| Photos (See all 39 | slideshow) | Videos (see all 21) |
| Mary Elizabeth Winstead | ... | Kate Lloyd | |
| Joel Edgerton | ... | Sam Carter | |
| Ulrich Thomsen | ... | Dr. Sander Halvorson | |
| Eric Christian Olsen | ... | Adam Finch | |
| Adewale Akinnuoye-Agbaje | ... | Derek Jameson | |
| Paul Braunstein | ... | Griggs | |
| Trond Espen Seim | ... | Edvard Wolner | |
| Kim Bubbs | ... | Juliette | |
| Jørgen Langhelle | ... | Lars | |
| Jan Gunnar Røise | ... | Olav | |
| Stig Henrik Hoff | ... | Peder | |
| Kristofer Hivju | ... | Jonas | |
| Jo Adrian Haavind | ... | Henrik | |
| Carsten Bjørnlund | ... | Karl | |
| Jonathan Walker | ... | Colin (as Jonathan Lloyd Walker) | |
| Ole Martin Aune Nilsen | ... | Matias (Heli Pilot) | |
| Michael Brown | ... | Security Guard |
Directed by | |||
| Matthijs van Heijningen Jr. | (as Matthijs van Heijningen) | ||
Writing credits | ||
| Eric Heisserer | (written by) | |
| John W. Campbell Jr. | (short story "Who Goes There?") | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Michel Abramowicz | |||
Film Editing by | |||
| Peter Boyle | |||
| Julian Clarke | |||
Casting by | |||
| Denise Chamian | |||
| Angela Demo | |||
| Diane Kerbel | |||
Production Design by | |||
| Sean Haworth | |||
Art Direction by | |||
| Patrick Banister | |||
| Jeremy Stanbridge | |||
Set Decoration by | |||
| Odetta Stoddard | |||
Costume Design by | |||
| Luis Sequeira | |||
Makeup Department | |||
| Chris Baer | .... | makeup lab tech | |
| Damon Bishop | .... | special makeup effects artist | |
| Stacey Butterworth | .... | wig maker | |
| Kevin Carter | .... | special effects contact lenses | |
| Justin Ditter | .... | key hair artist | |
| Paul R.J. Elliot | .... | key hair stylist | |
| Alec Gillis | .... | special makeup and creature effects | |
| Iantha Goldberg | .... | assistant makeup artist | |
| Paul Jones | .... | special makeup effects: Toronto | |
| A.J. Lee | .... | special makeup effects artist | |
| Sondra Treilhard | .... | hair stylist | |
| Tom Woodruff Jr. | .... | special makeup and creature effects | |
Second Unit Director or Assistant Director | |||
| Jeff J.J. Authors | .... | first assistant director (as Jeff Authors) | |
| Penny Charter | .... | second assistant director | |
| Divya D'Souza | .... | third assistant director | |
| J. Miles Dale | .... | second unit director: additional photography | |
| Jonnie Katz | .... | second assistant director: second unit (as Jonathan Katz) | |
| David McLeod | .... | first assistant director: second unit (as David MacLeod) | |
| Siluck Saysanasy | .... | third assistant director | |
| Clay Staub | .... | second unit director | |
| Karen Young | .... | third assistant director | |
| Divya D'Souza | .... | assistant director: reshoots (uncredited) | |
| Patrick Hagarty | .... | assistant director (uncredited) | |
| Tracey Poirier | .... | key second assistant director (uncredited) | |
Art Department | |||
| Richard Bennett | .... | storyboard artist | |
| William Cheng | .... | set designer | |
| Robert Consing | .... | storyboard artist | |
| Brian Cranstone | .... | on set carpenter | |
| John Dickenson | .... | concept artist | |
| David G. Fremlin | .... | set designer | |
| Paul Greenberg | .... | graphic designer | |
| J. Ryan Halpenny | .... | assistant art director | |
| Joseph Hiura | .... | set designer | |
| Michael Huschka | .... | assistant property master | |
| Benton Jew | .... | storyboard artist | |
| Marc Kuitenbrouwer | .... | construction coordinator | |
| Matthew Lammerich | .... | key scenic artist | |
| Eugenie Lau | .... | art department apprentice | |
| Yasmyn Lee | .... | art department coordinator | |
| Yasmyn Lee | .... | second assistant art director | |
| David Vyle Levy | .... | senior concept artist | |
| Jerad Marantz | .... | character designer | |
| Rob McCallum | .... | storyboard artist | |
| John Moran | .... | graphic designer: reshoots | |
| Adam Mull | .... | model maker | |
| Ed Natividad | .... | conceptual designer | |
| Vicki Pui | .... | storyboard artist | |
| Jordu Schell | .... | character designer | |
| Damien Segee | .... | second assistant set decorator | |
| Robert O. Simons | .... | storyboard artist/illustrator | |
| Aaron Sims | .... | character designer | |
| Douglas Slater | .... | set designer | |
| Derek Steenstra | .... | set dresser daily | |
Sound Department | |||
| Wade Barnett | .... | adr recordist | |
| Bob Beemer | .... | sound re-recording mixer | |
| Jesse Dodd | .... | adr mixer (as Jesse K-D. Dodd) | |
| Glen Gauthier | .... | sound mixer | |
| Nerses Gezalyan | .... | sound mixer | |
| Gary A. Hecker | .... | supervising foley artist | |
| Scott Hecker | .... | supervising sound editor | |
| Rick Hromadka | .... | creature vocal sound designer | |
| Doug Johnston | .... | sound mixer (second unit) | |
| Thomas Jones | .... | supervising dialogue & adr editor | |
| Elliott Koretz | .... | supervising sound editor & sound design | |
| Travis MacKay | .... | adr mixer | |
| Roderick Matte | .... | sound mixer | |
| Jason McFarling | .... | second boom | |
| Josephine Nericcio | .... | assistant sound editor | |
| Eric A. Norris | .... | sound effects editor | |
| Brandon Prodger | .... | adr mixer | |
| Unsun Song | .... | re-recording mix technician | |
| Steve Switzer | .... | boom operator | |
| Jon Taylor | .... | sound re-recording mixer | |
| Tim West | .... | adr mixer | |
| Peter Gleaves | .... | adr mixer (uncredited) | |
| Mark Sheffield | .... | sound mix technician (uncredited) | |
Special Effects by | |||
| Alexis Appleby | .... | special effects crew | |
| Warren Appleby | .... | special effects coordinator | |
| Tim Barraball | .... | special effects foreman | |
| Michael Broom | .... | creature designer | |
| Aida Caefer | .... | creature crew | |
| Graham Chivers | .... | special effects technician | |
| Peter W. Clarke | .... | special effects technician (as Peter Clarke) | |
| Brian Clawson | .... | lab technician | |
| Brian Clawson | .... | prosthetic technician | |
| Ray Comiso | .... | special effects technician | |
| Myriam Cournoyer | .... | special effects technician | |
| Jason Detheridge | .... | creature effects technician | |
| Aaron Dinsmore | .... | special effects technician | |
| Ryk Fortuna | .... | maquette sculptor: ADI | |
| Michael Heintzelman | .... | graphic layout: Amalgamated Dynamics, Inc | |
| Michael Heintzelman | .... | project office coordinator: Amalgamated Dynamics, Inc | |
| David Hoehn | .... | creature effects prosthetics artist: Amalgamated Dynamics, Inc. | |
| Michael Innanen | .... | special effects key: second unit | |
| Paul Jones | .... | creature effects technician | |
| Mike Kavanagh | .... | special effects rigging foreman | |
| Gary Kleinsteuber | .... | pyrotechnician | |
| Steve Koch | .... | designer/sculptor: Amalgamated Dynamics Inc. | |
| Rocco Larizza | .... | special effects technician | |
| Drew Longland | .... | special effects assistant | |
| John MacGillivray | .... | special effects foreman | |
| Fiona MacPherson | .... | special effects shop coordinator | |
| Bob Mano | .... | mechanical department: Amalgamated Dynamics. Inc | |
| Tim Martin | .... | special effects makeup | |
| Bill McShane | .... | special effects technician | |
| Morgan Muta | .... | special effects technician | |
| Miyo Nakamura | .... | sculptor: Amalgamated Dynamics Inc. | |
| Steve Newburn | .... | special effects technician | |
| Ratna Pappert | .... | creature suit fabricator: Amalgamated Dynamics, Inc. | |
| Cameron Patterson | .... | special effects prop builder | |
| David Reaume | .... | special effects technician | |
| Mike Rotella | .... | sculptor: Amalgamated Dynamics Inc. | |
| Sean Sansom | .... | creature effects technician | |
| Brodie Spaull | .... | special effects technician | |
| Matthew Tulk | .... | special effects technician: second unit | |
| Cristina Waltz | .... | seaming department: Amalgamated Dynamics Inc. | |
| Garth Winkless | .... | creature supervisor: Amalgamated Dynamics | |
| David T. Woodruff | .... | special effects technician | |
| Shane Zander | .... | creature effects technician | |
Visual Effects by | |||
| Keith Acheson | .... | visual effects artist | |
| George Antzoulides | .... | previs artist: Proof, Inc. | |
| Mathieu Archambault | .... | digital compositor | |
| Engin Arslan | .... | lighting artist | |
| Dave Axford | .... | visual effects | |
| Christopher S. Baird | .... | pre-visualization editor | |
| Louise Baker | .... | previs designer: Proof, Inc. | |
| Aaron Barr | .... | senior texture artist: Image Engine | |
| Lyndon Barrois | .... | animation supervisor: Image Engine | |
| Jeff Beattie | .... | visual effects editor | |
| Greg Behrens | .... | senior visual effects coordinator: Image Engine | |
| Corey Belina | .... | animator: Image Engine | |
| Amanda Beraldin | .... | junior shot technical director | |
| Hege Anita Berg | .... | CG lead: Image Engine | |
| Magda Bernal | .... | visual effects digital coordinator | |
| Kristy Blackwell | .... | digital compositor | |
| Francois Bordez | .... | senior lighter | |
| Mike Borrett | .... | visual effects production manager: Mr. X Inc. | |
| Kyle Botha | .... | lighting artist: Image Engine | |
| Robert Bourgeault | .... | lighting artist: Image Engine | |
| John Bowers | .... | compositor: With A Twist Studio | |
| Christopher E. Brown | .... | digital compositor | |
| Mark Burns | .... | compositing lead: Image Engine | |
| David Burton | .... | visual effects supervisor: With A Twist Studio | |
| Luke Spence Byrd | .... | matchmover: Image Engine | |
| Shannon Caldwell | .... | roto/prep artist | |
| Wilson Cameron | .... | visual effects producer: Mr. X Inc. | |
| Zac Campbell | .... | digital compositor | |
| Steve Casa | .... | 3d scan technician | |
| Fred Chapman | .... | rigging supervisor: Image Engine | |
| Chris Chappell | .... | compositor | |
| Freddy Chavez Olmos | .... | visual effects compositor | |
| Joseph Cheng Chen | .... | tracking artist: Mr. X Inc. | |
| Andrea Chlebak | .... | visual effects colorist | |
| Ovidiu Cinazan | .... | compositing supervisor: Mr. X Inc. | |
| Joseph Civitate | .... | previs artist | |
| Patrick Clancey | .... | digital opticals | |
| Rhys Claringbull | .... | lighting artist: Image Engine | |
| Jacob Clark | .... | effects technical director: Image Engine | |
| James Cooper | .... | senior vfx artist | |
| Tom Cowland | .... | research & development: Image Engine | |
| Gavin Dell | .... | previs artist: Proof, Inc. | |
| Nigel Denton-Howes | .... | computer graphics supervisor: image engine | |
| Chris Derochie | .... | senior animator | |
| Nicolas Deziel | .... | digital compositor | |
| Natalia Diaz | .... | roto artist | |
| Jeremy Dineen | .... | visual effects artist | |
| Ben Dishart | .... | senior surfacing artist: Image Engine | |
| Stacey Dodge | .... | vfx assistant coordinator | |
| Jason Dowdeswell | .... | head of studio: Image Engine | |
| Maxime Ducharme | .... | senior matchmover | |
| Emily Döhler-Knox | .... | animator: Image Engine | |
| Shahar Eldar | .... | previs modeler: Proof, Inc. | |
| Daniel Elophe | .... | compositor: Image Engine | |
| Edmond Engelbrecht | .... | lighting artist: Image Engine | |
| Neil Eskuri | .... | digital effects supervisor: Image Engine | |
| Earl Fast | .... | animator: Image Engine | |
| David Fix | .... | senior systems administrator: Mr. X Inc. | |
| Tim Forbes | .... | rigger: Image Engine | |
| Mike Ford | .... | animator: Image Engine | |
| Chad L. Fox | .... | cg modeler (as Chad Lee Fox) | |
| Evan Fraser | .... | matchmover: Image Engine | |
| Laura Fremmerlid | .... | digital compositor: Image Engine | |
| Bradley Gaines | .... | compositor | |
| Shaun Galinak | .... | visual effects artist | |
| Steve Garrad | .... | visual effects executive producer: Image Engine | |
| Francois Gendron | .... | lighting artist: Image Engine | |
| Jami Gigot | .... | texture artist: Image Engine | |
| Alec Gillis | .... | creature effects co-designer and co-creator | |
| Virginie Goulet | .... | compositor: Image Engine | |
| Erika Gourvitz | .... | visual effects production assistant | |
| Rich Grande | .... | compositor: Image Engine | |
| Clifford Otomi Green | .... | lighting artist | |
| Mikkel Groesland | .... | animation technical director: Image Engine | |
| Erik Gronfeldt | .... | texture artist/look dev | |
| Jason Gross | .... | CG lead: Image Engine | |
| John Haddon | .... | research & development supervisor: Image Engine | |
| Koji Hamaguchi | .... | matchmover: Image Engine | |
| Pam Hammarlund | .... | visual effects producer | |
| Rachel Faith Hanson | .... | visual effects coordinator | |
| Brian Harder | .... | modeler: Image Engine | |
| Trey Harrell | .... | lighting/lookdev lead: Mr. X | |
| Grant Harris | .... | animator: Image Engine | |
| Oliver Hearsey | .... | tracking artist: Mr. X Inc. | |
| Jessica Hee | .... | matchmove artist: Image Engine | |
| Pablo Hernández-Meléndez | .... | lighting technical director | |
| Martin Hesselink | .... | visual effects artist | |
| Jeffrey Charles Higgins | .... | effects technical director: Image Engine (2011) (as Jeff Higgins) | |
| Chris Hogstead | .... | rigger: Image Engine | |
| Petra Holtorf | .... | visual effects producer | |
| Greg Howe-Davies | .... | compositor: Image Engine | |
| Wade Howie | .... | visual effects artist | |
| Vivien Hulbert | .... | visual effects coordinator: Image Engine | |
| Ivan Imanishi | .... | research & development: Image Engine | |
| Henry Jefferson | .... | compositor: Image Engine | |
| Thomas Roland Johnson | .... | matte painter | |
| Steve Johnston | .... | render wrangler: Image Engine | |
| Danny Jones | .... | roto/paint supervisor | |
| Byung Gun Jung | .... | senior look dev artist | |
| Ross Kakuschke | .... | research & development: Image Engine | |
| Henrik Karlsson | .... | effects technical director | |
| Andrew Kaufman | .... | research & development: Image Engine | |
| James Kells | .... | compositor | |
| Bernhard Kimbacher | .... | lead compositor | |
| Paul King | .... | on-set matchmover | |
| Paul King | .... | senior visual effects production coordinator: Image Engine | |
| Jesper Kjölsrud | .... | visual effects supervisor | |
| Julianna Kolakis | .... | concept artist | |
| Julianna Kolakis | .... | texture artist: Image Engine | |
| Alex Lama | .... | compositor: Image Engine | |
| Derek Lang | .... | matchmover | |
| Isabelle Langlois | .... | digital effects producer | |
| Jesus Lavin | .... | compositor: Image Engine | |
| Kate Lee | .... | matchmover: Image Engine | |
| Mai-Ling Lee | .... | digital artist | |
| Winston Lee | .... | digital compositor | |
| Raymond K.L. Liu | .... | effects technical director | |
| Alex Llewellyn | .... | digital compositor: Image Engine | |
| Blaine Lougheed | .... | visual effects coordinator: B.C. plate unit | |
| Natalie MacDonald | .... | digital compositor: Image Engine | |
| Jamie Macdougall | .... | lighting artist: Image Engine | |
| Chris MacLean | .... | modeler: Mr. X | |
| Alastair Macleod | .... | shot td: Image Engine | |
| Kevin Mah | .... | effects technical director: Image Engine | |
| Philippe Majdalani | .... | digital intermediate assistant producer | |
| Gabriel Mandala | .... | roto/prep artist | |
| Veronica Marino | .... | compositor: Image Engine | |
| Harrison Marks | .... | visual effects coordinator | |
| Greg Massie | .... | effects technical director: Image Engine | |
| Tomoka Matsumura | .... | modeler: Image Engine | |
| Ken McCuen | .... | matte painter | |
| Marco Menco | .... | senior creature modeller: Image Engine | |
| Zuzana Mikus | .... | production support | |
| Jacob Curtis Miller | .... | effects technical director: Image Engine | |
| Stephen Misek | .... | rigger: Image Engine | |
| Francisco Moncayo Moreno | .... | digital compositor: Image Engine | |
| Henrique Moser | .... | roto/paint artist | |
| Lucio Moser | .... | research & development: Image Engine | |
| Gayle Munro | .... | senior visual effects coordinator: Image Engine | |
| Marcell Nagy | .... | senior technical director: lighting | |
| Francesca R. Natale | .... | conceptual artist | |
| Kelly Noordermeer | .... | visual effects editor: Mr. X Inc | |
| Espen Nordahl | .... | lighting technical director | |
| Vincent Papaix | .... | digital compositor: Mr.X | |
| Jonathan Paquin | .... | animator: Image Engine | |
| Christian Paradis | .... | lead lighting/ look development artist | |
| Mitch Paulson | .... | supervising digital colorist | |
| Matthew Pellar | .... | visual effects production assistant | |
| Henry Peng | .... | matchmover: Image Engine | |
| Eric Ponton | .... | digital compositor: Image Engine | |
| Sebastien Proulx | .... | digital compositor | |
| Vikas Rajput | .... | digital artist | |
| Vikas Rajput | .... | matchmover: Image Engine | |
| Jeff Ranasinghe | .... | cg lead: Image Engine | |
| Mark Richardson | .... | lead compositor: Image Engine | |
| Xavier Roig | .... | CG lead: Image Engine | |
| Angel Gil Ruiz | .... | matchmover: Image Engine | |
| Paul Saint-Hilaire | .... | digital compositor: Nuke | |
| Rachel Scafe | .... | senior visual effects production coordinator: Image Engine | |
| Milan Schere | .... | conceptual artist: Mr. X Inc. | |
| Hamish Schumacher | .... | lead compositor: Image Engine | |
| Laetitia Seguin | .... | visual effects coordinator | |
| Ty Shelton | .... | creature modeler: Image Engine | |
| Shoichi Shimizu | .... | rigger: Image Engine | |
| Yuta Shimizu | .... | lighting artist | |
| Nik Slotiuk | .... | fx technical director | |
| Andrew Smith | .... | editorial coordinator | |
| Gavin Soares | .... | tracker | |
| Bongkee Sohn | .... | rigger: Image Engine | |
| Doug Spilatro | .... | visual effects | |
| Ken Steel | .... | lead animator: Image Engine | |
| Derek Stevenson | .... | lead matchmover: Image Engine | |
| James Stewart | .... | concept designer | |
| Jeremy Stewart | .... | animator: Image Engine | |
| Paul Venn Stirling | .... | digital compositor: Image Engine | |
| Frederick George Stuhrberg | .... | 3D Scanning | |
| Jim Su | .... | rigging supervisor | |
| Aleksander Szkudlarek | .... | fx technical director | |
| Ranko Tadic | .... | previs designer: Proof, Inc. | |
| Ranko Tadic | .... | previsualization animator | |
| Andy Tamandl | .... | senior character animator: Image Engine | |
| Mark Joey Tang | .... | digital compositor (as Joey Tang) | |
| George Taylor | .... | compositor: Image Engine | |
| Jon Teer | .... | previs designer: Proof, Inc. | |
| Rene Toye | .... | visual effects coordinator | |
| Matthew Trivan | .... | visual effects artist | |
| Tom Truscott | .... | compositor: Image Engine | |
| Jerry Tung | .... | enviornment lighting td | |
| Jon Turburfield | .... | senior animator: Image Engine | |
| Ryan Valade | .... | visual effects editor: Image Engine | |
| Alexander Vegh | .... | previsualization supervisor | |
| Biren Venkatraman | .... | lighting td | |
| Andres Vergara | .... | visual effects compositor: Image Engine | |
| Ross Wallis | .... | lighting technical director | |
| Jessica Wan | .... | senior bg prep artist | |
| Aaron Weintraub | .... | visual effects supervisor: Mr. X Inc. | |
| Kenneth H. Wiatrak | .... | previs artist: Proof, Inc. | |
| Cameron Widen | .... | post visualization animator: Image Engine | |
| Kevin J. Williams | .... | previs artist | |
| Tom Woodruff Jr. | .... | creature effects co-designer and co-creator | |
| Gavin Wright | .... | previs designer: Proof, Inc. | |
| Ren-Wei Yang | .... | research & development: Image Engine | |
| Kelvin Yee | .... | digital compositor: Image Engine | |
| Matt Yeoman | .... | digital compositor | |
| Donmill Yip | .... | modeler | |
| Dong Yon Kang | .... | matchmover: Image Engine | |
| Chris Zammit | .... | senior creature texture and look dev artist: Image Engine | |
| Gwen Zhang | .... | compositor: Mr. X Inc. | |
| Vera Zivny | .... | visual effects producer: Image Engine | |
Stunts | |||
| Dustin Brooks | .... | fire stunts | |
| Scotty Cook | .... | stunt performer | |
| Colin Decker | .... | fire stunts | |
| Rick Forsayeth | .... | stunt coordinator | |
| Blair Johannes | .... | stunt double | |
| Liise Keeling | .... | stunt double: Kate | |
| John MacDonald | .... | stunt double: (Stig Henrik Hoff ) | |
| Duncan McLeod | .... | stunt double: Trond Espen Sein | |
| Billy Oliver | .... | stunt double | |
| Alicia Turner | .... | stunt performer | |
Animation Department | |||
| Emily Döhler-Knox | .... | animator | |
| Jonathan J. McCallum | .... | character rigger | |
| Jeiko Soh | .... | main title animator | |
Casting Department | |||
| Liz Ludwitzke | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Suzanne Aplin | .... | costume supervisor | |
| Christina Cattle | .... | set costume supervisor | |
| Dawn Climie | .... | costume set supervisor: BC Glacier unit | |
| Jay Du Boisson | .... | assistant costume designer | |
| Karri Hutchinson | .... | wardrobe assistant | |
| Lindsay Jacobs | .... | assistant costume designer | |
| Silvana Sacco | .... | key costume effects artist | |
| Adam Smith | .... | breakdown/specialized wardrobe technician | |
| Tamiyo Tomihiro | .... | costume cutter | |
| Carol Wong | .... | costume buyer | |
| Nancy Da Silva | .... | costume cutter (uncredited) | |
| Susan Nycz | .... | assistant costume set supervisor (uncredited) | |
Editorial Department | |||
| Patrick Gallagher | .... | first assistant editor | |
| Jono Griffith | .... | additional editor | |
| Lara Johnston | .... | assistant editor | |
| Cam McLauchlin | .... | assistant editor | |
| Harry Muller | .... | color timer | |
| Alain J. Romi | .... | assistant editor | |
| Frank J. Urioste | .... | additional editor | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Marco Beltrami | .... | conductor | |
| William Boston | .... | additional orchestrations | |
| Rossano Galante | .... | orchestrator | |
| Mark Graham | .... | head of music preparation | |
| Tom Hardisty | .... | score recordist | |
| Mike Knobloch | .... | music executive | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score mixer | |
| Tyson Lozensky | .... | assistant score mixer | |
| Tyson Lozensky | .... | assistant scoring engineer | |
| Dana Niu | .... | orchestrator | |
| Victor Pesavento | .... | music preparation | |
| Brandon Roberts | .... | orchestrator | |
| Peter Rotter | .... | orchestra contractor | |
| Buck Sanders | .... | score produced by | |
| Steven L. Smith | .... | music preparation | |
| Jorge Velasco | .... | scoring pro tools engineer | |
| Mark Jan Wlodarkiewicz | .... | music editor | |
| Jordan Seigel | .... | music preparation (uncredited) | |
Transportation Department | |||
| Kim Harmer | .... | transportation coordinator | |
| Dana Howes | .... | transportation coordinator | |
| Wayne Ireland | .... | transportation co-captain | |
| Bill Jackson | .... | transportation co-captain | |
| Joe Norris Jr. | .... | driver | |
| Regina Petrik | .... | daily driver | |
| Evan Siegel | .... | picture vehicle captain | |
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| The Thing | Dreamcatcher | Resident Evil: Afterlife | Avatar | The Thing from Another World |
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When it was announced that this was going into production, there was a level of confusion/curiosity regarding what exactly it would be: remake/reboot/sequel/prequel? Also, would it utilize prosthetic effects like the 1982 original, or would it go all out CGI splatter? As it turns out, it's a combination of the former and the latter. The new 'The Thing' wants to have its cake and eat it too: you see, technically, it's a prequel but for some reason, the makers have molded it as kind of a remake as well. That's both clever and rather infuriating in equal measures. With regards to the effects, yes, they are CGI for the most part, but they look practical and are done well.
Story-wise, with the exception of some additions, it hits the same beats as John Carpenter's original movie too. An alien vessel is discovered frozen in the Antarctic permafrost by a Norwegian research team. Finding a mysterious life form, they bring it back to their research station. Even though there's no mention of an American in the original, the makers shoehorn one in here, clearly unconvinced that a movie comprised entirely of Europeans would sell. And likewise, it's a female once again, you get the feeling they're not confident that an all male cast would sell this time round and are taking no chances.
The American, a palaeontologist (Mary Elizabeth Winstead), is drafted into the equation by a member of the research group. Then they set about participating in a scientific study of the alien creature. Only problem is, it returns to life, and being a shape shifter that can replicate any living organism, starts to hide amongst the group, leading to lots of finger pointing, flame throwers, explosions and suspicion fueled arguments. Sounds rather familiar, right?
Whereas the original 1982 movie was all about paranoia and the fear of the unknown - the alien hid among the human hosts, desperate to remain concealed at all costs, only showing itself when it felt its identity was compromised - it's distinctly not the case here. In this movie, the creature revels in revealing itself at every available opportunity. With bells ringing. It screams and shrieks its presence to such an extent that all notions of a story based on the mistrust and doubt of an isolated group of characters goes out the window. What's the point in being a shape shifter if you're going to constantly give the game away? Then there's another aspect that doesn't quite ring true: early on in the movie, the characters witness a violent helicopter crash. The logical thing would be to go out to investigate it and search for survivors but for some reason, they all choose to ignore it. Additionally, one can't help but wish the makers had called the movie by a different title; after all, if it's meant to be an official prequel to the 'The Thing', why call it the same name?
It's not that it's bad movie; as remakes go, it's really rather good and executed with a lot of style. Sequel-wise, it's up there with Psycho 2. As with the original, we get a scene where there's a 'big test' as Mary Elisabeth attempts to ascertain who's who in the group. In the original, Kurt Russell used blood samples; here, they go for an admittedly clever spin on that scene, while being totally different, adds a new aspect to the creature while also playing as some kind of homage. You might even conclude that since this is a prequel, then you must know the ending, right? After all, we saw how it ended in the opening scenes of the original 1982 movie starring Kurt Russell. Wrong. While they don't violate the events, they take the movie in a whole different direction but still shrewdly stick with the original time- line.
Mary Elizabeth Winstead is very good in this. She doesn't strut around with a "Look at me, I'm so gorgeous" expression; in fact she plays the role - sans make up, for the most part with a level of icy, cool female conviction unseen in a movie about a creature from outer space since a little movie made in 1979 called 'Alien'. It can't be an accident that she reminds the viewer of the Ripley character played by Sigourney Weaver in the same movie and even possess a similarly unconventional beauty. Based on this, it wouldn't be surprising if she ended up replacing Weaver in the inevitable reboot/remake etc. of that franchise.
The John Carpenter original was rightly celebrated for its surreal effects, giving audiences something that was genuinely cutting edge and never seen before at the time. Happily, there is lot of utterly bizarre transformations going on here as well that will make your jaw drop: a guy's face splits open; two men fuse together and in an attempt to outdo the spider-head of the original, we see a monstrous four-legged creation stalking its prey. While everything is 90% CGI, once again it's done in such a way that it almost homages the original. For the most part the effects here look similar to the 1982 movie, except they're done with a sheen that only CG could create.
In conclusion, is it any good? Yes, it is. It's not the disaster some snotty critics would have you believe. While it's not as good as John Carpenter's move (but then, what is?), it still honors the original while effectively and cleverly building the story that lead to the events in that movie. Yes, the aforementioned 'Thing' does shout and scream a bit too much, giving away its presence all too often, but that could easily be interpreted as a legacy of its inexperience with humans. This is a prequel, after all. But don't worry - by the time Kurt Russell and pals come along, it will have learned its lesson.