During the near end of the clone wars, Darth Sidious has revealed himself and is ready to execute the last part of his plan to rule the Galaxy. Sidious is ready for his new apprentice, Lord... See full summary »
Bilbo Baggins is swept into a quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Giant Spiders, Shapeshifters and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever ... Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of guile and courage that surprise even him, he also gains possession of Gollum's "precious" ring that holds unexpected and useful qualities ... A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to ... Written by
Peter Jackson was hospitalized in January 2011 for a perforated stomach ulcer, which just so happened to be one of the contributing causes of J.R.R. Tolkien's death. Luckily, it was caught in time and surgery went smoothly, with the only impact on production being pushing back principal photography by a month so Jackson could recover before putting himself under three more years of constant stress. See more »
After Galadriel questions Gandalf "Why the Halfling?" in Rivendell, his hair changes of position some times: at the beginning he has a lock of fair falling by his left side, but later all his hair is slicked-back. Finally, a few hair cross his face, which are removed by Galadriel. See more »
My dear Frodo, you asked me once if I had told you everything there was to know about my adventures. And while I can honestly say I've told you the truth, I may not have told you all of it. I am old, Frodo. I am not the same hobbit as I once was. It is time for you to know what really happened.
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Lists the publishers for all of The Hobbit in all the different languages. See more »
The owners of the film rights of Tolkien's legacy naturally hope that each new instalment they provide will satisfy every demographically analysed sub-section of the massive potential cash cow (I mean audience).
So, in the case of the gentle children's volume "The Hobbit", what's it to be guys? A basically faithful-to-the-book rendition for old-fashioned types - like yours truly - who really only want its look and feel translated into visual format?
A lavish family-friendly epic for casual admirers of the Tolkien 'franchise', with enough easy reference points to this 'back material' for the new 'product entry' to fit seamlessly into the whole?
A 3-D Wide-Screen Tom-and-Jerry-cartoon-writ-large for the Video Game Generation, not overly concerned with plot, character, dialogue, coherence, dramatic tension, authenticity, or any other damn thing save 'awesome' special effects and bespoke cartoon violence?
The sad answer: a mishmash of all the above. This handsome looking, unevenly paced, garishly sensationalist dog's dinner is much more of a nightmare than a dream come true for any real lover of Tolkien. Even those of them, such as me, who liked the LOTR films.
Received wisdom has made us aware of the book's supposed shortcomings for modern adaptation. But has the hectic beefing-up of story, action scenes, back plot, character arcs/motivations etc. made things any better? Quite the reverse. Excessive tinkering has actually only served to show how well engineered the book was/is.
To be scrupulously fair, there are still some traces of wit, beauty, a sense of wonder, not completely trampled into the mud. But enough of the structure and (crucially) feel of the book is annihilated, leaving an admirer of the original feeling depressed, angry and manipulated. And this syndrome unfortunately gets ever worse as the film progresses, meaning that, despite the occasional good bits, the final impression when leaving the cinema is very negative indeed.
One senses a frantic, and toxic, combination of no-risk-taking combined with throwing-in-every-possible-kitchen-sink throughout. Any previously commercially successful star in the fantasy movie universe has to be referenced at all costs. Boyish knockabout slapstick; check "Pirates of the Caribbean". CGI superbeings slugging it out: check "Transformers". Simplistic racial conflict plot structure; check "Avatar". Generic quest narrative; check, er, "Lord of the Rings".
Examples of manipulation, all periodically evident throughout the film's entire run time, include: crude signposting of every plot twist; every being's inner feelings and motivations exaggerated and rammed home; every dangerous situation amplified beyond rhyme or reason into the completely absurd, thereby destroying rather than enhancing dramatic tension; totally generic 'stirring' fantasy soundtrack music unsubtly underpinning the action to further stupefy the senses.
Allotting specific blame on the director, or script writers, or producers, or backers of this pumped-up product for its artistic failure is futile. ALL the above, plus others, whatever their intentions at the outset, have combined in some unholy reverse alchemy to foist upon the world not a thing of beauty to be cherished forever (like the book), but rather a tasteless assault course for the senses, a crass base-metal reinvention of a golden literary creation.
And no, please, no we're still only a third of the way through!
Thoughtful fans of Tolkien, beware. Do not trust the positive reactions to this artefact from the sensation addicts who are evidently blinded by their dependence on cheap thrills. I don't care how depressingly numerous they are! This 'Hobbit' is NOT the Baggins you and I know and love.
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