| Bill Oberst Jr. | ... | General William Tecumseh Sherman | |
| Christopher Clawson | ... | Theodore Upson (as Chris Clawson) | |
| Jared Morrison | ... | Maj. Henry Hitchcock | |
| Mike Brown | ... | Gen. Oliver O. Howard | |
| rest of cast listed alphabetically: | |||
| Bo Braden | ... | Soldier | |
| Allen Brenner | ... | Brig. Gen. Jefferson C. Davis | |
| Harry Bulkeley | ... | Ulysses S. Grant | |
| Guy Gane | ... | Major Rhoads | |
| Shaun C. Grenan | ... | Confederate Officer, Union Soldier | |
| Robert A. Guadagnino | ... | Soldier | |
| Lucas N. Hall | ... | 1st Lieutenant C.S.A. | |
| Russell Haynes | ... | Soldier | |
| Marc A. Hermann | ... | Sherman's bummer, US Artillerist, CS Soldier | |
| Henry Jaderlund | ... | Union Soldier | |
| Eric U. Lowman | ... | Executioner, Western Zouave | |
| Ed Mantell | ... | Union Soldier | |
| Todd McCall | ... | Gen. Sherman's Staff Officer | |
| Joan Moses | ... | Dolly Burge | |
| Gavin Peretti | ... | Hanged Man | |
| Norman J. Pfizenmayer III | ... | Soldier | |
| A.J. Roberts | ... | Gen. Judson Kilpatrick | |
| Jeffrey F. Smith | ... | General Joe Johnston | |
| Tim L. Smith | ... | Union Soldier (as Timothy Smith) | |
| Keith E. Whitehead | ... | Griswoldville Soldier | |
| Brad Wyand | ... | Soldier | |
Directed by | |||
| Rick King | |||
Writing credits(in alphabetical order) | ||
| Rick King | ||
Produced by | |||
| Lori Gibson | .... | producer | |
| Lori Gibson | .... | supervising producer | |
| Jessica Harrington | .... | co-producer | |
| Margaret Kim | .... | executive producer: The History Channel | |
| Rick King | .... | producer | |
| William Morgan | .... | executive producer | |
| Jason Williams | .... | executive producer | |
Original Music by | |||
| Mark Adler | |||
Cinematography by | |||
| Rob Lyall | |||
Film Editing by | |||
| Mickey Green | |||
Casting by | |||
| Jessica Harrington | |||
Production Design by | |||
| Kathryn Coombs | |||
Makeup Department | |||
| Deanna Bell | .... | makeup department head | |
Production Management | |||
| Kathryn Coombs | .... | production manager | |
| Mike Luipersbeck | .... | pre-production manager | |
| Russ Richards | .... | production manager | |
Art Department | |||
| Buddy Garrett | .... | key set dresser | |
| Jeremiah Hornbaker | .... | assistant property master | |
| Linda Hughes | .... | second props | |
| R. Mark Hughes | .... | property master | |
| Ed Mantell | .... | head set dresser (as Edwin R. Mantell) | |
| Ed Mantell | .... | propmaker (as Edwin R. Mantell) | |
| Bill McIntosh | .... | props | |
| Ann Minarik | .... | art department coordinator | |
Sound Department | |||
| William Britt | .... | sound mixer | |
| Skip SoRelle | .... | sound designer | |
Special Effects by | |||
| William Bishop | .... | special effects technician | |
| Sam Edens | .... | special effects assistant | |
| Brian Merrick | .... | special effects coordinator | |
| Austin Murray | .... | special effects technician | |
Stunts | |||
| Joseph Congema | .... | stunt coordinator | |
| Tim Dillinger | .... | utility stunts | |
Casting Department | |||
| Mike Luipersbeck | .... | casting assistant | |
| Jodi Nolan | .... | extras casting coordinator | |
| Russell Richards | .... | casting: re-enactor | |
Costume and Wardrobe Department | |||
| Dana Bogdanski | .... | key set costumer (as Dana Bogdanski) | |
| Boyd Miles | .... | wardrobe supervisor | |
| Joan Moses | .... | set costumer | |
| A.J. Roberts | .... | assistant wardrobe supervisor | |
Transportation Department | |||
| Jeffrey F. Smith | .... | wardrobe transportation | |
Other crew | |||
| David Michael Brown | .... | catering coordinator | |
| Mike Brown | .... | lead wrangler | |
| Kathryn Coombs | .... | digital propmaker | |
| Kathryn Coombs | .... | historical coordinator | |
| Jay Dunn | .... | catering assistant | |
| Sam Edens | .... | craft service assistant | |
| Sarah Fales | .... | catering assistant | |
| Guy Gane | .... | assistant military coordinator | |
| Jeremiah Hornbaker | .... | armorer | |
| Samantha Iles | .... | craft services coordinator | |
| Samantha Iles | .... | set medic | |
| Tom Maracino | .... | craft services coordinator | |
| Tom Maracino | .... | location assistant | |
| Ann Minarik | .... | re-creations production coordinator | |
| Jessi Nolan | .... | production assistant | |
| Jodi Nolan | .... | re-creations office manager | |
| John Nolan | .... | wrangler | |
| Russell Richards | .... | locations key | |
| Russell Richards | .... | re-creations supervisor | |
| A.J. Roberts | .... | deputy historical coordinator | |
| Tim L. Smith | .... | locations key (as Timothy Smith) | |
| James Thompson | .... | military coordinator | |
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| Christmas and the Civil War | April 1865 | Aftershock: Beyond the Civil War | C.S.A.: The Confederate States of America | Civil War Combat: The Tragedy at Cold Harbor |
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| Full cast and crew | External reviews | News articles |
| IMDb Documentary section | IMDb USA section |
Sherman's March (2007)
*** (out of 4)
Good, well-detailed documentary taking a look at the controversial move by Gen. William T. Sherman to take 60,000 Union troops through the heart of Georgia and all the way to the sea. SHERMAN'S MARCH is certainly an extremely well-made movie that goes into great detail in regards to just about everything that was going on during this period. We get a brief history of what Sherman had been doing with his life up to the Civil War and then we get to hear how he was able to rise during the war. Once it comes time for the march we hear about the original plans, the fact that both Grant and Lincoln thought it would fail and we also hear about the changes in plans as things moved along. I think history buffs will be very happy with the way everything is shown here as we get some pretty good re-enactments as well as several history experts talking about the legendary march. There's a pretty good talk about Sherman's own thoughts on slavery and how his views were often quite different when he would actually meet slaves. While this thing isn't anywhere near the brilliance of Ken Burns' THE CIVIL WAR, it's still a good documentary that film and history buffs should enjoy.