"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a...
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Miranda is a crew member of a nightly radio programmme. She and her husband Felix, a cop, are parents of a girl. Miranda's daily dog walking strolls are excuses to pursue sexual encounters ... See full summary »
Manuel Gómez Pereira
Maria (Soraia Chaves) a sensual call girl, is hired by Mouros (Joaquim de Almeida) to seduce Meireles (Nicolau Breyner), the Mayor of Vilanova, so that he can authorize a multinational to build a high quality resort. However, Madeira (Ivo Canelas) and Neves (Jose Raposo), PJ police detectives, discover the evidence of corruption and begin to investigate Meireles. Everything becomes even more ... See full summary »
At the outbreak of the Spanish Civil War, the nun Maria is forced to flee her convent. She takes refuge in a brothel, until it is liberated by a woman's anarchist group. Maria joins the ... See full summary »
Jota is about to commit suicide. As he fighting against himself, trying to jump off a bridge, a girl riding a motorcycle falls off the bridge. He runs to help her, and goes with her to the ... See full summary »
Ana is a former ETA member who lives in a village called Bermillo de Sayago, near the border with Portugal. She works as a veterinary with her friend and fellow Dario. With him, she shares ... See full summary »
Joaquim de Almeida,
"One Man's Hero" tells the little-known story of the "St. Patrick's Battalion" or "San Patricios," a group of mostly Irish and other immigrants of the Catholic faith who deserted to Mexico ... See full summary »
Joaquim de Almeida,
Portugal 1938. Pereira is the editor of the culture section of the Lisboa, an unaffiliated evening paper. There is civil war in Spain and the fascists are in power in Portugal, but he ... See full summary »
Joaquim de Almeida,
"Óscar. The Color of Destiny" is a revealing portrayal of a forgotten icon of French Surrealism: Spanish painter Óscar Domínguez, contemporary of Picasso. The film rediscovers the life of a talented artist who was ignored after he committed suicide, fifty years ago, victim of a serious illness which had disfigured his body: the Elephant Man's disease. The film is stirring and touching and compels admiration for the bohemian painter whose fate was self-destruction, after a wild crazy life. Lucas Fernández turns the life of a debauchee, who regarded himself a monster because of his disfiguring disease, into a universal story where art is the product of love and loneliness, of sex and violence before, during and after the Nazi invasion of Paris. Written by
I saw this movie while visiting Spain, and despite the big promotion, it is one of the worst movies in history. I read, while in Madrid, the local reviews (unfortunately, before i went to see the movie, "lucky" me), and not a single one approved this movie.
Stay away from it. It is not even worth of a pirate copy or a free download. It is an insult to the Art of Cinematography.
Only Almeida and Emma Suarez pass the test. The rest seemed to be there to cash their check and go, as no one showed any interest in their part.
On top of it, this movie it is supposed to be about the life of this (totally unknown) painter. Not one single Spanish person I talked to knew this painter beforehand. It seemed like a push by some interest group to make this long deceased painter be known, for some dark reasons. The movie concentrates on other matters not related to the painter, that leaves us thinking: "Why did I waste two hours of my life coming here?"
I did not know the painter before going into the theater, and when I left, I had the feeling I knew him even less.
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