| Photos (see all 19 | slideshow) | Videos |
| Glen Hansard | ... | Guy | |
| Markéta Irglová | ... | Girl (as Marketa Irglova) | |
| Hugh Walsh | ... | Timmy Drummer | |
| Gerard Hendrick | ... | Lead Guitarist (as Gerry Hendrick) | |
| Alaistair Foley | ... | Bassist | |
| Geoff Minogue | ... | Eamon | |
| Bill Hodnett | ... | Guy's Dad | |
| Danuse Ktrestova | ... | Girl's Mother | |
| Darren Healy | ... | Heroin Addict | |
| Mal Whyte | ... | Bill | |
| Marcella Plunkett | ... | Ex Girlfriend | |
| Niall Cleary | ... | Bob | |
| Wiltold Owski | ... | Man watching TV | |
| Krzysztos Tlotka | ... | Man watching TV | |
| Tomek Glowacki | ... | Man watching TV | |
| Attila Kouvacs | ... | Man watching TV | |
| Sean Miller | ... | Bank Manager (as Sean Millar) | |
| Pat McGrath | ... | Drunk | |
| Praghosa | ... | Hari Krishna | |
| Kate Haugh | ... | Baby | |
| Senan Haugh | ... | Husband | |
| Catherine Hansard | ... | Singer at party | |
| Pete Short | ... | Singer at party | |
| Fergus O'Farrell | ... | Singer at Party | |
| Bob Hoban | ... | Shop Assistant Bogarts | |
| Martina Akindojctimi | ... | Person on Stoop | |
| Ruslan Mannanu | ... | Person on Stoop | |
| Francis Usanga | ... | Person on Stoop | |
| Prince Tylot Khumaho | ... | Person on Stoop | |
| Joe Adebe | ... | Person on Stoop | |
| Bernard Gibsenen | ... | Shop Assistant | |
| Paul Clarke | ... | Shop Assistant | |
| Maire Walsh | ... | Woman on Bus | |
| Dave Cleary | ... | Host at Party | |
| Keith Byrne | ... | Guy in Piano Shop |
Directed by | |||
| John Carney | |||
Writing credits(in alphabetical order) | ||
| John Carney | writer | |
Produced by | |||
| David Collins | .... | executive producer | |
| Martina Niland | .... | producer | |
Original Music by | |||
| Glen Hansard | |||
| Markéta Irglová | |||
Cinematography by | |||
| Tim Fleming | (director of photography) | ||
Film Editing by | |||
| Paul Mullen | |||
Casting by | |||
| Maureen Hughes | |||
Production Design by | |||
| Tamara Conboy | |||
Art Direction by | |||
| Riad Karin | (as Riad Karim) | ||
Costume Design by | |||
| Tiziana Corvisieri | |||
Makeup Department | |||
| Barbara Conway | .... | chief makeup artist | |
| Patricia Flood | .... | makeup artist: additional pick-up shots | |
| Conor McAllister | .... | chief hair stylist (as Conor McAlistar) | |
Production Management | |||
| Jim Duggan | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| John Burns | .... | first assistant director | |
| Cathriona Glynn | .... | trainee assistant director (as Caitriona Glynn) | |
| Adrienne Greenhalgh | .... | second assistant director: additional pick-ups | |
| Nic Jay | .... | trainee assistant director: additional pick-ups | |
| Gail Munley | .... | first assistant director: additional pick-ups | |
| John O'Donoghue | .... | second assistant director | |
Art Department | |||
| Anthony Nugent | .... | stand-by props | |
Sound Department | |||
| Niall Brady | .... | supervising sound editor | |
| Niall Brady | .... | supervising sound editor: post-production | |
| Pat Doyle | .... | sound mixer: additional pick up | |
| Paul Emerson | .... | sound mixer: additional pick up | |
| Michelle Fingleton | .... | sound editor: post-production | |
| Rob Flanagan | .... | sound mixer (as Robert Flanagan) | |
| Ken Galvin | .... | dubbing mixer: post-production | |
| Ken Galvin | .... | sound re-recording mixer | |
| Paul Naughton | .... | boom operator | |
Visual Effects by | |||
| Daniel Tomlinson | .... | digital lab operator | |
Camera and Electrical Department | |||
| John Carney | .... | camera operator | |
| David Cleary | .... | still photographer | |
| Ron Coe | .... | camera operator | |
| Tanya Doyle | .... | camera assistant | |
| Tim Fleming | .... | camera operator | |
| Paul Tsan | .... | crane operator | |
| Mark Waldron | .... | director of photography: additional pick up | |
Costume and Wardrobe Department | |||
| Una Powell | .... | wardrobe supervisor (as Una Towell) | |
Editorial Department | |||
| Gary Curran | .... | digital intermediate colorist | |
| Warren Dowling | .... | digital intermediate finishing artist | |
| Simon Thornton | .... | digital intermediate finishing assistant | |
| Simon Thornton | .... | on-line assistant | |
Music Department | |||
| David Donohue | .... | music consultant | |
Transportation Department | |||
| Mark Alvey | .... | driver: minibus | |
| Fiacra Gaffney | .... | transportation captain (as Fiacre Gaffney) | |
Other crew | |||
| Sophie Bataille | .... | press attache: France | |
| Peggy Brazil | .... | script supervisor | |
| Yvonne Burke | .... | production coordinator | |
| Mark Byrne | .... | legal advisor | |
| Con Cremins | .... | production accountant | |
| Steven Davenport | .... | location manager | |
| Cathy Griffin | .... | extras coordinator | |
| James Hickey | .... | legal advisor: post-production | |
| Laura Mannier | .... | press attache: France | |
| Holly Ní Chiardha | .... | production executive: Samson Films | |
| Evelyn O'Neill | .... | assistant location manager | |
| Kevin Phelan | .... | digital transfer supervisor | |
| Lindsay Rowland | .... | production administrator: Samson Films | |
| Neal Rowland | .... | development executive: Samson Films | |
| Steven Short | .... | electronic press kit | |
Thanks | |||
| Karina Finegan Alves | .... | special thanks | |
| Alan Conboy | .... | special thanks | |
| Noemi Ferrer | .... | special thanks | |
| Ed Guiney | .... | special thanks | |
| Marina Guinness | .... | special thanks | |
| Frances Knott | .... | special thanks | |
| Claire Leadbitter | .... | special thanks | |
| Adam Lynch | .... | thanks | |
| Maggie Mitchell | .... | special thanks | |
| Simon Perry | .... | special thanks | |
| Damien Rice | .... | special thanks | |
| Katerina Sterbova | .... | special thanks | |
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I own a movie theater on Cape Cod and recently saw this film on two occasions at the New Directors Film Festival in NYC. I met John Carney ten years ago at the Golway Film Festival where I was part of a team which was reviewing film projects. John had a five minute clip of a feature he was working on "November Afternoon". I stayed in touch until he finished the film. He sent me a tape it just blew me away. "Once" like "November Afternoon" is a unique film experience. The low budget feel fits the story and the music blew me away. He captures a small slice of Dublin Life, spent the summer there in 69, that seems so real and honest. Glen and Marketa bring great strength to this story and a realism that is seldom seen in American Cinema. If you want to get in the mood for this movie then get a copy of Glen and Marketa CD "The Swell Season" five of the songs are in the movie.