Benjamin Barry is an advertising executive and ladies' man who, to win a big campaign, bets that he can make a woman fall in love with him in 10 days. Andie Anderson covers the "How To" beat for "Composure" magazine and is assigned to write an article on "How to Lose a Guy in 10 days." They meet in a bar shortly after the bet is made.
A romantically challenged morning show producer is reluctantly embroiled in a series of outrageous tests by her chauvinistic correspondent to prove his theories on relationships and help ... See full summary »
Mary Fiore is San Francisco's most successful supplier of romance and glamor. She knows all the tricks. She knows all the rules. But then she breaks the most important rule of all: she falls in love with the groom.
The love life of Charlotte is reduced to an endless string of disastrous blind dates, until she meets the perfect man, Kevin. Unfortunately, his merciless mother will do anything to destroy their relationship.
Beth is a young, ambitious New Yorker who is completely unlucky in love. However, on a whirlwind trip to Rome, she impulsively steals some coins from a reputed fountain of love, and is then aggressively pursued by a band of suitors.
Mark Steven Johnson
Anna Brady plans to travel to Dublin, Ireland to propose marriage to her boyfriend Jeremy on Leap Day, because, according to Irish tradition, a man who receives a marriage proposal on a leap day must accept it.
In Manhattan, the lawyer Liv and the school teacher Emma have been best friends since their childhood. They both are proposed to by their boyfriends on the same day and they plan their wedding parties in Plaza Hotel, using the services of the famous Marion St. Claire. However, due to Marion's secretary's mistake, their weddings are scheduled for the same day. None of them agrees to change the date and they become enemies, trying to sabotage the wedding party of the rival. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Written by Duffy (as Aimee Ann Duffy) and James Hogarth
Performed by Duffy
Courtesy of Polydor Ltd. (UK) / The Island Def Jam Music Group
Under license from Universal Music Enterprises See more »
Martin Scorsese once famously said he does one movie for the studio and one for himself, and so do many other directors or actors (George Clooney admits he did Ocean's Thirteen because that way he could do Michael Clayton next). Although Anne Hathaway hasn't explicitly said she does that, one can assume it's the only rational explanation for a piece of anti-cinematic trash like Bride Wars. Shooting The Devil Wears Prada after Brokeback Mountain is one thing, tainting your Oscar-nominated legacy with this bunch of nonsense is another.
And yet it sounded like it could be a lot of fun, at least judging by the premise, which reverses the classic wedding stereotype: women are in it for the romance, guys are game because it's fun (that's what they make it look like in American comedies, anyway). This time around, the dudes are in it for the love, and the girls want to get married just to make a childhood dream come true. Apparently, if you're a woman and live in Manhattan, the ultimate dream of your life is to get married at the Plaza in June, so when best friends Liv (Kate Hudson with a Paris Hilton/Britney Spears haircut) and Emma (Hathaway) get asked the fundamental question by their beaus, they immediately try to book the right place and date. A mix-up occurs, and so they're both stuck with the same date, June 6th. Neither wants to postpone what's supposed to be the happiest day of their lives, therefore a full-on war is declared on both parts.
At this point, the real silliness kicks in: diet sabotage, tans gone awry and the occasional witty remark, like "Your wedding's gonna be huge, just like your ass at prom". What started as a potentially entertaining critique of materialism and shallowness is revealed to be a poorly executed farce, with a succession of lame jokes instead of a plot (then again, one of the screenwriters is best known for performing on Saturday Night Live, where the skits have no connection whatsoever, so that may be an explanation) and two atrocious caricatures instead of leading ladies.
In fairness, no one ever expected any true brilliance from Hudson, given the last really good movie she appeared in was Cameron Crowe's Almost Famous in 2000, but surely someone could have told Hathaway you just don't choose something this bland after working with Jonathan Demme (or Ang Lee, for that matter). Maybe she wanted to return to her comedic roots, but sadly there's nothing even remotely funny in Bride Wars, save for a few brief scenes featuring the reliable Candice Bergen. Everything else is just like Liv and Emma: obsessed with getting everything right, but ultimately too self-centered to get any sympathy from others.
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