| Photos (See all 16 | slideshow) | Videos (see all 10) |
Directed by | |||
| Chris Sivertson | |||
Writing credits(WGA) | ||
| Jeff Hammond | (written by) (as Jeffrey Hammond) | |
Produced by | |||
| Ittay Arad | .... | associate producer | |
| Tom Gores | .... | executive producer | |
| David Grace | .... | co-producer | |
| Johnny O. Lopez | .... | executive producer | |
| Frank Mancuso Jr. | .... | producer | |
| Aaron Mazzolini | .... | co-producer | |
| Jennifer Nieves Gordon | .... | associate producer (as Jennifer Nieves) | |
| Sabrina Sipantzi Ballard | .... | line producer | |
Original Music by | |||
| Joel McNeely | |||
Cinematography by | |||
| John R. Leonetti | |||
Film Editing by | |||
| Lawrence Jordan | |||
Casting by | |||
| Dino Ladki | |||
Production Design by | |||
| Jerry Fleming | |||
Set Decoration by | |||
| Betty Berberian | |||
Costume Design by | |||
| Rachel Sage Kunin | (as Rachel Sage) | ||
Makeup Department | |||
| Martin Astles | .... | makeup effects sculptor | |
| Brooke Bell | .... | key makeup artist | |
| Joe Colwell | .... | makeup effects shop supervisor | |
| Daniel Curet | .... | key hair stylist | |
| David Danon | .... | key hair stylist | |
| Zack Fox | .... | makeup effects production manager | |
| Tracey Levy | .... | makeup artist | |
| J.M. Logan | .... | makeup effects producer | |
| David Monzingo | .... | special makeup effects supervisor | |
| Anne Morgan | .... | department head hair | |
| Anne Morgan | .... | hair stylist: Lindsey Lohan | |
| Janine Rath | .... | hair department head (as Janine Rath-Thompson) | |
| Tricia Sawyer | .... | makeup department head | |
Production Management | |||
| David Gaines | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Benita Allen | .... | first assistant director | |
| Frederic Roth | .... | second assistant director | |
Art Department | |||
| Shant Balkian | .... | set dresser | |
| Michael Belasco | .... | art production assistant | |
| Elida Cerda | .... | construction medic | |
| Jerry A. Chavez | .... | property master | |
| William DeBiasio | .... | buyer | |
| Matthew D. Egan | .... | propmaker gangboss | |
| John A. Gomez | .... | gangboss | |
| Wendy Jerde | .... | scenic painter gang boss | |
| Michael E. Johnson | .... | set dresser | |
| Ricky Lewis Jr. | .... | concept/storyboard artist | |
| Wendy Means | .... | art department coordinator (as Wendy Stanton) | |
| Amanda Mendonca | .... | set dresser buyer | |
| Joe Monaco | .... | set dresser | |
| Lars Petersen | .... | construction coordinator | |
| Eric Reichardt | .... | lead scenic | |
| Rosendo L. Rivas III | .... | labor (as Rosendo Rivas) | |
| Hillel Chaim Smith | .... | set dresser | |
| John L. Sullivan | .... | propmaker gangboss | |
| Brian Vogelgesang | .... | on-set decorator | |
| Steven C. Voll | .... | general foreman | |
| Gaylene West | .... | assistant property master | |
| Craig Zumbroegel | .... | propmaker | |
Sound Department | |||
| David A. Cohen | .... | adr editor | |
| Ronald Eng | .... | supervising sound editor | |
| Dana LeBlanc Frankley | .... | first assistant sound editor | |
| Alan Freedman | .... | adr mixer | |
| Daniel A. Greenwald | .... | utility sound technician | |
| Robin Harlan | .... | foley artist | |
| Sarah Monat | .... | foley artist | |
| Terry O'Bright | .... | sound re-recording mixer | |
| Willard Overstreet | .... | supervising foley editor | |
| Kurt Peterson | .... | boom operator | |
| Matthew Reale | .... | sound mixing recordist | |
| Keith Rogers | .... | sound re-recording mixer | |
| Randy Singer | .... | foley mixer | |
| Kevin Skaggs | .... | digital transfer engineer | |
| Robert Troy | .... | supervising dialogue editor | |
| Steve Tushar | .... | sound effects editor | |
| Ed White | .... | production sound mixer | |
Special Effects by | |||
| Chris Cline | .... | special effects technician | |
| Dan Crawley | .... | special effects makeup | |
| Matt Falletta | .... | special effects makeup | |
| Larry Fioritto | .... | special effects supervisor | |
| Chris Hampton | .... | special effects makeup | |
| Jeff Jingle | .... | animatronics supervisor/puppeteer | |
| Mi Kyung Lee | .... | special effects makeup | |
| Bob Mano | .... | key mechanical designer: JML Film Corp. | |
| Bob Mano | .... | puppeteer: JML Film Corp. | |
| Steve Newquist | .... | special effects technician | |
| Mark Viniello | .... | special effects makeup | |
Visual Effects by | |||
| Andrew Bardusk | .... | digital compositor | |
| Carl Frytz | .... | animator | |
| Carl Frytz | .... | digital effects artist | |
| Chris Hopkins | .... | digital effects artist | |
| Richard Kratt | .... | digital compositor | |
| Steven Lawrence | .... | lead 3D artist: 11:11 MediaWorks | |
| Steven Lloyd | .... | visual effects | |
| J.M. Logan | .... | visual effects producer | |
| Tom Martinez Jr. | .... | digital effects artist | |
| Roger Nall | .... | visual effects supervisor | |
| Joe Russo | .... | visual effects producer | |
Stunts | |||
| Keith Campbell | .... | stunt coordinator | |
| Debbie Evans | .... | stunt driver | |
| Meegan Godfrey | .... | stunt double | |
| Theo Kypri | .... | stunts | |
Camera and Electrical Department | |||
| Ron Batzdorff | .... | still photographer | |
| Tony Bendt | .... | dolly grip: "b" camera | |
| Jeffrey N. Civa | .... | assistant camera: additional team | |
| Chris Cotterman | .... | grip | |
| Scott Crabbe | .... | key digital video assist operator | |
| Kevin Huver | .... | second assistant camera: "a" camera | |
| Tim Marshall | .... | gaffer | |
| Thom Owens | .... | Steadicam operator | |
| Thom Owens | .... | camera operator: "b" camera | |
| Dan Reilly | .... | key grip | |
| Chad Rivetti | .... | technician: digital camera | |
| Scott Ronnow | .... | first assistant camera | |
| Mark Santoni | .... | assistant camera | |
| Michael J. Schwartz | .... | electrician | |
| Darrell B. Sheldon | .... | dolly grip | |
| Michael St. Hilaire | .... | head camera operator | |
| Dan Turek | .... | first assistant camera | |
Animation Department | |||
| Ben Ceccarelli | .... | animator | |
Casting Department | |||
| Sasha Adkinson | .... | extras casting | |
| Jaime Harlan | .... | casting associate | |
| Caitlin McKenna-Wilkinson | .... | adr voice casting | |
| Vanessa Portillo | .... | extras casting | |
| Christine Reynolds | .... | extras casting: San Luis Obispo | |
Costume and Wardrobe Department | |||
| Zelda Lambrecht | .... | costumer: Ms. Lohan | |
| Philip Maldonado | .... | set costumer | |
| Cami Nemanich | .... | costume intern | |
| Stephen Oh | .... | costumer | |
| Bess Stansell | .... | set costumer: extras | |
Editorial Department | |||
| Alastor Arnold | .... | digital intermediate editor | |
| Lizzy Calhoun | .... | assistant editor | |
| John Daro | .... | digital intermediate colorist | |
| Mato | .... | color timer: film | |
| John Nicolard | .... | digital intermediate supervisor | |
| Bill Schultz | .... | digital intermediate executive | |
| Stephen Shapiro | .... | assistant editor | |
| Walter Volpatto | .... | digital color grading supervisor | |
Music Department | |||
| Klaus Berhmal | .... | musician: piano | |
| Caitlin Kazepis | .... | vocalist | |
| Michael Patti | .... | midi orchestration | |
| Brian Sapp | .... | music coordinator | |
Transportation Department | |||
| Corey Askins | .... | transportation captain | |
| Al Burton | .... | transportation captain | |
| Jimmy Kaminsky | .... | driver | |
| Robert Mckee | .... | picture car mechanic | |
| John Ober | .... | driver | |
| Hugo Ocana | .... | driver (as Hugo R. Ocana) | |
| John Pellegrino | .... | driver | |
| Adam Pinkstaff | .... | driver | |
| Brenda Ryan | .... | driver | |
| Wade Wells | .... | driver | |
Thanks | |||
| Deborah Eldridge | .... | thanks | |
| Eva Kalawski | .... | thanks | |
| Mary Ann Sigler | .... | thanks | |
| Sally Ward | .... | thanks | |
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| Torso | Like Minds | Freeway | Mr. Brooks | Disturbing Behavior |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb USA section |
Look, I have a strong stomach, but I have no use for Torture Porn in my entertainment. A few weeks ago, I saw a preview of this film that gave no indication of it's true nature. This, plus the intriguing poster led me to believe this was going to be a brooding drama in the Hitchcock tradition. Instead, I found myself watching the ugliest, most disgusting film I have ever attended of my own free will. I should have guessed when the cashier gave me a funny look while getting my ticket.
The first thing I realized was the script was by an amateur. The scenes and dialog jumping around with no thought or subtlety. Like other reviewers, I knew who the torturing villain was within the first few minutes. But, I still had to sit through several scenes of dismemberment and pain, which made me sick. Sick that I had spent money to watch this disaster.
I can't imagine why Lindsay Lohan would agree to be in this production. There are other venues to stretch her acting talents. Neal McDonough and Julia Ormond's rent must have been due.
The story, such as it is has at it's core an interesting premise. A top director might have made a respectable film out of it with a total rewrite, without the gore and more atmosphere.
This movie is an absolute, total disaster. No one involved has anything to be proud of.