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Ekusute (2007)
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Overview
User Rating:
Release Date:
17 February 2007 (Japan) moreTagline:
What lovely hair you have...Awards:
1 win moreUser Comments:
Vigorously barmy and highly entertaining J-horror comedy more (13 total)Cast
(Cast overview, first billed only)| Chiaki Kuriyama | ... | Yûko Mizushima | |
| Megumi Satô | ... | Yuki Morita | |
| Tsugumi | ... | Kiyomi Mizushima | |
| Eri Machimoto | ... | Sachi Kôda | |
| Miku Satô | ... | Mami | |
| Yûna Natsuo | ... | Kondô | |
| Ken Mitsuishi | ... | Tatsuo Sugawara | |
| Hiroshi Yamamoto | ... | Jirô Tamura | |
| Tetsushi Tanaka | ... | Yaguchi | |
| Hikari Mitsushima | ... | Yuriko Shiina | |
| Ayaka Onoue | ... | Nana Katô (as Aya Onoue) | |
| Ryôsuke Nagata | ... | Yûta Sakurai | |
| Erika Mine | ... | Sarina Tanaka | |
| Mari Hayashida | ... | Yukari Suzuki | |
| Yôji Tanaka | ... | Takashima |
Additional Details
MPAA:
Rated R for violent and disturbing content, some terror and language.Parents Guide:
Add content advisory for parentsRuntime:
108 minCountry:
JapanLanguage:
JapaneseColor:
ColorAspect Ratio:
1.85 : 1 moreSound Mix:
Dolby DigitalFilming Locations:
JapanFun Stuff
Soundtrack:
Haruka moreFAQ
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Although its been a while since I last saw director Sion Sono's noted earlier work Suicide Club I had a good enough memory of it to be glad to get hold of this later outing, which is a strange beast indeed and a thoroughly entertaining viewing experience. It begins with a dead girl discovered in a shipment of hair. A mad hair fetishist coroner discovers that her hair keeps on growing after death and the events that follow intersect with an ambitious young hair stylist who also has to deal with her young niece and her abusive sister. The film takes the material for an alternately comedic and dramatic ride, with Ren Osugi's turn as coroner Yamazaki providing the bulk of the comedy and Chiaki Kuriyama's young heroine and her niece making for drama. Osugi gives a colorful, macabre and sometimes very funny performance, a highlight of the film whilst Kuriyama is greatly charming, moving deftly from hard edges to sweetness and carrying the film superbly. There are a few moments of creepiness but generally the horror is used for weirdness and leftfield shock sequences as well as assisting with the humour. It helps that the effects, while mostly CGI are pretty great and their quality combined with the loopy imagination on display makes for potently entertaining watching. The film could be tighter and perhaps could have gelled its elements together better to make for more of an overall impact but I still enjoyed it immensely. It may well divide even generalised Asian strangeness fans with its attitude, but I found it to be most rewarding of my time. Good stuff for sure and recommended.