When Police Chief Jesse Stone's relationship with his ex-wife worsens, he fears he will relapse into alcoholism. To get his mind off his problems, Jesse begins working on the unsolved ... See full summary »
Former government agent Raymond "Red" Reddington (James Spader) has eluded capture for decades. But he suddenly surrenders to the FBI with an offer to help catch a terrorist under the ... See full summary »
When the body of a fourteen years old teenager is found in the margin of the river in Paradise, Massachusetts, the Chief of Police Jesse Stone and his officer Simpson seek clues in the spot... See full summary »
When Police Chief Jesse Stone's relationship with his ex-wife worsens, he fears he will relapse into alcoholism. To get his mind off his problems, Jesse begins working on the unsolved murder of a bank teller shot during a robbery. Meanwhile, Stone's investigation of an alleged rape draws him into conflict with the town council, which hopes to preserve Paradise's reputation as an ideal seaside resort. Written by
Jesse is talking to Suitcase, who is in a coma, about an incident in which a man in Australia, who was in a coma for ten years, woke up and said, "I'll have a cappuccino." In Magnum, P.I., when Magnum is in a coma, Higgins tells him a story about a man who woke up and said, "I'd like a pint of stout." Suitcase wakes up asking for a cappuccino, and Magnum wakes up asking for a pint of stout. See more »
When Jesse Stone (Tom Selleck) stops Terry Genest ('James Rogers (X)') for following him, the driver's window is up about four inches; in the final shot (before Terry rolls window up) the window glass is barely visible. See more »
[on the phone]
Well I'm just a small town cop. Mostly I give out parking tickets.
I don't want to talk about your work.
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If some archaeologist is digging around some 200 years from now and happens upon a copy of this film I only hope he's able to find a DVD player that will play it. Sea Change is that good! And unlike the usual junk passing for cinema these days this movie (and others in the series) displays a range of talent that will speak well of the 21st Century movie industry. Wonderful writing, wonderful directing, wonderful acting, wonderful sound track! But perhaps most impressive of all is the photography. In fact as a professional photographer specializing in landscape stills I was time and time again blown away by the powerful composition of the scenes, the originality of the camera work, the blending of subtle tone and color. As masterful piece of cinema-photography as I've ever had the pleasure of experiencing and memories of the most powerful shots shall inform my own work for years to come.
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