| Tilda Swinton | ... | Julia | |
| Saul Rubinek | ... | Mitch | |
| Kate del Castillo | ... | Elena | |
| Aidan Gould | ... | Tom | |
| Jude Ciccolella | ... | Nick | |
| Bruno Bichir | ... | Diego | |
| Horacio Garcia Rojas | ... | Santos | |
| Mauricio Moreno | ... | José | |
| Gaston Peterson | ... | Miguel (as Gastón Peterson) | |
| Kevin Kilner | ... | Johnny | |
| John Bellucci | ... | Phillip | |
| Ezra Buzzington | ... | George | |
| Roger Cudney | ... | Frank | |
| Eugene Byrd | ... | Leon | |
| Sandro Kopp | ... | Marcus | |
| M.J. Karmi | ... | AA Woman (as MJ Karmi) | |
| Carl Dillard | ... | Henry AA (as Carl Dudley Dillard) | |
| Ken Davitian | ... | Taxi Driver | |
| Hiep Thi Le | ... | Kitty | |
| Jim Leske | ... | Motel Clerk | |
| Muriel Ricard | ... | Journalist | |
| Tania Verafield | ... | Cleaning Lady | |
| Atzinga | ... | Carmen | |
| Nadiedka | ... | Carena | |
| Mariana Elías | ... | Raphaella | |
| rest of cast listed alphabetically: | |||
| Robert Amico | ... | Detective (uncredited) | |
| Sally Berman | ... | Woman by Car (uncredited) | |
| Dave Gist | ... | Fat Train Station Guy (uncredited) | |
| Priscilla Leona Horne | ... | Woman In Station (uncredited) | |
| Jake Koenig | ... | Bartender (uncredited) | |
| Camille Natta | ... | Karen (uncredited) | |
| Neko Parham | ... | Ejay (uncredited) | |
| Tom Poole | ... | Detective (uncredited) | |
| Ian Ray | ... | Undercover Agent #1 (uncredited) | |
| Marshal Silverman | ... | Commuter (uncredited) | |
| Ursula Tania | ... | Cooker (uncredited) | |
Directed by | |||
| Erick Zonca | |||
Writing credits(in alphabetical order) | ||
| Roger Bohbot | adaptation | |
| Michael Collins | adaptation | |
| Aude Py | written by | |
| Erick Zonca | written by | |
Cinematography by | |||
| Yorick Le Saux | (director of photography) | ||
Film Editing by | |||
| Philippe Kotlarski | |||
Casting by | |||
| Heidi Levitt | |||
| Manuel Teil | |||
Production Design by | |||
| François-Renaud Labarthe | |||
Art Direction by | |||
| Carlos Y. Jaques | (as Carlos Jacques) | ||
Set Decoration by | |||
| Luis Figueroa | |||
Costume Design by | |||
| April Napier | |||
Makeup Department | |||
| Tamami Ito | .... | key hair stylist | |
| Sandra Miguell | .... | key makeup artist (as Sandra Miguelli) | |
| Mariana Miranda | .... | makeup assistant | |
| Roz Music | .... | makeup artist: Los Angeles | |
| Pamela Neal | .... | hair stylist: Miss Swinton | |
Second Unit Director or Assistant Director | |||
| Stephanie Beauchef | .... | second second assistant director | |
| Álvaro Curiel | .... | first assistant director | |
| Juliana Fanjul | .... | second assistant director | |
| Jeff Fuller | .... | first assistant director: Los Angeles (as Jeff 'Bones' Fuller) | |
| Wendy Geary | .... | second second assistant director: Los Angeles | |
| Shelly Heyward | .... | second assistant director: Los Angeles | |
| Camille Natta | .... | collaborating director | |
| Jorge Eduardo Ramírez | .... | first assistant director: additional shoot Tijuana (uncredited) | |
Art Department | |||
| Michael Keith Aleshire-Rezendez | .... | set dresser: Los Angeles (as Keith Aleshire) | |
| Daniel Alvarado | .... | carpenter (as Daniel Alvárado) | |
| Victor Bernal | .... | carpenter | |
| Martín Bolaños | .... | property master assistant (as Martin Bolanos) | |
| Jorge Borja | .... | set decoration assistant | |
| Tom Bry | .... | on-set dresser: Los Angeles | |
| Octavio Caballero | .... | swing | |
| Mario Camacho | .... | painter | |
| Arnulfo Castillo | .... | carpenter | |
| Ricardo Chavez | .... | head carpenter (as Ricardo Chávez) | |
| Gilberto Cortes | .... | property master (as Gilberto Cortés) | |
| Javier Cortes | .... | buyer (as Javier Cortés) | |
| Gabriel Cortés | .... | construction coordinator | |
| Samuel Daza | .... | construction coordinator | |
| Roger Dertinger | .... | property master: Los Angeles | |
| Oswaldo Diaz | .... | blacksmith | |
| Luis Escobar | .... | carpenter (as Luís Escobar) | |
| Marco A. Esquivel | .... | carpenter | |
| Adalberto Flores | .... | swing | |
| Bernado Flores | .... | swing | |
| Aarón García | .... | painter | |
| Adán García | .... | lead painter (as Adan Garcia) | |
| Héctor Velazco Guzmán | .... | painter (as Héctor Velasco) | |
| Ricardo Holguin | .... | swing | |
| Dorit Hurst | .... | set decorator: Los Angeles (as Dorit Oberman) | |
| Sandra Jalife | .... | trainee | |
| Ignacio Jiménez Trejo | .... | carpenter (as Ignacio Jiménez) | |
| Naolín Jiménez | .... | assistant set dresser (as Naolin Jiménez) | |
| Paul Kurdys | .... | props assistant: Los Angeles | |
| Carlos Lagunas | .... | art coordinator | |
| Jorge Lechuga | .... | painter | |
| Hector Lemus | .... | swing | |
| Guy Lionel | .... | head painter (as Lionel Guy) | |
| Heráclito Lopez | .... | graphic designer | |
| Eduardo Madrigal | .... | swing | |
| Raúl Mena | .... | painter | |
| Francisco Mercado Urbina | .... | carpenter (as Francisco Mercado) | |
| Brian Nabours | .... | set dresser: Los Angeles | |
| Dennis Ogle | .... | lead man: Los Angeles | |
| Abel Ortiz | .... | blacksmith | |
| Emiliano Paredes | .... | painter | |
| Gabriel Pérez | .... | construction swing | |
| Claudio Ramírez | .... | set dresser assistant | |
| Pedro Ramírez | .... | carpenter | |
| Daniela Rojas | .... | set dresser | |
| Gustavo Rosas | .... | swing | |
| Renato Salcedo | .... | carpenter | |
| Daniel Suarez | .... | swing | |
| José Juan Sánchez | .... | painter | |
| Daniel Tello | .... | swing | |
| Julieta Torres | .... | painter | |
| Alonso Velasco Guzman | .... | painter (as Alonso Velasco) | |
| Mauricio Waldo | .... | on-set dresser | |
| Erik Schindler | .... | set dresser (uncredited) | |
Sound Department | |||
| Etienne Carton | .... | sound mix recordist | |
| Philippe Charbonnel | .... | sound mix recordist | |
| Damien Deville | .... | optical sound transfer | |
| Andrés Franco | .... | sync sound editor (as Andres Franco) | |
| Jean-Stephane Garbe | .... | post-synchronization recordist | |
| Thomas Gauder | .... | sound mixer | |
| Aline Gavroy | .... | post-synchronization mixer | |
| Gert Janssen | .... | sound editor | |
| Caroline Landsweerdt | .... | sound edit assistant | |
| Valérie Le Docte | .... | dialogue editor | |
| Jo Masset | .... | post-synchronization engineer: Backstage | |
| Pauline Materne | .... | foley recordist | |
| Pierre Mertens | .... | sound | |
| Michel Monier | .... | sound consultant: Dolby (as Michel Monnier) | |
| Grégory Noël | .... | boom operator (as Gregory Noel) | |
| Ingrid Simon | .... | sound edit assistant | |
| Philippe van Leer | .... | foley artist | |
| Thomas Vanthuyne | .... | sound edit assistant | |
Special Effects by | |||
| Alejandro Vázquez | .... | special effects coordinator (as Alejandro Vazquez) | |
Stunts | |||
| Arminius Arzate | .... | stunt coordinator | |
| Gary Baxley | .... | stunt consultant: Los Angeles | |
Casting Department | |||
| Lauren Fernandes | .... | casting associate: Los Angeles | |
| Mara Gutierrez | .... | extras casting: Tijuana (as Mara Guitérez) | |
| Barbarella Pardo | .... | casting: Tijuana (as Barbarela Pardo) | |
| Jessica Valencia | .... | assistant casting | |
| Arturo Zárate | .... | extras casting | |
| Rich King | .... | extras casting (uncredited) | |
| Mac Marshall | .... | extras casting (uncredited) | |
Costume and Wardrobe Department | |||
| María del Carmen Delvin | .... | set costumer (as Carmen Delfín) | |
| Azalia Joylee | .... | assistant costume designer | |
| Iván Juárez García | .... | wardrobe coordinator | |
| Glenn Gregory Krah | .... | on-set costumer: Los Angeles (as Glenn Krah) | |
| Guadalupe Narváez | .... | wardrobe assistant | |
| Ana Nuñez | .... | assistant costume designer | |
| Andrew Salazar | .... | costume supervisor: Los Angeles | |
Editorial Department | |||
| Basile Belkhiri | .... | assistant editor | |
| Christophe Bousquet | .... | color grader | |
| Mike Joris | .... | video colorist | |
| Lyssia Le Gall | .... | extra assistant editor | |
| Hervé Vander Heyden | .... | colorist (as Herve Vanderheyden) | |
Music Department | |||
| Elise Luguern | .... | music clearances | |
Other crew | |||
| Billy Acquaviva Jr. | .... | assistant production coordinator: Los Angeles | |
| George Adams | .... | additional office production assistant: Los Angeles | |
| Ana Ballesteros | .... | catering supervisor | |
| Jose Manuel Ballesteros | .... | craft service supervisor | |
| Nicolas Bassetto | .... | production assistant: Saga Film | |
| Lorri Bearbower | .... | studio teacher: Los Angeles, On Location Education | |
| Roxanne Berthelot | .... | stand-in: Tilda Swinton | |
| Gilles Bissot | .... | title designer: Filmik | |
| Eduardo Blanco | .... | production assistant | |
| Matthew Boeka | .... | set production assistant: Los Angeles (as Matt Boeka) | |
| Christele Boucher | .... | assistant accountant (as Christel Boucher) | |
| Roberto Brondo | .... | anda delegate | |
| Miguel Cadena | .... | location assistant | |
| Adam Callan | .... | executive: 7th Floor, Los Angeles | |
| Taylor Calley | .... | set production assistant: Los Angeles | |
| Nicolás Celis | .... | production assistant (as Nicolas Celis) | |
| Diana Cignoni | .... | stand-in: Julia, Los Angeles | |
| Nate Cohen | .... | office production assistant: Los Angeles | |
| Richard Davis | .... | location manager: Los Angeles | |
| Mélanie Delaballe | .... | production assistant | |
| Ivan Diaz-Robledo | .... | location manager: Tijuana (as Iván Diaz Robledo) | |
| Flor Esqueda | .... | location assistant | |
| Bonnie Evans | .... | teacher | |
| Brenda Fernández | .... | production assistant (as Brenda Fernandez) | |
| Heather Fielding | .... | studio teacher: Los Angeles, On Location Education | |
| Vincent Gadelle | .... | business affairs | |
| Patrice Galea | .... | laboratory consultant | |
| Andrea Gamboa | .... | assistant production office coordinator | |
| Ruben Garay | .... | location assistant | |
| Omar Garcia Guzman | .... | location assistant (as Omar Garcia) | |
| Boris Garza | .... | location assistant | |
| Carolyn Golden | .... | key set production assistant: Los Angeles (as Pacarolyn Golden) | |
| Sophie Goldman | .... | production coordinator: Bagheera | |
| Lili Gonzalez | .... | production coordinator | |
| Norka Guerrero | .... | animal trainer | |
| Miguel Gutierrez | .... | assistant location manager: Los Angeles | |
| Gabriela Herrera | .... | script supervisor | |
| Hector Ibarra | .... | location coordinator | |
| Joe Koller | .... | helicopter pilot | |
| Sandro Kopp | .... | assistant: Miss Swinton | |
| Christophe Lemer | .... | laboratory consultant | |
| Hugo Maldonado | .... | cook: Los Angeles | |
| Isabel Martinez | .... | production accountant | |
| Victor Martinez | .... | craft service | |
| Marcos Mora | .... | craft service: Los Angeles | |
| Tamra Natisin | .... | set production assistant: Los Angeles | |
| Claude Nemer | .... | laboratory consultant | |
| Valentina Novati | .... | production coordinator: Bagheera | |
| Mario Prian | .... | security | |
| Omar Pérez | .... | location assistant | |
| William F. Reed | .... | office production assistant: Los Angeles | |
| Evangelina Resendiz Montalvo | .... | on-set medic (as Evangelina Reséndiz) | |
| Philippe 'Carlos' Rodriguez | .... | chef: Los Angeles | |
| Rémi Roy | .... | production chief accountant (as Remi Roy) | |
| Sarah Rubenstein | .... | accountant: Los Angeles | |
| Luis Ruiz | .... | location manager | |
| Iwona Sellers | .... | production executive | |
| Juliette Sol | .... | production assistant: Le Bureau | |
| Jesus Solis | .... | production accountant assistant | |
| Michele Tedlis | .... | script supervisor: Los Angeles | |
| Abel Teran | .... | security: Miss Swinton | |
| Melissa Velasquez | .... | extras assistant: Tijuana (as Melissa Velázquez) | |
| Daniel Villarreal | .... | additional office production assistant: Los Angeles | |
| Gilles Waterkeyn | .... | production executive | |
| Brandon Woods | .... | set medic: Los Angeles | |
| Haydee Zarate | .... | extras assistant (as Haydeé Zarate) | |
| Jerome Zelle | .... | craft service: Los Angeles | |
| Tony Arnoux | .... | press attache (uncredited) | |
| Eric A. Knapp | .... | office intern (uncredited) | |
| Jorge Eduardo Ramírez | .... | key production assistant (uncredited) | |
| André-Paul Ricci | .... | press attache (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb France section |
JULIA is one of those films that goes beyond being a story and production worth the viewers' attention: this is one of those experiences in observing the art of acting at its peak. Tilda Swinton who continues to explore roles that challenge her and her audience, roles that few other actresses would considering making let alone making, and in JULIA she covers a range of emotions and mutations of a character that simply leave the audience in complete awe of her talent. She is extraordinary!
Julia is a bright but flawed person. She is an alcoholic who spends her nights drinking herself into oblivion only to wake up the next morning not recognizing her bed partner or the surroundings of her comatosed night of stupor. Swinton makes us understand this character's 'way with men' in her grossly revealing clothes and her flirtations backed by a mouth of filth. Julia loses her job over her drunken tardiness and has ruined a 'relationship' with ex-alcoholic Mitch (Saul Rubinek) and finally goes to an AA meeting where she meets Elena (Kate Del Castillo), a pathetic recovering alcoholic whose only goal in life is to retrieve her son Tom (Aidan Gould) from his wealthy disapproving grandfather. Julia is so desperate for money that she buys into a bizarre 'kidnapping' of Tom for Elena, a decision that triggers all of the rest of the film's journey through crime and sleaze as Julia fails at every effort to 'play the game' of criminal to make a fortune. Traveling from Los Angeles through the desert to Mexico, along the way Julia encounters 'co-facilitators' in her new life of crime - portrayed by such fine actors as Bruno Bichir (Demian Bichir's brother), a new and fine young actor Horacio Garcia Rojas, and Eugene Byrd to name only a few of the standout performances. Though a bit overlong at 2 1/2 hours, the script by Michael Collins and Camille Natta is spot on perfect and the direction by Erick Zonca makes the long film always richly colored and fascinating in attention to detail.
But the real reason to watch this film in the astonishing, multifaceted performance by Tilda Swinton, surely one of the finest actresses before us today. Her Julia creates a new level of acting standard- even for Swinton!
Grady Harp