In an eerily familiar city, a calendar reform has dispensed with the past and the future, leaving citizens faceless, without memory or anticipation. Unimaginable happiness abounds - until a woman recovers her face...
Emma left Russia to live with her husband in Italy. Now a member of a powerful industrial family, she is the respected mother of three, but feels unfulfilled. One day, Antonio, a talented chef and her son's friend, makes her senses kindle.
Julia is a drunk. She loses her job in real estate and at an A.A. meeting meets a neighbor, Elena, an addled Mexican woman who talks about having lots of money and a plan to kidnap her own son from the boy's grandfather, a wealthy businessman. Elena wants Julia's help. Julia says yes with her own plan to do this alone. Following Elena's plan, Julia manages to grab the boy, Tom, who's about 10. Now what? She asks for a ransom. Tom's grandfather and his money are connected directly to Mexican drug trafficking, so Julia is up against long odds. Will anyone make it out alive? Written by
When Julia finds Tom unconscious in the desert, she gets out of the car and shouts Tom's name several times as she runs towards him. Listen carefully, and you'll hear Tilda Swinton calling out 'Tom' with her real life English accent instead of her character's American accent. See more »
Overwrought acting and a meandering storyline tank it eventually
Awkward kidnapping thriller/actress vehicle for Tilda Swinton. I love Swinton as much as the next movie lover, and for a while I was thinking that, yes, this was her shining moment. But after a while, it all seemed like a little too much. She's done a ton of subtle work over the past two decades, and she's so in your face here it just doesn't feel like the same actress. That could be a compliment, but I found her work here so overwrought. One of the problems is that a lot of the dialogue is improvised (I'm guessing), and I don't think she acquitted herself well. The plot involves a hopeless alcoholic who gets involved in a kidnapping plot. The woman who asks her to help (Kate del Castillo, just awful) is also an alcoholic. Her son was taken from her by her dead husband's father. She claims to have money to pay Swinton in Mexico. Swinton sees it as the perfect opportunity for a double cross. Later, there'll be more double crosses, probably a triple cross, and eventually the kid gets kidnapped FROM Swinton by some Mexican gangsters. It's all very meandering, and the film runs a whopping two and a half hours (at 90 minutes, it could have been very good). It's not that it's a boring film, really, it's just kind of annoying and unfocused.
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