Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
When her brother decides to ditch for a couple weeks in London, Viola heads over to his elite boarding school, disguises herself as him, and proceeds to fall for one of her soccer teammates. Little does she realize she's not the only one with romantic troubles, as she, as he, gets in the middle of a series of intermingled love affairs.
In Manhattan, the lawyer Liv and the school teacher Emma have been best friends since their childhood. They both are proposed to by their boyfriends on the same day and they plan their wedding parties in Plaza Hotel, using the services of the famous Marion St. Claire. However, due to Marion's secretary's mistake, their weddings are scheduled for the same day. None of them agrees to change the date and they become enemies, trying to sabotage the wedding party of the rival. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
During the reception, there is a shot involving a complicated series of dance steps in front of the camera. After many failed attempts, a dance instructor who happened to be an extra asked to teach the actors how to perform the maneuver correctly. See more »
When the girls are about to toast to Liv's engagement at the bar: Everyone but Emma is holding a full shot glass, when the scene changes, Liv and the one friend are holding a half full shot glass, while Marissa changes to a wine glass while they are still in the middle of the toast. See more »
Your wedding's gonna be huge, just like your ass at prom.
Your wedding can suck it.
See more »
If you're looking for a comedy with weird plot twists and a sprinkling of humor, then you'll still be searching - Bride Wars excels at the former and sadly fails at the latter. It's not entirely silly sabotage and witless laughs as a few scenes and characters do stand out of the cliché wedding comedy crowd, but ultimately the tragic outcomes and easy clean-up of a far too messy situation will leave viewers wishing for a more comfortably predictable plot line.
Liv (Kate Hudson) and Emma (Anne Hathaway) have been best friends since childhood and both have always dreamed of a gorgeous June wedding at the luxurious Plaza Hotel. When both girls' boyfriends ask for their hands in marriage, Liv and Emma enlist the highly reputable wedding planner Marion St. Claire (Candice Bergen) to acquire their dream locale. Unfortunately a clerical error has their weddings set on the same day and thus begins a rivalry of increasingly ruthless sabotage as both girls refuse to reschedule their most important day.
No experimentation or originality can be seen in Bride Wars. Everything is terribly formulaic, from the music-narrated montages to the carefully patterned dialogue to the high points and low points for each of the heroines. When a half-expected love triangle forms, it is completely unnecessary and sorely mislaid - this is the kind of film where each event is better off contributing solely to comedy and every sad moment is best coated with ridiculous gags and off-the-wall mood-shifting resolutions. Touches of seriousness have no place in Bride Wars, which struggles so greatly with its adult dilemmas that the moments of humor feel forced - shoved into the cracks to even out the heartbreak most won't be feeling for these cookie-cutter characters.
If it wasn't bad enough that no individuality finds its way through all the girl-oriented giggling, hormonal wedding craze and subdued cat-fighting, the humor itself is oftentimes indecipherable from the drama. Sometimes it's funny to see these girls bitterly attack one another even if we're meant to sympathize, and other times it's disheartening when we're supposed to be laughing. Either way, so little of the film sparks interest or concern over two hopelessly contrived, generic best friends that it would be as wasteful to debate over them as it was to spoil two hours of valuable time watching the film. Hopefully even the target audience will realize the recycled, uninspired nature of Bride Wars.
The Massie Twins
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