A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
D. Kerry Prior
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through ... See full summary »
18th century justice catches up with a pair of grave robbers. With only a few hours to go before his date with the guillotine, Arthur Blake tells his life story to Father Francis Duffy. Before long, Arthur spills the beans on how he got started in the grim corpse peddling business with seasoned ghoul Willie Grimes. Written by
Early in the film, the bartender in the pub says "there would be no Burke without the little Hare here." This refers to William Burke and William Hare, the famous body snatchers that operated in Edinburgh, Scotland in the early 1800s. Much of the plot for the movie is inspired by their story. See more »
Supposedly set in the 12th century, Fanny pulls out a modern-day pocket knife. See more »
I just saw this at SIFF, and I absolutely loved it. There were parts where I laughed so hard I couldn't catch my breath. The script and direction by Glenn McQuaid are fantastic. I can't wait to see more from this talented young man. The performances make the movie. Larry Fessenden and Dominic Monaghan are just delightful as the graverobber Willy and his apprentice Arthur. Ron Perlman turns in a fantastic performance (as usual) as a less-than-sympathetic jailhouse priest. Bonus: Angus Scrimm as an unscrupulous doctor! As always, he balances menace and humor perfectly.
This is a style of horror comedy that really hasn't been seen since Vincent Price did "Comedy of Terrors," "The Raven," and "Theater of Blood." The movie is genuinely scary in places, then it'll suddenly flip back into hilarious mode, keeping you totally off balance. Some parts are scary and funny at the same time.
I can only afford to see three movies at SIFF this year, but even if the other two are awful, "I Sell The Dead" was worth the price of all three. I'm going to be looking for more movies from Larry Fessenden's Glass Eye Pix. He's giving the horror genre a much-needed kick in the butt.
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