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Directed by | |||
| Eric Red | |||
Writing credits(WGA) | ||
| Eric Red | (written by) | |
| Famke Janssen | ... | Marnie Watson | |
| Bobby Cannavale | ... | Shanks | |
| Ed Westwick | ... | Joey | |
| Michael Paré | ... | Mike Watson / The Ghost | |
| Patricia Charbonneau | ... | Frances | |
| John Fallon | ... | Jimmy | |
| Kevin Geer | ... | Father Pritchet | |
| Tibor Pálffy | ... | Homeless Man | |
| Kembe Sorel | ... | Patrolman | |
| Evelyne Kandech | ... | Patrolwoman | |
| Ken Kelsch | ... | Garbage Man | |
| rest of cast listed alphabetically: | |||
| Jonathan Sanger | ... | Man on Bus with Newspaper (uncredited) | |
Produced by | |||
| Sarah Black | .... | producer (as Sarah Ryan Black) | |
| Christopher Courtney | .... | line producer | |
| Billy Dietrich | .... | executive producer (as William Dietrich) | |
| Ed Elbert | .... | producer | |
| Matthew Gratzner | .... | co-producer | |
| Avi Haas | .... | co-producer | |
| Stephen L'Heureux | .... | executive producer | |
| Rick Morse | .... | associate producer | |
| Jonathan Sanger | .... | producer | |
| Holly Schepisi | .... | co-executive producer | |
| Kornél Sipos | .... | co-producer | |
| David Steiner | .... | executive producer | |
Original Music by | |||
| John Frizzell | |||
Cinematography by | |||
| Ken Kelsch | (director of photography) | ||
Film Editing by | |||
| Anthony Redman | |||
Casting by | |||
| Nancy Foy | |||
Production Design by | |||
| Márton Ágh | |||
Art Direction by | |||
| Judit Varga | |||
Costume Design by | |||
| Éva Vass | |||
Makeup Department | |||
| Patrick Baxter | .... | makeup effects lab technician | |
| Graham Chivers | .... | special makeup effects technician | |
| Jessee J. Clarkson | .... | special makeup effects artist | |
| Jason Detheridge | .... | makeup effects technician | |
| C.J. Goldman | .... | special makeup effects artist | |
| Réka Görgényi | .... | makeup artist | |
| Paul Jones | .... | special makeup effects designer | |
| Eileen Kastner-Delago | .... | personal makeup artist: Famke Janssen | |
| Mark Keetch | .... | makeup effects mechanics | |
| Tina LaSpina | .... | key makeup artist | |
| Kelly Marazzi | .... | personal hair stylist: Famke Jannsen | |
| Steve Newburn | .... | special makeup effects artist | |
| Bridget O'Neill | .... | effects makeup department head: New Deal Studios | |
| Sean Sansom | .... | special makeup effects artist | |
Production Management | |||
| Chris Bongirne | .... | production supervisor: New York | |
Art Department | |||
| Mike DiGrazia | .... | key art designer | |
| József Kiss | .... | construction manager | |
| Victor Littlejohn | .... | props | |
| Scott Schneider | .... | digital set designer: New Deal Studios | |
| Gábor Szabó | .... | stand-by props | |
| Richard Tenewitz | .... | construction coordinator | |
| Rachael Weinzimer | .... | property master: New York | |
Sound Department | |||
| Ethan Beigel | .... | sound recordist | |
| John D'Aquino | .... | production sound mixer: New York | |
| Stephen Hunter Flick | .... | supervising sound editor | |
| Matt Hovland | .... | foley mixer | |
| Matt Hovland | .... | sound recordist | |
| William Jacobs | .... | sound editor | |
| Tony Margulies | .... | foley artist | |
| Michael Matta | .... | foley mixer | |
| Michael Matta | .... | foley recordist | |
| Rick Norman | .... | sound re-recording mixer | |
| Mac Ruth | .... | sound recordist | |
| Peter Michael Sullivan | .... | sound re-recording mixer | |
| Aaron Wilcox | .... | sound re-recording projectionist | |
Special Effects by | |||
| Ferenc Gombás | .... | pyrotechnician | |
| Corey Helmer | .... | pyrotechnician | |
| Ferenc Hábetler | .... | pyrotechnician | |
| Paul Jones | .... | special effects makeup | |
| Mark Keetch | .... | puppet technician | |
| Matt Kutcher | .... | special effects supervisor | |
| Norbert Orosz | .... | pyrotechnician | |
| Attila Török | .... | pyrotechnician | |
| Ferenc Török | .... | pyro supervisor | |
| Attila Vásári | .... | pyrotechnician | |
| Robert G. Willard | .... | special effects coordinator | |
Visual Effects by | |||
| Jeffrey Benoit | .... | digital effects artist | |
| Robert Chapin | .... | digital supervisor | |
| Christopher Dusendschon | .... | digital imaging supervisor: iO FILM | |
| Lori Freitag-Hild | .... | compositor | |
| Shannon Blake Gans | .... | visual effects executive producer: New Deal Studios Inc | |
| Matthew Gratzner | .... | visual effects supervisor | |
| Nicholas Hiegel | .... | roto artist | |
| Chris Holmes | .... | visual effects | |
| Jeffrey Jasper | .... | digital compositor | |
| Llyr Tobias Johansen | .... | visual effects coordinator | |
| Matt Kelly | .... | digital compositor | |
| Iain Marcks | .... | digital imaging technician: iO FILM (as Iain Stasukevich) | |
| James Pastorius | .... | digital compositor | |
| Michael Theurer | .... | digital producer | |
| Randy Bosh | .... | digital archivist: New Deal Studios (uncredited) | |
Stunts | |||
| Erika Cziráky | .... | stunt double | |
| Balázs Farkas | .... | stunt rigger | |
| Zoltán Gulyás Kiss | .... | stunt coordinator | |
| László Kósa | .... | stunt double: Ed Westwick | |
| Gábor Pesta | .... | stunt double | |
| Daniel Browning Smith | .... | stunts | |
Camera and Electrical Department | |||
| István Gottmann | .... | assistant camera | |
| Ákos Gulyás | .... | assistant camera | |
| Károly Kamerda | .... | assistant camera | |
| Vilmos Keszler | .... | grip | |
| Gusztáv Kirsch | .... | focus puller | |
| Rob Koch | .... | first assistant camera: "a" camera: New York | |
| Zoltán Pataki | .... | video technician | |
| Péter Pozsonyi | .... | electrician | |
| Brian Pryzpek | .... | gaffer | |
| Liz Sales | .... | second assistant camera: "a" camera: New York | |
| Zoltán Sallai | .... | loader | |
| Bálint Seress | .... | film loader | |
| Michelle Sun | .... | film loader: New York | |
| Attila Szûcs | .... | dolly grip | |
| Chris Zizzo | .... | best boy electric: New York | |
Casting Department | |||
| Lee Genick | .... | extras casting: New York | |
| Bryan Riley | .... | casting associate | |
Costume and Wardrobe Department | |||
| Melinda Domán | .... | assistant costume designer | |
| Shelby Saboy | .... | key costumer | |
| Veronika Szigeti | .... | key costumer | |
Editorial Department | |||
| Paul Allia | .... | colorist | |
| Brian Beard | .... | digital intermediate editor | |
| Gilbert Carreras | .... | film color timer | |
| Adam Hawkey | .... | digital intermediate colorist | |
| Dávid Jancsó | .... | assistant editor | |
| Benedek Kabán | .... | colorist: dailies | |
| Michael John Koetter | .... | software engineer | |
| Michael Nouryeh | .... | associate editor | |
Music Department | |||
| Lisa A. Arpino | .... | music editor | |
| Frederik Wiedmann | .... | score mixer | |
| Laurent Ziliani | .... | assistant to composer | |
Transportation Department | |||
| Gabe Turiello | .... | driver: camera car and process trailer | |
Other crew | |||
| Adi Amit | .... | production coordinator: New York | |
| Sarah Berge | .... | assistant: Ms. Janssen, New York | |
| Bernadett Both | .... | assistant to actor | |
| Jennifer Bushnell | .... | legal assistant | |
| Nelson Khoury | .... | location manager: New York | |
| Viktor Kovács | .... | set production assistant | |
| John Perez | .... | location scout | |
| Richard Szabó | .... | facilities manager | |
Thanks | |||
| Meredith Casey | .... | special thanks | |
| Company credits | Box office and business | Technical specifications |
| Crazy credits | Main details |