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IMDb > Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood (2006) (V)

Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood (2006) (V) More at IMDbPro »


Overview

User Rating:
7.1/10   20 votes
MOVIEmeter: ?
Down 21% in popularity this week. See why on IMDbPro.
Director:
Writer:
Robert Fischer (writer)
Contact:
View company contact information for Ernst Lubitsch in Berlin - Von der Schönhauser Allee nach Hollywood on IMDbPro.
Release Date:
22 November 2006 (Germany) more
Plot:
In Ernst Lubitsch in Berlin, the first-ever feature documentary on the inventor of the "Lubitsch Touch"... more | add synopsis
Plot Keywords:
User Reviews:
Drier than dirt. more (1 total)

Cast

  (Credited cast)
Nicola Lubitsch ... Herself

Tom Tykwer ... Himself
Michael Hanisch ... Himself
Hans Helmut Prinzler ... Himself
Enno Patalas ... Himself
Jan-Christopher Horak ... Himself (as Jan-Christopher Horak)
Wolfgang Becker ... Himself
Dani Levy ... Himself
Amanda Goodpaster ... Herself
Evy Bettelheim-Bentley ... (archive footage)
Jörg Jannings ... (voice)
Henny Porten ... Herself (voice)
Ernst Lubitsch ... Himself (archive footage)
more

Additional Details

Runtime:
110 min
Country:
Language:
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Filming Locations:
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Fun Stuff

Movie Connections:
Features Die Austernprinzessin (1919) more

FAQ

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1 out of 1 people found the following review useful.
Drier than dirt., 5 June 2009
5/10
Author: planktonrules from Bradenton, Florida

I wanted to love this documentary. After all, the films that Ernst Lubitsch made in America in the 1930s and 40s were works of art--as well as great romantic fun. And, sadly, few think about his extensive acting and directing career BEFORE he came to Hollywood. So the notion that a film delves into his life and work in Berlin is something that excited me.

Sadly, however, this documentary turned out to be drier than dirt. In other words, they managed to make this exciting concept totally dull and a chore to watch. I think the biggest problem was the "we've got footage--let's use it" thinking of the film makers. In other words, there was a lot of footage of interviews with Lubitsch's elderly niece and daughter and the film makers let it be the bulk of the film. The problem was that this material wasn't that interesting in how it was presented. The use of this footage should have been used much more sparingly. Instead of almost exclusively using these interviews and some old photos, having a narrator or telling it like a traditional retrospective documentary would have worked better. I just felt, after a while, that listening to the people reminisce was like listening to one of my boring old aunts talk on and on and on about "the good 'ol days". This should have been better.

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