Critic Reviews



Based on 14 critic reviews provided by Metacritic.com
Tilda Swinton hasn't often been more fascinating than in Julia, a nerve-wracking thriller with a twisty plot and startling realism.
Miami Herald
Charles Bukowski would have loved this foul-mouthed, fiery, reckless woman. Against all odds and common sense, you will, too.
The New York Times
Ms. Swinton demands to be seen even when her character is on a self-annihilating bender so real that you can almost smell the stink rising off her. So I sat in my seat, cursed the screen and was grateful to watch an actress at the height of her expressive power claw toward greatness.
The Hollywood Reporter
As Julia, Swinton belongs to that league of great cinematic alcoholics such as Jack Lemmon and Lee Remick in "Days of Wine and Roses" and Ray Milland in "The Lost Weekend." As an action character, she naturally evokes Gena Rowlands without ever trying to resemble her.
Goes to all the places a sensitive character study might have gone, but more dramatically, convincingly and vividly.
The movie's electrifying without being completely satisfying. Zonca and his star don't play by Hollywood rules, which is both good (keeps us off-balance) and less so (at times the film doesn't seem sure where it's going).
This overlong, lurchy homage to John Cassavetes' 1980 film "Gloria" is a mess, but a fascinating one, given Swinton's desperately avid performance in the title role.
Tilda Swinton doesn't merely act the title role in French director Erick Zonca's Julia--she devours it, spits it back up, dances giddily upon it, twirls it in the air.
Picture "Fargo" played with no sense of comedy, and you'll get some idea of the absurdity of this drunken floozy, clicking and wobbling on high heels, often with bits of her anatomy hanging out, trying to pull off the perfect crime.
The end result is like Quentin Tarantino reworking a Charles Bukowski story.

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