| Kang-ho Song | ... | Yoon Tae-goo / The Weird | |
| Byung-hun Lee | ... | Park Chang-yi / The Bad | |
| Woo-sung Jung | ... | Park Do-won / The Good | |
| Je-mun Yun | ... | Byung-choon (as Jae-moon Yoon) | |
| Seung-su Ryu | ... | Man-gil (as Seung-soo Ryu) | |
| Young-chang Song | ... | Kim Pan-joo | |
| Byung-ho Son | ... | Seo Jae-sik | |
| Dal-su Oh | ... | Messenger for Kim Pan-joo (as Dai-soo Oh) | |
| Cheong-a Lee | ... | Song-yi (as Chung-ah Lee) | |
| Kwang-il Kim | ... | Two Blades | |
| Dong-seok Ma | ... | Bear (as Don Lee) | |
| Kyeong-hun Jo | ... | Doo-chao (as Kyung-hoon Cho) | |
| Hang-soo Lee | ... | Kanemaru | |
| Hyun Joong Kang | ... | Ghost Market Gang Leader | |
| Sung-min Lee | ... | Chef | |
| Chang-sook Ryu | ... | Granny | |
| Cheol-ho Yeom | ... | Chang-yi's Gang | |
| Seung-won Seo | ... | Chang-yi's Gang | |
| Deok-jae Jo | ... | Chang-yi's Gang | |
| Ki-jun Hong | ... | Chang-yi's Gang | |
| Seung-jae Jeon | ... | Chang-yi's Gang | |
| Kil Geum-Seong | ... | Chang-yi's Gang | |
| Jin-yeong Jeong | ... | Chang-yi's Gang | |
| Jeong Mi-nam | ... | Tri-nation Gang | |
| Han-sol Lee | ... | Tri-nation Gang | |
| Seung-joon Lee | ... | Tri-nation Gang | |
| Seol-gu Lee | ... | Tri-nation Gang | |
| Kwang-su Lee | ... | Tri-nation Gang | |
| Woo-sang Yeom | ... | Tri-nation Gang | |
| Deligeer | ... | Zhang Qi | |
| Hakuryu | ... | Ishihara | |
| Shoken Kunimoto | ... | Abe | |
| Se-hyeong Jeong | ... | Chinese Soldier | |
| Min-Young Park | ... | Hooker with a Bag | |
| Woo-Jeong Oh | ... | Japanese Woman in Train | |
| Seo-won Oh | ... | Chinese woman in Train | |
| rest of cast listed alphabetically: | |||
| Dae-Sung Choi | ... | Japanese Gentleman | |
| Woo-hyuk Choi | ... | Kid in Opium House | |
| Son Jin-Hwan | ... | Kim Hyeok | |
| Eun Se Ki | ... | Beauty in Opium House | |
| Dae-won Kim | ... | Flag Guy | |
| Soo-nam Kim | ... | Opium House Man | |
| Sun-Young Kim | ... | Beauty in Opium House | |
| Yu-Mi Ko | ... | Woman in Inn | |
| Su-hyeon Lee | ... | Manchurian Police in Train | |
| Jae-hyeon Park | ... | Poster Man | |
| Jin-woo Park | ... | Hwang | |
| Yeon-ah Park | ... | Little Girl in Opium House | |
| Min Yeong | ... | Opium Girl | |
| Ji-won Uhm | ... | Na-yeon (uncredited) | |
Directed by | |||
| Jee-woon Kim | |||
Writing credits(in alphabetical order) | ||
| Jee-woon Kim | screenplay | |
| Min-suk Kim | screenplay | |
Produced by | |||
| Jae-Won Choi | .... | associate producer | |
| Jae-Won Choi | .... | producer | |
| Joon H. Choi | .... | co-producer | |
| Jee-woon Kim | .... | producer | |
| Joo-Sung Kim | .... | associate producer | |
| Jung-hwa Kim | .... | co-producer | |
| Miky Lee | .... | executive producer | |
| Sang-Yong Lee | .... | co-producer | |
| Woo-sik Seo | .... | co-producer | |
Original Music by | |||
| Dalparan | |||
| Yeong-gyu Jang | |||
Cinematography by | |||
| Mo-gae Lee | |||
| Seung-Chul Oh | |||
Film Editing by | |||
| Na-young Nam | |||
Production Design by | |||
| Hwa-sung Cho | |||
Art Direction by | |||
| Jae-hyun Park | |||
Costume Design by | |||
| Eui-yeong Choi | |||
| Yu-Jin Gweon | |||
Makeup Department | |||
| Tae-young Kwak | .... | special makeup effects artist | |
| Hee Eun Lee | .... | special makeup effects artist | |
Production Management | |||
| Sungho Nam | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Min-suk Kim | .... | assistant director | |
| An-kyu Lee | .... | assistant director | |
Sound Department | |||
| Tae-young Choi | .... | sound | |
| Rob Nokes | .... | additional sound effects library | |
Special Effects by | |||
| Do-ahn Jung | .... | special effects | |
| Hee-kyoung Lee | .... | special effects: demolition | |
Visual Effects by | |||
| Kyung Soo Hwang | .... | visual effects supervisor: Triton | |
| Jeong Jaehoon | .... | digital artist | |
| Seo Jungwook | .... | research and development | |
| Wook Kim | .... | visual effects supervisor: DTI | |
| Hyukil Kwon | .... | matte painter | |
| Dong-hoon Lee | .... | visual effects supervisor: Footage | |
| Seung Ho Lee | .... | visual effects supervisor: Modball | |
| Jason Madigan | .... | technical director | |
| Eun Jeong Park | .... | visual effects coordinator: Footage (as Eun-jung Park) | |
| Sunny Sung-Yong Park | .... | visual effects artist | |
| Won Bong Park | .... | visual effects supervisor: Inframe | |
Stunts | |||
| Heo Myeong Haeng | .... | martial arts coordinator (as Myeong-haeng Heo) | |
| Joong-hyun Ji | .... | martial arts coordinator | |
| Joo-hyun Jo | .... | stunts (as Ju-hyeon Jo) | |
| Doo-hong Jung | .... | martial arts coordinator | |
| Jin-Suk Kwag | .... | stunts (as Jin-seok Kwak) | |
| Kwi-deok Kwon | .... | stunts (as Gwi-deok Kwon) | |
| Mun-cheol Kwon | .... | stunts (as Moon-cheol Kwon) | |
| Dong-hyun Park | .... | stunts | |
| Ji-oh Seo | .... | stunts | |
| Seung-il Shin | .... | stunts (as Sung-il Shin) | |
Other crew | |||
| Joori Kim | .... | production accountant | |
| David Magdael | .... | publicist | |
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| The Phantom Rider | Ghost of Zorro | Jesse James Rides Again | Australia | Mr. & Mrs. Smith |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb South Korea section |
This is a real blast. A London Film Festival viewing this afternoon and my jaw dropped during the opening. This may have the most stunning opening of any film, I certainly can't think of any other contenders at present, with crazy music, a landscape out of a dream, soaring birds of prey and a great big steam train. The camera and hence the audience are everywhere, this side, that side above, below and even in the smoke from the engine. Previously there has been some set up to accompany the credits and then we are away. This film does not let up so if it is not non-stop action you are after you had best avoid. For all sensible folk this is a mind blowing exercise in action cinema. Loud, violent and stunningly shot this is awe inspiring stuff and with a comic edge too. I spent half the time with my mouth agape and rest with a broad smile. I have heard some criticise this for lack of storyline and certainly there is minimal narrative flow here as we are sped on by sheer excitement and amusement. Fantastic entertainment on a massive scale. Large screen viewing recommended.