| Yoshihiko Inohara | ... | Hiroki | |
| Aya Okamoto | ... | Kaoru Nakano | |
| Shunsuke Kiyokiba | ... | Takeshi | |
| rest of cast listed alphabetically: | |||
| Ayumi Ishida | |||
| Ken Ishiguro | |||
| Keizô Kani'e | |||
| Shouhei Kawaguchi | |||
| Erika Toda | |||
Directed by | |||
| Yoshimasa Toki | |||
Writing credits(in alphabetical order) | ||
| Yoshikazu Okada | ||
Original Music by | |||
| Takatomo Nozawa | |||
Cinematography by | |||
| Shogo Ueno | |||
Film Editing by | |||
| Yoshiyuki Okuhara | |||
Production Design by | |||
| Katsumi Kaneda | |||
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| Be with You | Echo of Silence | Gigolo | She's Rain | Kichiku |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section |
Tengoku wa matte kureru ("Heaven can wait. Maybe...") is a painfully labored melodrama about three school friends whose youthful friendship turns into a strained love-triangle. The three characters are little more than types: the smart, quiet boy; the slow but determined blue-collar worker; and the object of both of their affections, the professional store clerk who can't choose between her two best friends.
The big plot twist, such as it is, is surprisingly tame, and it's lack of suspense leaves the subsequent events without tension. Much of the film is filled with repetitive camera shots of a fish market, hospital room, and the insertion of vapid pop songs, leaving little room for plot or character development, and what story there is, is predictable and bland.
With a script and acting that seems more suited to daytime soap operas than a feature film, and sugary music that dripped with pathos, I found it hard to muster much sympathy or interest for any of the characters.