| Larry the Cable Guy | ... | Tow Mater (voice) | |
| Owen Wilson | ... | Lightning McQueen (voice) | |
| Michael Wallis | ... | Sheriff (voice) | |
| Bonnie Hunt | ... | Sally Carrera (voice) | |
| Paul Newman | ... | Doc Hudson (voice) | |
| Cheech Marin | ... | Ramone (voice) | |
| Paul Dooley | ... | Sarge (voice) |
Directed by | |||
| John Lasseter | |||
| Dan Scanlon | (co-director) | ||
Writing credits | ||
| Joe Ranft | (original story) & | |
| John Lasseter | (original story) & | |
| Dan Scanlon | (original story) | |
Produced by | |||
| Darla K. Anderson | .... | executive producer | |
| Mark Nielsen | .... | producer | |
Original Music by | |||
| Bruno Coon | |||
Film Editing by | |||
| Torbin Xan Bullock | |||
Production Design by | |||
| William Cone | |||
| Bob Pauley | |||
Production Management | |||
| Paul Cichocki | .... | post-production supervisor | |
| Joshua Hollander | .... | unit production manager | |
Art Department | |||
| Neil Blevins | .... | set artist | |
| Craig Foster | .... | graphic designer | |
| Christina Garcia Weiland | .... | set artist (as Christina Garcia) | |
| Tia W. Kratter | .... | shading art director | |
| Dominique Louis | .... | title card designer (as Dominique R. Louis) | |
| Bud Luckey | .... | title card designer | |
| Nathaniel McLaughlin | .... | environment designer (as Nat McLaughlin) | |
| Alex Seiden | .... | set artist | |
| Suzanne Slatcher | .... | set artist | |
| Sophie Vincelette | .... | set dressing supervisor | |
Visual Effects by | |||
| Jeremy Birn | .... | lighting artist | |
| Jay Carina | .... | rendering & optimization artist | |
| Ye Won Cho | .... | lighting artist | |
| Charu Clark | .... | rendering & optimization artist | |
| Keith Cormier | .... | lighting artist | |
| Airton Dittz Jr. | .... | master lighting artist | |
| Angelique Ford | .... | rendering & optimization supervisor | |
| Dean Foster | .... | lighting artist | |
| Carl N. Frederick | .... | rendering & optimization artist (as Carl Nai Frederick) | |
| Jamie Frye | .... | digital painter | |
| Ian House | .... | lighting artist | |
| Jason Johnston | .... | effects artist | |
| Sandra Ford Karpman | .... | rendering & optimization artist (as Sandra Karpman) | |
| Mitch Kopelman | .... | master lighting artist | |
| Steve May | .... | supervising technical director | |
| Eileen O'Neill | .... | lighting artist | |
| Andrew Pienaar | .... | lighting artist | |
| Jon Reisch | .... | effects artist | |
| Michael Sparber | .... | lighting artist | |
| Ken Sullivan | .... | lighting artist | |
| Peter Sumanaseni | .... | lighting supervisor | |
| Erdem Taylan | .... | effects supervisor | |
| Paul Topolos | .... | digital painter | |
| Brad Winemiller | .... | effects artist | |
| Maria Yershova | .... | master lighting artist | |
Animation Department | |||
| Fareed Behmaram-Mosavat | .... | character artist | |
| Shawn Brennan | .... | layout artist | |
| Adam Burke | .... | animator | |
| Scott Clark | .... | supervising animator | |
| Brett Coderre | .... | animator | |
| Chris DiGiovanni | .... | animation manager | |
| Nancy Kato | .... | animator | |
| Jaime Landes | .... | animator | |
| Michal Makarewicz | .... | animator | |
| Steve Mason | .... | animator | |
| Jon Mead | .... | animator | |
| Billy Merritt | .... | animator | |
| Dave Mullins | .... | animator | |
| James Ford Murphy | .... | supervising animator | |
| Victor Navone | .... | animator | |
| Dan Nguyen | .... | animator | |
| Gregg Olsson | .... | layout artist | |
| Bobby Podesta | .... | supervising animator | |
| Brett Pulliam | .... | animator | |
| Steve Purcell | .... | additional character designer | |
| Roger Rose | .... | animator | |
| Mark Sanford | .... | layout artist | |
| Brett Schulz | .... | animator | |
| Bob Scott | .... | animator | |
| Doug Sheppeck | .... | animator | |
| Michael Stocker | .... | animator | |
| Colin Hayes Thompson | .... | character artist | |
| Bob Whitehill | .... | layout supervisor | |
| Anthony Ho Wong | .... | animator | |
| Ron Zorman | .... | animator | |
Editorial Department | |||
| Patrick Day Kennedy | .... | assistant editor | |
| Hoon H. Kim | .... | editorial manager | |
| David Lortsher | .... | colorist | |
| Louis Rivera | .... | colorist | |
| Jeff Wan | .... | colorist | |
| Robin Young | .... | colorist | |
| Katelin C. Holloway | .... | post-production assistant (uncredited) | |
Music Department | |||
| Joey Newman | .... | conductor | |
| Peter Rotter | .... | orchestra contractor | |
Other crew | |||
| Kearsley Higgins | .... | production coordinator | |
| Brad Kane | .... | production coordinator | |
| Susan E. Levin | .... | script supervisor | |
| Alex Mandel | .... | production coordinator | |
| Becky Neiman | .... | end credits designer | |
| Adrian Ochoa | .... | production coordinator | |
| Joe Ranft | .... | end credits designer | |
| Shane M. Thomas | .... | production coordinator | |
Thanks | |||
| Simon Bax | .... | special thanks | |
| Ed Catmull | .... | special thanks | |
| Steve Jobs | .... | special thanks | |
| Lois Scali | .... | special thanks | |
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| Cars | Monsters, Inc. | Sinkin' in the Bathtub | Susie the Little Blue Coupe | Mike's New Car |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
I have seen this short twice and both times I was bowled over by the gorgeous computer-generated animation. Clearly, Pixar is THE studio that sets the animation standard. However, I think this film has a strike against it from the outset and that is because the CARS characters aren't as endearing or timeless as many of the other Pixar creations. They lack the "cuddly factor" or depth of some of the other characters and so, at least to me, it doesn't stack well with the MONSTERS, INC., UP!, RATATOUILLE or INCREDIBLES (among others).
As for the short, it's about Mater and how cowardly he is. The others make up a ghost story and Mater freaks out. It's all great fun for the kids, but adults probably won't love this film unless they are car aficionados or NASCAR fans. To me, it all seemed pretty routine--aside from the great animation.