Sukiyaki Western Django (2007)

A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth.

Director:

Takashi Miike

Writers:

Takashi Miike, Masa Nakamura

Stars:

Hideaki Itô, Masanobu Andô, Kôichi Satô

5 wins & 4 nominations.

Cast

Credited cast:
Hideaki Itô	...	Gunman
Masanobu Andô	...	Yoichi
Kôichi Satô	...	Taira no Kiyomori
Kaori Momoi	...	Ruriko
Yûsuke Iseya	...	Minamoto no Yoshitsune
Renji Ishibashi	...	Village Mayor
Yoshino Kimura	...	Shizuka
Quentin Tarantino	...	Piringo
Rest of cast listed alphabetically:
Takaaki Ishibashi	...	Benkei
Teruyuki Kagawa	...	Sheriff
Taigi Kobayashi
Toshiyuki Nishida
Shun Oguri	...	Akira
Masato Sakai	...	Taira no Shigemori
Hideaki Sato

Storyline

A revolver-wielding stranger crosses paths with two warring clans who are both on the hunt for a hidden treasure in a remote western town. Knowing his services are valuable to either side, he offers himself to the clan who will offer up the largest share of the wealth.

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Plot Keywords:

clan | treasure | coffin | egg | hanged man | 

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Taglines:

An epic tale of blood, lust and greed.

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Genres:

Action | Western

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Motion Picture Rating (MPAA)

Rated R for strong violence, including a rape

Details

Official Sites:

Official site [us]

Country:

Japan

Language:

English

Release Date:

15 September 2007 (Japan)

Also Known As:

Düello

Filming Locations:

Tsuruoka City, Yamagata, Japan

Box Office

Budget:

$3,800,000 (estimated)

Opening Weekend:

$12,172 (USA) (29 August 2008)

Gross:

$48,034 (USA) (19 September 2008)

Company Credits

Production Co:

A-Team, Dentsu, Geneon Entertainment

Technical Specs

Runtime:

121 min 98 min (international cut)

Sound Mix:

Dolby Digital EX

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

When the sheriff is talking to old Quentin Tarantino's character the sheriff talks about Akira (his son) and Tarantino replies "every time I hear that name it touches my heart, what can I say, I've always been an anime otaku", (Japanese slang for a person that is a fan of anime, manga, and Japanese video games and culture) this is a reference to the classic anime film "Akira".

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Goofs

Right before the end-fight it starts to snow heavily for some reason, probably just for aesthetics. However, a thick blanket of snow covers everything except the chest filled with gold-nuggets. No snow seems to have fallen on the chest at all.

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Quotes

[first lines]
Ringo: [shoots a snake out of the claws of a flying hawk and cuts egg out of it]
Cowboy: [draws his gun on Piringo and whistles appreciatively]
Boss: Piringo. Been looking for you. It's the end of the road for you.
Boss: [gong] What's that sound?
Ringo: That's the sound of the Gion Shoja temple bells.
Boss: What?
Ringo: You know, those Heike and Genji boys. On a distant island, these to clans split into the Reds and the Whites. Waged a war. Sort of like that, uh, War of the Roses, ya know? In England?
Boss: Who won? The Whites?
Ringo: This ...
[...]

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Connections

References Django (1966)

User Reviews

SUKIYAKI WESTERN DJANGO (Takashi Miike, 2007) **

This is further proof that cult Japanese director Takashi Miike is not for me: as can be deduced from the title, the film is a pseudo-homage to the Italian Spaghetti Westerns (though Django has almost nothing to do with it!). In fact, the plot is yet another rehash of Japanese master Akira Kurosawa's samurai classic YOJIMBO (1961), which had actually led to Sergio Leone kick-starting the Spaghetti Western subgenre with that film's first remake A FISTFUL OF DOLLARS (1964)! Anyway, for Miike, this is typically violent fare – even more pointless than usual and all rather amateurishly assembled; besides, having the actors speak English results in unintentional laughter more than anything else (though Quentin Tarantino's absurd cameo is no less embarrassing: incidentally, I may well have been witness to the genesis of the picture back when these two mavericks 'butted heads' at the 2004 Venice Film Festival!). Needless to say, the squalid atmosphere peculiar to European Westerns is largely missing here…but, then, neither does the film extract particular benefit from its own country's heritage! With characterization tending towards mere posture (when it is not insipid), we are left with a clutch of stylized-but-hollow action sequences to grab the attention – all of which, ultimately, leaves a bad taste in the mouth. Perhaps mercifully, the version I watched is the shorter (by 23 minutes) International Cut.