In the 1960s, Beach Boys leader Brian Wilson struggles with emerging psychosis as he attempts to craft his avant-garde pop masterpiece. In the 1980s, he is a broken, confused man under the 24-hour watch of shady therapist Dr. Eugene Landy.
The story of the five-day interview between Rolling Stone reporter David Lipsky and acclaimed novelist David Foster Wallace, which took place right after the 1996 publication of Wallace's groundbreaking epic novel, 'Infinite Jest.'
Director:
James Ponsoldt
Stars:
Jason Segel,
Jesse Eisenberg,
Anna Chlumsky
A recently unemployed single father struggles to get back his foreclosed home by working for the real estate broker who is the source of his frustration.
Director:
Ramin Bahrani
Stars:
Andrew Garfield,
Michael Shannon,
Laura Dern
High schooler Greg, who spends most of his time making parodies of classic movies with his co-worker Earl, finds his outlook forever altered after befriending a classmate who has just been diagnosed with cancer.
Brian Wilson is the creative soul of the Beach Boys, but he paid a heavy price for his talent. That especially shows during his peak artistic years in the 1960s, as his inner demons and obsessions trying to please his abusive father drive him to a mental breakdown that would plague him for years. In the 1980s, with Brian barely functional under the domination of the unscrupulous Dr. Landy, Brian meets and falls in love with Melinda Ledbetter. As their relationship grows, she observes Brian's crippling subservience to the abusive psychotherapist with growing alarm. Ultimately, she must take action with a love willing to stand up to oppression she cannot ignore. Written by
Kenneth Chisholm (kchishol@rogers.com)
Dano alternates throughout the film between singing for real and lip-syncing to original recordings of Wilson's singing. See more »
Goofs
Dialogue suggests that the "Smiley Smile" album was completed by the Beach Boys without Brian's involvement; archival tapes show that he was actually very involved in the album's recording. See more »
Quotes
Brian Past:
Okay, let's go again, please. Let's think of this feel a little harder. Okay? A little stronger. Let's really hit it now, okay? Here we go!
[the cello player plays a repetitive slew of notes]
Brian Past:
Okay, one more time, please! *Ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka-ka*!
Mike Love:
They know the ka-ka-ka-ka-ka-ka-ka-ka-ka! They're doing it! Brian, they've been doing it for the past three hours! Oh my God...
Brian Past:
Okay, Mike, you can leave if you don't want to be here, thank you, I'm working with the cello players. Okay, ...
See more »
Crazy Credits
First, there's concert footage of the recent Brian Wilson, himself, singing "Love & Mercy", and then at the very end there is audio of a brief recreated studio recording of Good Vibrations, with '60s Brian leading the dialogue. See more »
I saw this movie last night at the Elgin Theatre as part of the Toronto International Film Festival(TIFF). The Elgin was a perfect setting, as the theatre is built in an old fashioned and artistic way as probably most of the theatres looked in the early 60s when the Beach Boys started their careers. I almost wanted to cry when I came out of the movie. Several things struck me most about the film. The character of Dr. Eugene Landy was totally Gothic in his perverse behaviour, he was truly scary to look at. In contrast, the relationship between Melinda and Brian balanced the tension and eventually was able to be the catalyst for Brian to break out of his virtual imprisonment with Landy.
I grew up in the 60s and loved all the songs from the Beach Boys. In the 1990s I read a book about the band called "Heroes and Villains" by Stephen Gaines. I had no idea, however, how abusive Brian's father had been, not only physically but emotionally. The movie portrayed the creative aspects of Brian's work in the studio and the working of his imagination. Paul Giamatti did such a good job of playing the psycho that this set me off for most of the movie. Melinda's ability to recognize the genius and decency of Brian being the counterpoint. The acting was excellent and you come away with the realization of the great price that many artists have to pay to get their work out there!
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I saw this movie last night at the Elgin Theatre as part of the Toronto International Film Festival(TIFF). The Elgin was a perfect setting, as the theatre is built in an old fashioned and artistic way as probably most of the theatres looked in the early 60s when the Beach Boys started their careers. I almost wanted to cry when I came out of the movie. Several things struck me most about the film. The character of Dr. Eugene Landy was totally Gothic in his perverse behaviour, he was truly scary to look at. In contrast, the relationship between Melinda and Brian balanced the tension and eventually was able to be the catalyst for Brian to break out of his virtual imprisonment with Landy.
I grew up in the 60s and loved all the songs from the Beach Boys. In the 1990s I read a book about the band called "Heroes and Villains" by Stephen Gaines. I had no idea, however, how abusive Brian's father had been, not only physically but emotionally. The movie portrayed the creative aspects of Brian's work in the studio and the working of his imagination. Paul Giamatti did such a good job of playing the psycho that this set me off for most of the movie. Melinda's ability to recognize the genius and decency of Brian being the counterpoint. The acting was excellent and you come away with the realization of the great price that many artists have to pay to get their work out there!