At the center of the story is Augustus Melmotte, a European-born city financier, whose origins are as mysterious as his business dealings. Trollope describes him as 'something in the city',... See full summary »
Edwardian child Enid Blyton begins to tell stories to her brothers as an escape from their parents' rows before the father deserts the family. Whilst training as a teacher after the Great ... See full summary »
Helena Bonham Carter,
Series 1 follows Ben Coulter who is accused of committing a crime that he has no recollection of after a drunken and drug-filled night out. Series 2 follows Juliet through the criminal justice system after she stabs her abusive husband.
A novelist's life ricochets from 1920s Paris to '50s New York and '80s London. Along the way he meets Ernest Hemingway, Ian Fleming and the Duke and Duchess of Windsor - the exiled British king and his mistress Wallis Simpson.
In 1992 a group of labour activists, Paul, Maggie and Irène, are dismayed by yet another Labour defeat to a Conservative Government. They each wish to support Labour in different ways. ... See full summary »
Educated (I think!) look at a paedophile's 'return to society'
Casting Matthew MacFadyen in the lead role seems a gamble both by the film-makers and also for the actor. However, this drama (in my opinion), seems well-researched enough, for the reputations of both to remain intact.
Thought-provoking, sensitive and filmed from a shifting perspective, the drama deals with an incredibly delicate subject well. Upon watching it, it's possible you may find yourself questioning your own empathy to various characters.
I'm determined to stay the right side of "contains spoilers", so it ties my hands somewhat. But please, 'give this a go', it has been written well, and is incredibly well acted. Kudos to MacFadyen for taking on an astonishingly difficult part.
Pace, direction and length are spot-on. You cannot predict the ending, it is very much (too) new territory to even get near the inner-workings of the lead's mind. The children in the roles act well too, and having 2 girls around the ages suggested, I can vouch for the authenticity of their naiveté, speech, false confidence and over-estimation of being 'streetwise'. A little scary in parts, but overall, a very interesting look at an extremely controversial, even taboo subject, through (a lot of the time), the eyes of the person you would least want to.
Bravo to Channel 4 for having the balls to get this made and shown.
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