| Yoshino Kimura | |||
| Bertrand Beyern | |||
| rest of cast listed alphabetically: | |||
| Camille Solari | ... | Alberta | |
Directed by | |||
| Heddy Honigmann | |||
Writing credits(in alphabetical order) | ||
| Ester Gould | scenario | |
| Heddy Honigmann | scenario | |
| Judith Vreriks | scenario | |
Produced by | |||
| Carmen Cobos | .... | producer | |
Cinematography by | |||
| Robert Alazraki | |||
Film Editing by | |||
| Danniel Danniel | |||
Sound Department | |||
| Harold Jalving | .... | dolby mastering mixer | |
| Piotr van Dijk | .... | sound recordist | |
Editorial Department | |||
| Florentijn Bos | .... | digital intermediate colorist | |
Other crew | |||
| Sally Elbert | .... | site manager | |
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| Kings & Queen | Those Who Love Me Can Take the Train | Edvard Munch | The Pillow Book | Eyes Without a Face |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb Netherlands section |
That it is possible to find so much signs of life in a cemetery is something striking in the carefully composed film of Heddy Honigmann. And so much consolation in beauty is also something I'll never forget from seeing the film. Beauty in the form of art, but also in the form of mementos left for the beloved death ones. Human voices telling stories are in this film sometimes as beautiful as a piece of music by Chopin!! Most of the characters in the film are very special and at the same time you feel a connection with almost all of them, as if they were your friends telling you a personal story while you're sitting with them in a park. Forever should be in the cinema for a long time, as long as all my friends can see it, and as long as they can tell their friends to see it and so on and so on...