Three teenagers blackmail a serial killer.

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(as S.P. Krause), (as Shayne Armstrong) | 2 more credits »
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3 wins & 2 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Ian Wright
...
Gary Parker
...
Mark
...
Chasely (as Hanna Mangan-Lawrence)
Joshua Payne ...
James
...
Kay Wright
Holly Baldwin ...
Tanya Lee
Anthony Phelan ...
Tanya Lee's Dad
...
Petra
Sue Dwyer ...
Ma Parker
...
Detective 1
Danny Baldwin ...
Detective 2
Harley Bennick ...
Young James
Ryan Sheldrake ...
Young Mark
Leigh Prewecki ...
Kay and Ian's Baby
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Storyline

James Tresswick and Mark Vincent are victims of a brutal bully Gary Parker who has maltreated both boys, marking their bodies and spoiling their young lives. In their last year of high school, James and Mark find a way to stop being victims. They're going to kill Gary; Wandering alone around an isolated forest - the suspected site of the disappearance of a local girl - 17 year old Mark strays upon an adult male filling in a trench. It's suspicious and tantalizing. Mark returns with his friend James and Chasley Keys and they bring shovels to exhume what will probably be rotting garbage or someone's dead pet - or so they tell themselves. They find the ghostly white body of a woman. She's a tourist - a Canadian backpacker. The "trench" is a grave. The "adult male" is her killer. And they've got him by the balls. Responding to Mark's intimations James floats an idea to seek out "the sicko". It'll be a bit of fun. He's confident the guy lives in their suburb; Mark saw his car parked on a ... Written by Armstrong & Krause

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Nothing stays buried forever.


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Release Date:

25 March 2009 (France)  »

Also Known As:

Caçada Sinistra  »

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2.35 : 1
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Did You Know?

Trivia

This film is considered an Ozploitation picture, an Australian exploitation movie. See more »

Soundtracks

Scorpius
Performed by Midnight Juggernauts
Written by Andrew Szekeres/Vincent Heimann/Daniel Stricker
Licensed courtesy of Siberia Records
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User Reviews

 
Interesting ideas in an exceptionally poorly executed film
14 September 2009 | by (United States) – See all my reviews

Acolytes presents an interesting mix of original concepts in "screaming teen" cliché horror with a more thriller-like pacing. In some ways Acolytes is very successful, but in many other ways the film fails miserably.

Overall Acolytes avoided the typical archetypes of the naivety and innocence of youth of endless horror films in the like of Cabin Fever, Texas Chainsaw Massacre, and countless other films where unsuspecting and relatively naive and innocent teenagers, have sex, run around screaming and one-by-one are plucked off by some sort of monster. Instead this innocence is replaced with pride, retaliation, and arrogance. The characters had several opportunities to save themselves from immanent death and despair, but failed to do so due to their own personal demons. In the end you were left with the feeling that there were no (and perhaps are no) innocent victims.

As the name implies, the film also touches greatly on following a leader or authority. This was used in a direct sense of if the main character would become like the serial killer and was also used less directly throughout the film. Following a central figure is a reoccurring theme throughout the film.

Through all this, the film makers also incorporated a lot of cliché, which I suspect was intentional and gave the film a unique mixture of depth as well as shallowness which I found intriguing. This, perhaps inadvertently, plays well with the characters who are, at first appearance very shallow but as the story unfolds it becomes obvious that they are, at least the two main male characters, quite complex.

Technically the film has a lot of problems however. The cinematography, which is typically regarded highly, I find rather sophomoric and over-stylized, utilizing formulaic 2/3 approaches far too rigidly. Many transitions I felt were also over-stylized. The use of symbolism was not only vague, but also greatly over used.

The plot was poorly planned and relied exclusively on misinformation in order to achieve a rather hokey twist ending, which was poorly resolved and leaves viewers confused. Methods used to resolve the climax are cheap and ill-prepared, motivations are routinely unclear, and major plot points remain untied in the end.

Overall, the film's relative originality, themes and thesis are lost in a maze of poor technical execution, over-stylized imagery, unclear motives, obtuse and unnecessary symbolism and cheap twists maintained only by a lack of or entirely incorrect information.

If the film were better executed, it would have been excellent. However, Acolytes receives only two stars in my opinion.


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