Due to a political conspiracy, an innocent man is sent to death row and his only hope is his brother, who makes it his mission to deliberately get himself sent to the same prison in order to break the both of them out, from the inside.
When chemistry teacher Walter White is diagnosed with Stage III cancer and given only two years to live, he decides he has nothing to lose. He lives with his teenage son, who has cerebral palsy, and his wife, in New Mexico. Determined to ensure that his family will have a secure future, Walt embarks on a career of drugs and crime. He proves to be remarkably proficient in this new world as he begins manufacturing and selling methamphetamine with one of his former students. The series tracks the impacts of a fatal diagnosis on a regular, hard working man, and explores how a fatal diagnosis affects his morality and transforms him into a major player of the drug trade. Written by
In his August 2013 Terry Gross interview, Bob Odenkirk said that he based his character Saul Goodman partly on the Hollywood agents Robert Evans and Ari Emmanuel. Emanuel, who was also the inspiration for the character played by Jeremy Piven in the TV series Entourage (2004) and a different Odenkirk character, Stevie Grant on The Larry Sanders Show (1992), is Odenkirk's actual agent. See more »
In Walter White's back yard, the outline of a fire place is next to the sliding back door. Inside the reverse wall is the dining room/kitchen. The fireplace should be on the side of the house. See more »
Opening credits use chemical symbols from the periodic table of elements as part of names : bromine (Br), and barium (Ba) for the title, none for creator Vince Gilligan, one for cast and crew members. See more »
BREAKING BAD:Season One explodes like a sucker punch to the gut, and is nothing short of mind-blowing. The pilot for this series is a definite "Must See", and stands with the greats of Action/Adventure Television and Cinema. This segment begins at such a giddy peak, that you think the only way forward would be to tell the tale as a long flashback. However, through a marvelous piece of editing and writing, the plot miraculously moves forward from that point. Bryon Cranston's idiosyncratic performance is a joy to behold. He embodies a man who is against a rock, and an even harder place, who has no other option but to throttle his higher aspirations and grimly carry on. His solace and validation in middle-class morality and virtuous conduct is long gone. I eagerly look forward to more of this ambitious, entertaining series.
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