For as long as she could remember, Dakota Skye has been cursed with a super power. She has the ability to see the truth in any lie she hears. From small, harmless white lies, to the more ... See full summary »
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A poor and passionate young man falls in love with a rich young woman and gives her a sense of freedom. They soon are separated by their social differences.
A naive young woman comes to New York and scores a job as the assistant to one of the city's biggest magazine editors, the ruthless and cynical Miranda Priestly.
Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.
With a job that has him traveling around the country firing people, Ryan Bingham leads an empty life out of a suitcase, until his company does the unexpected: ground him.
Director:
Jason Reitman
Stars:
George Clooney,
Vera Farmiga,
Anna Kendrick
A romantic drama centered on two new lovers: Tyler, whose parents have split in the wake of his brother's suicide, and Ally, who lives each day to the fullest since witnessing her mother's murder.
Director:
Allen Coulter
Stars:
Robert Pattinson,
Caitlyn Rund,
Moisés Acevedo
A young couple living in a Connecticut suburb during the mid-1950s struggle to come to terms with their personal problems while trying to raise their two children. Based on a novel by Richard Yates.
Director:
Sam Mendes
Stars:
Kate Winslet,
Leonardo DiCaprio,
Christopher Fitzgerald
Tells the story of a city girl who moves to a small town and becomes entangled in a love triangle between her high school teacher and a stoner classmate.
Director:
Michael Goldbach
Stars:
Kat Dennings,
Reece Thompson,
Andie MacDowell
The story of two North Carolina teens, Landon Carter and Jamie Sullivan, who are thrown together after Landon gets into trouble and is made to do community service.
For as long as she could remember, Dakota Skye has been cursed with a super power. She has the ability to see the truth in any lie she hears. From small, harmless white lies, to the more devious kind, they have come from the people that she should trust the most; her family, friends and teachers. These lies have snowballed, leading to her becoming bitter and apathetic towards the world around her. Now seventeen, Dakota just watches the world happen around her, unmotivated to join it. She has a boyfriend who plays in a semi-popular local rock band and her best friend from childhood, but finds little joy in her own life. One day, Jonah comes into town. It only takes a few days before Dakota notices something about him that sets him apart from the other people in her life. He doesn't lie. Through her friendship with Jonah, her eyes are opened to the world around her and she sees that there is something out there more than all the lies. There is a possibility of something different... ... Written by
John Humber
When Dakota walks into class and falls asleep at her desk, she is only wearing two black and pink bracelets. In the next scene when she is being picked up from school she is suddenly also wearing a few blue bracelets. See more »
Quotes
Jonah Moreno:
Why do we always find ourselves looking down on things. I think that's a thing for us...
See more »
I was at the Phoenix Film Festival this weekend, and it was one of the strongest batch of quality films I've seen at a festival. There were none of those high- profile stinkers (like Hound Dog) that always seem to slip into these showcases. Just good cinema.
By far the Best of the Fest was a little film called DAKOTA SKYE. It's a coming of age story (strike 1) with no stars (strike 2). But the film does not deserve to go back to the lockers. This should be seen by the widest audience possible. (At the fest, I saw a similar remarkable film, the already acclaimed American Teen. This was even better.)
And while it's about a 16 year-old girl growing up in Phoenix, the film is not your typical coming of age drama...not even close. There's a (let's say) superhero element that makes the film completely unique (without relying on its gimmick like say, What Women Want.) The ingenious script by Chad Shonk (who so deserved the Award he won) merely uses his gimmick as a jumping off point, to explore issues of trust. I am not the target audience for this film, yet it spoke to me in a way I would not have expected. (It's even more exceptional that the film was written, produced and directed by men, yet is such a strong woman's picture.)
And the cast may not be stars, but they can Act, with a capital A. Eileen Boylan gets a star-making part as the emotionally conflicted Dakota. She plays well off of Ian Nelson and J.B. Ghuman as the two men in her life. Each performer brings a different energy to the film, and you can see what appeals to Dakota and draws her to both guys. (The conflict is highlighted in an amazing movie theater scene that contains some of the film's best dialogue and most subtly powerful direction.) Nelson shows the skills of a solid leading man, while Ghuman should be required casting for any filmmaker looking for an actor who can steal the movie. His mixture of jerkiness and emotional sincerity should be taught to other actors of his generation who keep messing parts like this up.
The film is really well edited. For a dialogue-heavy film, there's a lot of montages and they feel carefully planned, not scraped together out of whatever footage was lying around. (Something that you come to expect to find in a first-time Indie film.) And it's all tied up with a light and bouncy score that knows when to come in and when to let the actors do the heavy lifting.
I learned this is the feature debut of director John Humber, and I can't wait to see where he goes next. This is an assured first film (like the best parts of Sofia Coppola's The Virgin Suicides or David Gordon Green's George Washington.) My big fear is that, with no stars to push, the film will get lost on the festival circuit and we will all lose out on one of the most exciting filmmakers I've seen in a while. I urge everybody to mark this page, google the film, do whatever you have to. If this film comes to your town, DO NOT MISS IT. If you happen to be on a festival committee, don't be so quick to give it a pass. (Like Hustle & Flow, the film gets better and better as it goes on.) You'll want to say that you played this film and supported this filmmaker. (He also gives an excellent Q&A.)
DAKOTA SKYE, the best independent film that isn't getting enough attention.
p.s. I was inspired to write this review because I worry the film won't get released in theaters or come out on DVD. And I really want to own this film on DVD. I don't want the festival to be the one and only time I get to watch it.
21 of 27 people found this review helpful.
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I was at the Phoenix Film Festival this weekend, and it was one of the strongest batch of quality films I've seen at a festival. There were none of those high- profile stinkers (like Hound Dog) that always seem to slip into these showcases. Just good cinema.
By far the Best of the Fest was a little film called DAKOTA SKYE. It's a coming of age story (strike 1) with no stars (strike 2). But the film does not deserve to go back to the lockers. This should be seen by the widest audience possible. (At the fest, I saw a similar remarkable film, the already acclaimed American Teen. This was even better.)
And while it's about a 16 year-old girl growing up in Phoenix, the film is not your typical coming of age drama...not even close. There's a (let's say) superhero element that makes the film completely unique (without relying on its gimmick like say, What Women Want.) The ingenious script by Chad Shonk (who so deserved the Award he won) merely uses his gimmick as a jumping off point, to explore issues of trust. I am not the target audience for this film, yet it spoke to me in a way I would not have expected. (It's even more exceptional that the film was written, produced and directed by men, yet is such a strong woman's picture.)
And the cast may not be stars, but they can Act, with a capital A. Eileen Boylan gets a star-making part as the emotionally conflicted Dakota. She plays well off of Ian Nelson and J.B. Ghuman as the two men in her life. Each performer brings a different energy to the film, and you can see what appeals to Dakota and draws her to both guys. (The conflict is highlighted in an amazing movie theater scene that contains some of the film's best dialogue and most subtly powerful direction.) Nelson shows the skills of a solid leading man, while Ghuman should be required casting for any filmmaker looking for an actor who can steal the movie. His mixture of jerkiness and emotional sincerity should be taught to other actors of his generation who keep messing parts like this up.
The film is really well edited. For a dialogue-heavy film, there's a lot of montages and they feel carefully planned, not scraped together out of whatever footage was lying around. (Something that you come to expect to find in a first-time Indie film.) And it's all tied up with a light and bouncy score that knows when to come in and when to let the actors do the heavy lifting.
I learned this is the feature debut of director John Humber, and I can't wait to see where he goes next. This is an assured first film (like the best parts of Sofia Coppola's The Virgin Suicides or David Gordon Green's George Washington.) My big fear is that, with no stars to push, the film will get lost on the festival circuit and we will all lose out on one of the most exciting filmmakers I've seen in a while. I urge everybody to mark this page, google the film, do whatever you have to. If this film comes to your town, DO NOT MISS IT. If you happen to be on a festival committee, don't be so quick to give it a pass. (Like Hustle & Flow, the film gets better and better as it goes on.) You'll want to say that you played this film and supported this filmmaker. (He also gives an excellent Q&A.)
DAKOTA SKYE, the best independent film that isn't getting enough attention.
p.s. I was inspired to write this review because I worry the film won't get released in theaters or come out on DVD. And I really want to own this film on DVD. I don't want the festival to be the one and only time I get to watch it.