Summary | Plot Synopsis

Taglines:

No one can escape the sins of the past.


Motion Picture Rating (MPAA)

Rated R for violence, language and brief sexuality/nudity | See all certifications »

Parents Guide:

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Details

Official Sites:

Country:

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Release Date:

15 April 2009 (France)  »

Also Known As:

In the Electric Mist with Confederate Dead  »

Company Credits

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Technical Specs

Runtime:

| (DVD)

Sound Mix:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

John Bell Hood died aged of 48; in this movie he's played by 68 year old Levon Helm. See more »

Goofs

When a caller hangs up on Dave's cell phone, you hear a dial tone. Cell phones do not have dial tones. See more »

Quotes

Dave Robicheaux: Mr. Sykes. You've been drivin' drunk and you come to a cop's house to buy more booze. Why don't you hand those keys to Miss Drummond before you hit the road.
Elrod Sykes: Hehe hehe. Where's that beer at?
Kelly Drummond: You're a good man.
Dave Robicheaux: Yaw'll need to be real careful.
Kelly Drummond: Elrod's a shitbird, but I love him.
See more »

Connections

Follows Heaven's Prisoners (1996) See more »

Soundtracks

Stone Crazy
Written by Buddy Guy
Performed by Buddy Guy with Nathan and the Zydeco Cha Chas
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Atmospheric, Moody Drama with Crime as Only Part of Context
8 March 2009 | by (United States) – See all my reviews

Filled with bayou atmosphere, the film follows Louisiana detective Dave Robicheaux as he sorts through two cases that tie together past and present, history and future, black and white, rich and poor. The cultural tension that permeates the movie creates the backdrop for a psychological crime drama whose suspense comes primarily from the personal conflict of Robicheaux. The crime action itself serves more to buffet the lead character on his internal journey than to create an action-heavy thrill-ride.

In the Electric Mist is rich in atmosphere, and that is perhaps its strongest point. All aspects of the film-making process come together to drive home the feeling of the Lousiana bayou, from the detailed sets to the slow pace to the contrast between the simmering intensity of the true Louisiana folks with the outlandish extroversion of the outsiders and the locals who have been won over by Hollywood culture. It is a movie best experienced with your full attention.

There is a strong sense of suspense in the film, but it is delivered through tragedy and the search for resolution, not high action. While Tommy Lee Jones delivers the sort of performance one might expect and there are certainly plenty of thriller mainstay elements, this is not an action piece, an in intrigue, or a intricate mystery. If you cannot get invested in the tension of a complicated shades-of-grey lead character and his search for answers to questions that may not e fully expressed, the suspense will likely escape you and you will be left with a slow movie with an unsurprising plot. And if you cannot get absorbed into the play of contrasts and dialectics within the fabric of the rural Louisiana cultural fabric, you probably find the message trite, the ending too neat, and some of the performances (e.g., John Goodman as Baby Feet Balboni) as over-the-top and distracting. But if you can allow yourself to experience the film through Jones' Robicheaux, you will find yourself sharing his internal conflict, delighting in bright spots of energy like Alana Locke's Alafair, and clinging to a misty hope for resolution.


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