Kurt and his men tries to find the connection between a horrible murder taken place in Ystad and the kidnapping of one in the police force daughter. It also seems someone has infiltrated the police ...
Eleven-year-old Johannes is found dead in a barn after he has been sexually abused. Lindman is charged with telling the father, whom he knows from a local shooting club, but is taken off the case for...
A suspected jewel robber, his ex-girl-friend and a cop who became more than friends with her are all killed by a sniper, who turns out to be a sixteen-year-old boy. It is assumed that he is carrying ...
Shortly after police discovers the murder of three friends, police inspector Wallander finds his friend and colleague Svedberg dead. At first believing that Svedberg killed himself, ... See full summary »
A Kurt Wallander mystery told from the perspectives of police and criminal. A foreign teenage girl burns herself to death under inspector Wallander's eyes. Several homicides take place ... See full summary »
A light plane crashes outside of Mossby strand, and a detonated armour-piercing shell is found in the wreckage. Kurt Wallander is called in to investigate. A few days later, two elderly ... See full summary »
Daniel Lind Lagerlöf
You can forget the Americans and the British, it's the Swede's who really know how to do it
The original Wallander series is a complete triumph. As others here I caught it on the off chance on BBC4 and full expected to be left a little cold by it. But I can't tell you how happy I am to tell you I couldn't have been more wrong. The first thing that grabbed me was the complete lack of silly old hat jerky camera that was always naff anyway (and which the British for some reason still persist with). Then I began to notice other things, very little shouting, no dumb music played over the dialogue. By now I was starting to sit up as it dawned on me I was watching a very rare thing these days: intelligent drama written for grown ups and blatantly not pandering to the fickleness of the under-25s. Once this realisation had dawned the real strength of this series suddenly grabbed me: the characterisation. First of all it was the wonderful portrayal of the passionate, but lost and vulnerable Linda Wallander by the beautiful and much lamented Johanna Sällström. Then it was Kurt himself and his flimsy grip on reality and finally and sadly not until the final brilliant episode that I got to grips with the hot head character of Stefan. Dysfunctional, deeply flawed and very human characters brilliantly written and superbly executed to breathtaking effect by the excellent cast. I honestly cannot think of a TV series that could be beat this. Can we please have some TV for grown ups again made in Britain? No? I didn't think so.
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