The facts: journalist Zenia Arden is missing, her abandoned car is found with three pints of her blood splattered inside, and one of her fingers severed from her body is found close to the ...
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The facts: journalist Zenia Arden is missing, her abandoned car is found with three pints of her blood splattered inside, and one of her fingers severed from her body is found close to the car. From these facts, the authorities believe there is no way she could have survived what looks to be a brutal slaying. Henry Kelly, her police officer secret boyfriend, believes he will be implicated as the murderer. Henry goes to his old friend John Grismer, an ex-police officer now insurance investigator, to help him uncover what happened to Zenia. In his search for the truth, John finds that Zenia's three supposedly closest friends - magazine editor Roz Andrews, university history professor Tony Fremont and yoga instructor Charis White - are all less than sad at Zenia's death, their lack of remorse which they are open about when questioned by John. Apparently, Zenia came unexpectedly and independently into each of their lives, made it great for a while before she did something intentionally to... Written by
Clever, well acted and produced but curiously uninvolving
I found myself comparing this to another psychological thriller I had seen recently - CACHE aka HIDDEN - much to the disadvantage of THE ROBBER BRIDE.
The film begins with a scene that makes the viewer expect an investigation a la CSI. Instead it is a single individual investigating a team of trio of women for the possible murder of a woman they all knew in their university years. John's character and personality seems to disappear as we learn more about Zenia the possible woman and the women, Charis, Roz and Tony.
None of the latter women engendered any of my sympathy, though the story argues (or does it?) that all three have been victimized by Zenia, who unerringly detects how best and how deeply the three can be hurt.
I found the choice of Mary-Louise Parker interesting in that she resembled a younger, more feminine Margaret Atwood.
I imagine that I missed a considerable amount of subtext because I have not read much Atwood, and as this is a fairly recent work, it very likely reiterates themes that she finds important.
I edited the commercials out of the film, and was left with slightly less than 89 minutes; so I must applaud those who sat through the live broadcast of THE ROBBER BRIDE, often enduring lengthy 4 minute or longer commercial - I found it incredibly annoying to fight off the numerous pop ups, usually for forthcoming programming, to the extent that I couldn't read or digest the all important closing credits!
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