| Sophie Monk | ... | Alexa | |
| Tad Hilgenbrink | ... | Tyler (as Tad Hilgenbrinck) | |
| William Sadler | ... | Concannon | |
| Janet Montgomery | ... | Serina | |
| Alex Wyndham | ... | Lalo | |
| Ewan Bailey | ... | Sonny | |
| Danko Jordanov | ... | Babyface (as Danko Iordanov) | |
| Mike Straub | ... | Gabe | |
| Hristo Mitzkov | ... | Jimbo | |
| Georgi Dimitrov | ... | Lance (as Georgi Dimitrov-Bomba) | |
| Ekaterina Temelkova | ... | Sherri | |
| Raicho Vasilev | ... | Babyface actor | |
| Itai Diakov | ... | Teen Babyface (as Ithai Dyakov) | |
| Petya Ivanova | ... | Alexa, age 5 | |
| Elene Mshvidobadze | ... | Alexa, age 10 | |
| rest of cast listed alphabetically: | |||
| Velizara Stoyanova | ... | Dancer | |
Directed by | |||
| Dave Parker | |||
Writing credits(in alphabetical order) | ||
| John Carchietta | story | |
| John Dombrow | written by | |
| David J. Schow | written by | |
Produced by | |||
| Charles V. Bender | .... | co-producer | |
| Stephen Bender | .... | associate producer | |
| John Carchietta | .... | producer | |
| Ethan Erwin | .... | co-producer | |
| Robert Meyer Burnett | .... | producer | |
| Carl Morano | .... | producer | |
| Erik Olsen | .... | executive producer | |
| Steve Richards | .... | executive producer | |
| Roee Sharon | .... | producer | |
| Joel Silver | .... | executive producer | |
| Jonathan Tzachor | .... | producer | |
Original Music by | |||
| Frederik Wiedmann | |||
Cinematography by | |||
| Ilan Rosenberg | |||
Film Editing by | |||
| Harold Parker | |||
Casting by | |||
| Dean E. Fronk | |||
| Gillian Hawser | |||
| Donald Paul Pemrick | |||
Production Design by | |||
| Antonello Rubino | |||
Art Direction by | |||
| Ivan Ranghelov | |||
Set Decoration by | |||
| Paolo Faenzi | |||
Costume Design by | |||
| Jasmina Vasileva | (as Jasmina Vasileva-Stoichkova) | ||
Makeup Department | |||
| Desislava Grozdeva | .... | key makeup artist | |
| Petya Simeonova | .... | makeup artist | |
| Yana Stoyanova | .... | key makeup artist | |
Production Management | |||
| Vessela Bannzurkova | .... | unit production manager | |
| Jeff Shiffman | .... | production supervisor | |
| Jon Gordon McKenzie | .... | production manager: additional photography unit (uncredited) | |
Sound Department | |||
| Zac Anderson | .... | foley editor | |
| Steven Avila | .... | sound designer | |
| Steven Avila | .... | supervising sound effects editor | |
| Trip Brock | .... | supervising sound editor | |
| Naomi Dandridge | .... | adr recordist | |
| Ryan Davis | .... | sound re-recording mixer (additional re-recording mixer) | |
| Tom Deane | .... | adr mixer | |
| Caleb Easter | .... | sound editor | |
| Petar Kadiiski | .... | boom operator | |
| Tsvetan Kadiiski | .... | sound recordist | |
| Stanley Kastner | .... | sound re-recording mixer | |
| Peter D. Lago | .... | sound effects editor | |
| Sean Madsen | .... | sound engineer | |
| Greg Mauer | .... | foley mixer | |
| Rick Owens | .... | foley artist | |
| Alexander Pugh | .... | sound designer | |
| Alexander Pugh | .... | sound effects editor | |
| Jason Shaffer | .... | sound effects editor | |
| Bryon Speller | .... | dialogue editor | |
| Lionel Strutt | .... | adr coordinator | |
| Kyle Tilbury | .... | sound re-recording mixer | |
| Steven Utt | .... | sound engineer | |
| Ben Whitver | .... | adr mixer | |
| Brian S.M. Wroth | .... | adr editor | |
| Brian S.M. Wroth | .... | dialogue editor | |
Special Effects by | |||
| Scott Conner | .... | sculptor/ prop maker | |
| Graham Denman | .... | special effects shop assistant | |
| Ron Karkoska | .... | special effects supervisor | |
| Ana Preciado | .... | special makeup effects | |
| Stefan Razlojki | .... | armourer | |
| Mike Rotella | .... | sculptor | |
| Graham Schofield | .... | sfx props | |
| Mark Villalobos | .... | special makeup effects supervisor | |
| Patricia Villalobos | .... | special effects crew | |
Visual Effects by | |||
| Eran Barnea | .... | visual effects supervisor | |
Stunts | |||
| Georgi Dimitrov | .... | stunts | |
| Ivailo Dimitrov | .... | stunts (as Ivailo Dimitrov) | |
| Borislav Iliev | .... | stunts | |
| Danko Jordanov | .... | stunt double | |
| George Karlukovski | .... | stunts | |
| Velizar Peev | .... | stunt double | |
| Elitsa Rajeva | .... | stunt double: Janet Montgomery | |
| Georgi Stanislavov | .... | stunts | |
| Ventsislav Stoyanov | .... | stunts | |
| Kaloian Vodenicharov | .... | stunt coordinator | |
Casting Department | |||
| Eddie Jaszek | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Desislava Andonova | .... | costumer | |
| Vyarka Sirkova | .... | costume supervisor | |
Editorial Department | |||
| Marc Carlini | .... | assistant editor | |
| Adam Farrar | .... | post-production assistant | |
| Sean Findley | .... | post-production consultant | |
| Christopher Hills-Wright | .... | post-production consultant | |
| Adam Ohl | .... | digital intermediate producer | |
| Crispin Struthers | .... | additional editor | |
| Dan Tegnelia | .... | post-production assistant (as Daniel 'Chachi' Tegnelia) | |
| Todor G. Todorov | .... | colorist | |
Music Department | |||
| Zewhong Lee | .... | music preparation | |
| Haim Mazar | .... | score engineer | |
| Zdena Pelikanova | .... | orchestra contractor | |
| Derek Somaru | .... | music editor | |
| Hyesu Yang | .... | orchestrator | |
Transportation Department | |||
| Trayan Anachkov | .... | transportation | |
| Stefan Cheresharski | .... | unit driver | |
| Lubomir Evtimov | .... | transportation coordinator (as Lyubo Evtimov) | |
| Milen Filipov | .... | unit driver | |
| Tzvetan Ignatov | .... | unit driver | |
| Sashko Iliev | .... | unit driver | |
| Martin Kolev | .... | unit driver | |
| St. Kostadinov | .... | unit driver | |
| Kiril Kurtov | .... | unit driver | |
| Yuri Lakov | .... | unit driver | |
| Vesko Ntachev | .... | unit driver | |
| Ivan Petkov | .... | unit driver | |
| Stoyan Rakovski | .... | unit driver | |
| Emil Serkedjiev | .... | unit driver | |
| Georgi Stanchev | .... | unit driver | |
| Dimiter Zarev | .... | unit driver | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Hmm, I definitely second what my pal and fellow reviewer TheatreX stated in his user comment! I am a devoted fan of horror genre as well and I also get a kick out of tracking down hidden gems that are extremely obscure or even considered "lost", but after seeing this film, I must make a mental note to never ever go and fanatically seek for lost backwoods slashers myself! That is what the basic plot of "The Hills Run Red" is all about. Tyler is a horror fan and amateur documentary maker obsessed with the idea of finding a horror film that was taken out of circulation shortly after its release, allegedly because it was too shocking and gruesome, as well as the director Wilson Wyler Concannon who mysteriously vanished as well. He convinces two friends and even the director's daughter, who nowadays is a heroin junkie and works as a stripper, to drive out to the middle of nowhere region where the movie was shot in the early 80's. Deep down in those backwoods, the foursome discovers that the film is real and never fully got completed. The maniacal killer from the trailer, referred to as Babyface, still prowls the area and butchers all trespassers in horribly painful ways. "The Hills Run Red", from director Dave Parker who previously made the hugely entertaining zombie flick "The Dead Hate the Living!" comes as a pleasant and refreshing little surprise in the overall worn out slasher genre. Especially the first half is compelling and innovative; at least if you're an obsessive horror fan yourself like I explained here above. All the little bits and footage and trivia details of the inexistent lost horror movie are truly fascinating. Supposedly "The Hills Run Red" revolved about a killer who cut off his own face as a child, because his stepfather said he was ugly, and replaced it with a doll mask. Director W.W. Concannon was a reputed freak who used real blood from a nearby slaughterhouse and hired a local retard to play the killer. The second half, meaning as soon as the main characters are confronted with the killer and have to run for their lives, feels a lot more like familiar slasher territory again with some implausible and grotesque plot twists as well as a few derivative clichés. Nevertheless, even then "The Hills Run Red" still transcends the majority of backwoods slashers because it literally oozes with perversion and sheer nastiness. The film is chock- full of macabre set pieces, harsh gore, lurid sleaze and vicious undertones like incest and mutilation. Correct me if I'm wrong, but aren't these trademarks exactly what the horror genre is all about? Add to all this a creepy horror lullaby that continuously gets repeated ("Hush, little baby, don't say a word ") and a downright depressing climax and you got yourself perhaps even a future classic. The basic premise is reminiscent to the John Carpenter's Masters of Horror episode "Cigarette Burns", but it's more properly elaborated and a lot more identifiable, and it was fun seeing B-movie veteran William Sadler star in gloriously demented role again. Recommended.