A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A group of men head to a remote village to help one of their friends get over his divorce; when they get there, though, they discover that all the women have been infected with a virus that makes them man-hating cannibals.
When a bumbling pair of employees at a medical supply warehouse accidentally release a deadly gas into the air, the vapors cause the dead to re-animate as they go on a rampage through ... See full summary »
In Los Angeles, a fallen soldier who has joined the ranks of the living dead reunites with his best friend in order to deal with the city's drug dealers and killers - a perfect way to collect the blood that one of them so desperately needs.
D. Kerry Prior
18th century justice catches up with a pair of grave robbers. With only a few hours to go before his date with the guillotine, Arthur Blake tells his life story to Father Francis Duffy. Before long, Arthur spills the beans on how he got started in the grim corpse peddling business with seasoned ghoul Willie Grimes. Written by
I saw this movie as part of the Midnite Madness at Sitges. Set in 18th century England, the plot covers the life of Arthur Blake from his first outing as an apprentice grave robber to his final confession on the eve of his execution.
The plot moves along via a series of misadventures involving Arthur and his partner encountering various unsavory characters and bizarre situations.
The first thing that strikes you about this movie is how accurately they managed to capture the look of the Hammer period horrors, the atmosphere is set with lots of fog laden graveyards, rowdy tavern scenes and excellent set/costume design.
For a movie titled I Sell the Dead, I was expecting the emphasis to be mostly on horror don't get me wrong there are some jumpy moments and gore, but the tone is very much comedic, driven by the situations the characters get themselves into and their dialog. The closest comparison to the scenes between the two leads (Larry Fessenden and Dominic Monaghan) is the character interaction seen in the classic English comedies Only Fools and Horses, the Two Ronnies and Morecambe and Wise.
The acting is strong and the casting of very familiar faces in Ron Perlman and Angus Scrimm lift the movie above many of the others on view in Sitges.
Overall the movie offers something very different to the current crop of mainstream horror and will leave a smile on your face.
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