Based upon the final confession of Adolf Eichmann, made before his execution in Israel as he accounts to Captain Avner Less, a young Israeli Police Officer, of his past as the architect of ... See full summary »
Werner Kelmperer stars as one of the most infamous mass murderers in all history in this true story. With the defeat of Germany that ends World War II in Europe, the Allies discover the ... See full summary »
The story of the first cloned human being - told in her own words: At the age of thirty the world-famous composer Iris Sellin learns that she has an incurable illness. She - a person who ... See full summary »
After World War II, many important figures in Hitler's command escaped Germany and Occupied Europe and were rumored to be living in South America. Adolf Eichmann,wanted in connection with ... See full summary »
A reassessment of the role Albert Speer played in the Third Reich. Speer, who was ultimately convicted at the Nuremburg trials and served a 20-year prison sentence, was known for designing ... See full summary »
Dramatisation of the team hoping to televise the trial of Adolf Eichmann, an infamous nazi responsible for the deaths of millions of Jews. It focuses on Leo Hurwitz, a documentary film-maker and Milton Fruchtman, a producer.
Paul Andrew Williams
In the winter of 1946, in Leningrad, a group of German prisoners of war are sent to a female transit camp by the cruel Russian Commander Pavlov. When they arrive, the Russian female ... See full summary »
The Nuremberg trials, 1946 Goering and the Nazi high command stand trial. Within the prison a dangerous mind game is being conducted by Goering and the prison guards who stand watch over the perpetrators of the Holocaust.
Based upon the final confession of Adolf Eichmann, made before his execution in Israel as he accounts to Captain Avner Less, a young Israeli Police Officer, of his past as the architect of Hitler's plan for the final solution. Captured by intelligence operatives in Argentina, 15 years after World War II, Eichmann (Kretschmann), the World's most wanted man, must be broken down and the truth unveiled. As the world waits, two men must confront each other in a battle of wills- the result of which will change a nation forever. Written by
Adolf Eichmann's uniform shows the SS Runes patch. Eichmann's dept RSHA Referat IV B4 was under Reinhard Heydrich and the SD Security Service. The right collar patch on his uniform should be solid black with an SD diamond patch on his bottom left jacket sleeve. Pre-1934 he wore the standard SS officer uniform with the SS Runes. But not after 1934 when he started working for RSHA Referat IV B4 dept and the SD. See more »
[after Eichmann's interrogation and trial]
We showed him more justice than he ever showed us.
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I do not typically submit such reviews, but this film cries out for comments. "Using" the inherently dramatic and compelling nature of the Nazi period to create a largely inaccurate film seems to be another kind of crime. Such a period of evil deserves the most sober treatment possible and should not be used to create a kind of historic horror film.
All of that is leading up to my strong suggestion that you skip the film and read Hannah Arendt's amazing book about the actual Eichmann trial in Jerusalem, Eichmann: A Report on the Banality of Evil. Here you will find a non-dramatic, non-titillating version of the story that neither exaggerates nor diminishes Eichmann's evil, but rather reveals him in a matter-of-fact way as an opportunist, a careerist who merely wanted to advance, climb the ladder, attain the next "title," etc. He apparently did not have any particular hatred toward Jews. None of this in my estimation makes him less evil; the book actually reveals the "banality" of his evil by taking away the specter of a crazed monster. His evil lies in its being sane and in a sense "ordinary." Therefore, given its serious subject matter, I feel the film only partially reflects the facts Arendt reveals so clearly, obscuring them with with sex and useless side stories. The performances are good, the film is well made, etc. That's not my point. If you want to make a formulaic film, a horror film, a sexy film, or any other kind of film, have at it. But don't use Eichmann as your subject matter. The subject matter is too serious to be misused in any way. Read the book, please.
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