| Michael Paré | ... | Dante Montana | |
| Claudette Roche | ... | Lucretia Scott | |
| Tanya Allen | ... | Percy Montana | |
| Yves Beneyton | ... | Dr. Devon | |
| Murray Melvin | ... | Caravaggio | |
| Stephen Marcus | ... | Rudolpho | |
| Kai King | ... | Billy Tsunami | |
| Phillipe Simon | ... | Etienne (as Philippe Simon) | |
| Matthew Crabbe | ... | Ryan | |
| Debiiey Dunn | ... | Qunita | |
| J. Michael Boudreault | ... | Zakal | |
| Sheldon Gordon | ... | Raider #1 | |
| Meredith Vuchnich | ... | Tracey | |
| Barbara Longaphie | ... | Luc's Mother |
| Episode Crew |
Directed by | |||
| François Basset | |||
Writing credits(in alphabetical order) | ||
| Daniel D'Or | creator | |
| Nelu Ghiran | story | |
| Philip Jackson | creator (as G. Philip Jackson) | |
| Lorne Wise | writer | |
Produced by | |||
| Silvio Astarita | .... | co-executive producer | |
| Daniel D'Or | .... | producer | |
| Paul Spike Lees | .... | line producer | |
| Andrew Somper | .... | co-producer | |
Second Unit Director or Assistant Director | |||
| Daniel D'Or | .... | director: UK | |
| Jason Shipley | .... | second assistant director | |
Art Department | |||
| Pablo Alarcon | .... | set designer | |
| Denise Dachsel | .... | set designer | |
| Sang Maier | .... | set dresser | |
| Louise Paquette | .... | art department coordinator | |
| Brenda McLeese | .... | property assistant intern (uncredited) | |
Sound Department | |||
| Jacques Guillot | .... | sound re-recording mixer | |
Visual Effects by | |||
| Tim Ketzer | .... | visual effects supervisor: Das Werk | |
Costume and Wardrobe Department | |||
| Jennifer Ellis | .... | assistant costume designer | |
Music Department | |||
| Kathryn Waugh | .... | assistant music supervisor | |
Other crew | |||
| Zoe Simijonovic | .... | script supervisor | |
| Nerissa McCormack | .... | payroll accountant (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Writing credits(in alphabetical order) | ||
| Daniel D'Or | creator | |
| Philip Jackson | creator (as S. Philip Jackson) | |
| Philip Jackson | (episodes 23-44 season 2) | |
Produced by | |||
| Paul Rapovski | .... | associate producer (uncredited) | |
Casting by | |||
| Juli-Ann Kay | |||
Production Management | |||
| David Cooke | .... | post-production supervisor | |
| Toby Rigdway | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Preston Hudson | .... | third assistant director | |
Art Department | |||
| Glenn Curry | .... | storyboard artist | |
Sound Department | |||
| Timothy Muirhead | .... | dialog editor | |
Visual Effects by | |||
| Ines Krüger | .... | fire trainee: das werk | |
Stunts | |||
| Plato Fountidakis | .... | stunt coordinator | |
| Plato Fountidakis | .... | stunts | |
Music Department | |||
| Ron Korb | .... | musician: flute | |
| Main series | Episode guide | Full cast and crew |
| Company credits | IMDb TV section | IMDb Sci-Fi section |
*** This review may contain spoilers ***
While transporting wily con artist Etienne (an amusingly slimy and slippery portrayal by Phillipe Simon) to prison, the Tulip receives a distress call from Dr. Devon (a fine and affecting performance by Yves Beneyton). It turns out that Devon is being pursued by a band of Raiders after freeing his psychically gifted son Ryan (a credible turn by Matthew Crabbe) from an Orchard research facility. While this episode unfolds at a steady pace, builds a sizable amount of tension, and delivers some exciting action in the last third, it's still most notable for providing some additional background information on Dante (Michael Pare, good as ever); we learn that Dante was a corn farmer prior to becoming a bounty hunter and he primarily decided to become a bounty hunter in order to find his missing son Travis. Moreover, it's a lot of fun watching the shifty Etienne flirt with both Lucretia (sturdy work by Claudette Roche) and Percy (a nicely sparky Tanya Allen) as well as try to escape and elude capture. And this episode makes a valid point on how good intentions can beget severe and harmful consequences.