One night Maloin, a switchman at a seaside railway station situated by a ferry harbor, witnesses a terrible event. He is just watching the arrival of the last ferry at night from his ... See full summary »
When two brothers organize the robbery of their parents' jewelry store the job goes horribly wrong, triggering a series of events that sends them, their father and one brother's wife hurtling towards a shattering climax.
Philip Seymour Hoffman,
A cab driver finds himself the hostage of an engaging contract killer as he makes his rounds from hit to hit during one night in Los Angeles. He must find a way to save both himself and one last victim.
In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve a rich and spoiled millionaire playboy, named Dickie Greenleaf. But when the errand fails, Ripley takes extreme measures.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
Julia is a drunk. She loses her job in real estate and at an A.A. meeting meets a neighbor, Elena, an addled Mexican woman who talks about having lots of money and a plan to kidnap her own son from the boy's grandfather, a wealthy businessman. Elena wants Julia's help. Julia says yes with her own plan to do this alone. Following Elena's plan, Julia manages to grab the boy, Tom, who's about 10. Now what? She asks for a ransom. Tom's grandfather and his money are connected directly to Mexican drug trafficking, so Julia is up against long odds. Will anyone make it out alive? Written by
In real life, Tilda Swinton, who plays an alcoholic in the film, cannot drink. She says she would fall asleep after having just one glass. See more »
When Julia finds Tom unconscious in the desert, she gets out of the car and shouts Tom's name several times as she runs towards him. Listen carefully, and you'll hear Tilda Swinton calling out 'Tom' with her real life English accent instead of her character's American accent. See more »
And it's time *my* luck changed. And it's time something went right for *me*!
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I could not like this film more. Yes, it's messy. Yes, it's extreme... but it is precisely for these reasons that I adore it. In this age of one slick, bland, impeccably crafted and neutered blockbuster suppository after the other and at a time when so-called independent films are so often just show reels for wanna-be future suppository crafters, this is a breath of pure, animalistic, delightfully anarchic, fresh air. It is truly cinematic, ambitious, original and brilliant. The dialogue is a bit weak in places and it feels like it was edited in a rush, but those are my only complaints. Swintons performance is full of fantasy and compassion and anyone who has ever spent time around hard-core drinkers will know that it is 100% realistic. The entire experience of watching this film is like a binge weekend for the viewer: All threads unravel, reason becomes skewed and when sobriety finally kicks in, you are left with nothing. I was swept along in a complete state of reverie and found myself breathless and wishing it could go on longer when it ended. The colourful mix of characters and landscapes are beautifully framed and lit. The whole thing is like a bizarre European fairytale of what America is like. Oscars for best Actress and cinematography please!
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