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  • Simon sketches how Vincent Van Gogh was foremost a world-improver, who cared for the common man, working as a 'lay priest' among but got fired by the Dutch Protestant establishment at age 30, and only then turned to painting as a means of continuing his social strife for the poor, while depending on his brother, who became an art gallery-keeper in Paris, for his meager livelihood, as his works' dark themes and colors didn't sell in the colorful, light-focused age of impressionism, yet made his mark on it after a visit to Paris, without becoming fashionable till long after his death in a mental asylum.


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