| Videos (see all 4) |
| Jesse Bradford | ... | Bobby | |
| Amelia Warner | ... | Alyssa | |
| Carlos Leon | ... | Hector Rodriguez | |
| Iza Calzado | ... | Gina | |
| Kevin Durand | ... | Walter | |
| Louise Linton | ... | Katie | |
| Jamie Bloch | ... | Carly | |
| Pruitt Taylor Vince | ... | Joseph | |
| Aron Tager | ... | Old Man | |
| Hrant Alianak | ... | Max | |
| Jayne Eastwood | ... | Lucille Jiminez | |
| Arnold Pinnock | ... | Officer Cole | |
| Marvin Hinz | ... | Detective | |
| George Santino | ... | Manager | |
| Paulette Sinclair | ... | Helen Davis | |
| Bathsheba Garnett | ... | Old Russian Woman | |
| Stacey LaBerge | ... | Student | |
| rest of cast listed alphabetically: | |||
| Brendan Carmody | ... | University student | |
| Paul Sun-Hyung Lee | ... | Dr. Morris | |
| Robert Morse | ... | Construction worker no 1 | |
| Vanessa Petronelli | ... | Waitress | |
| Courtenay J. Stevens | ... | Older Cop | |
Directed by | |||
| Yam Laranas | |||
Writing credits(WGA) | ||
| Eric Bernt | (screenplay) and | |
| Shintaro Shimosawa | (screenplay) | |
| Yam Laranas | (film "Sigaw") and | |
| Roy Iglesias | (film "Sigaw") | |
Produced by | |||
| Eric Bernt | .... | executive producer | |
| Don Carmody | .... | executive producer | |
| Doug Davison | .... | producer | |
| Elliot Ferwerda | .... | executive producer | |
| Kimberly Fox | .... | executive producer | |
| Robert Hoff | .... | executive producer | |
| Michael Kessler | .... | associate producer | |
| Roy Lee | .... | producer | |
| Tyler Mitchell | .... | producer | |
| Shintaro Shimosawa | .... | producer | |
| Will Wright | .... | producer | |
| Irene Yeung | .... | co-producer | |
Original Music by | |||
| tomandandy | |||
Cinematography by | |||
| Matthew Irving | |||
Film Editing by | |||
| John Coniglio | |||
Casting by | |||
| Tina Gerussi | |||
| Nancy Nayor | |||
Production Design by | |||
| Franco De Cotiis | |||
Art Direction by | |||
| Michele Brady | |||
Set Decoration by | |||
| Caroline George-Kohne | |||
| Carol Lavoie | |||
| John Cameron Martin | |||
| John Rankin | |||
| Geoffrey Smith | |||
Costume Design by | |||
| Joanne Hansen | |||
Makeup Department | |||
| Katie Brennan | .... | makeup department head | |
| Amber Chase | .... | assistant makeup artist | |
| Karola Dirnberger | .... | head hair stylist | |
| Paul Jones | .... | special makeup effects designer | |
| Paul Molnar | .... | key makeup artist | |
| Francisca Saavedra | .... | makeup artist | |
Production Management | |||
| Tanya Barringer | .... | production manager: New York | |
| Hartley Gorenstein | .... | production manager | |
| Gregor Hutchison | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tim Cushen | .... | assistant director | |
| Catherine Lew | .... | second assistant director | |
| Fatima Palhetas | .... | trainee assistant director | |
| Sterling Thomas | .... | third assistant director | |
| Patrick Tidy | .... | first assistant director | |
Art Department | |||
| Ryan Falkner | .... | storyboard artist | |
| William Koon | .... | assistant key scenic | |
| Andrea Kristof | .... | assistant art director | |
| Stephen Levitt | .... | property master | |
| Arlene Lott | .... | assistant art director | |
| Reet Puhm | .... | key scenic artist | |
Sound Department | |||
| Steve Baine | .... | foley artist | |
| Jeremy Balko | .... | adr mixer | |
| Todd Beckett | .... | sound re-recording mixer | |
| Denis Bellingham | .... | boom operator | |
| Roderick Deogrades | .... | sound effects editor | |
| Hugo Jeffreys | .... | adr recordist | |
| Matthew McKenzie | .... | adr mixer | |
| Jason Perreira | .... | re-recording assistant | |
| Jill Purdy | .... | dialogue & adr editor | |
| Trent Richmond | .... | assistant sound editor | |
| David Rose | .... | sound effects editor | |
| Brad Thornton | .... | sound re-recording mixer | |
Special Effects by | |||
| Tony Kenny | .... | special effects coordinator | |
| Chris Wallace | .... | mastergrade colourist | |
Visual Effects by | |||
| Kyle Boylen | .... | digital compositor | |
| Noel Hooper | .... | visual effects supervisor | |
| Haydn Masuda | .... | digital compositor | |
| Christa Tazzeo | .... | visual effects producer | |
| Neil Williamson | .... | visual effects executive producer | |
| Motassem Younes | .... | digital opticals | |
Stunts | |||
| Brendan Carmody | .... | stunt rigger | |
| Cosette Derome | .... | stunt double | |
| Steve Lucescu | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Raphael Boettger | .... | daily grip | |
| Brendan Carmody | .... | on-set videographer | |
| Kristin Fieldhouse | .... | camera trainee | |
| Rudy Katkic | .... | Steadicam operator: "a" camera | |
| Geoff Knight | .... | electrician: New York | |
| Patrick Krauter | .... | grip | |
| Mark Manchester | .... | key grip | |
| Robert McRae | .... | key gaffer | |
| Marvin Midwicki | .... | camera operator | |
| Steve Mrkobrada | .... | camera operator | |
| Mike Nieuwland | .... | second assistant camera: "b" camera | |
| Douglas G. Reid | .... | best boy electric | |
| Zenfeek | .... | gaffer: New York | |
Casting Department | |||
| John Barba | .... | casting associate | |
| Jane Rogers | .... | background casting | |
Costume and Wardrobe Department | |||
| Karen Eppstadt | .... | key wardrobe breakdown artist | |
| Maria Fermo | .... | costume supervisor | |
| Sandra E. Hibovski | .... | costume buyer | |
Editorial Department | |||
| Peter Armstrong | .... | digital intermediate producer | |
| Sue Len Quon | .... | assistant editor | |
| Dave Muscat | .... | digital intermediate editor | |
| Lorraine Samuel | .... | post-production coordinator | |
Music Department | |||
| Kevin Banks | .... | music editor | |
| Alex Todorov | .... | score recording & mixing | |
Transportation Department | |||
| Randy O'Connell | .... | driver | |
| Gary Russell | .... | driver | |
| Tanya Russell | .... | transportation coordinator | |
| Rob White | .... | transportation co-captain | |
| Robert White | .... | transportation co-captain | |
| Ian C. Harris | .... | daily driver (uncredited) | |
Other crew | |||
| Cynthia Amsden | .... | unit publicist | |
| Coralie Brady | .... | assistant location manager | |
| James Burke | .... | production assistant | |
| Nuno Capitao de Salles | .... | cast personal trainer | |
| Janet Chandler | .... | payroll accountant | |
| Jennifer Drevnig | .... | on-set tutor | |
| Melissa Girotti | .... | production coordinator | |
| Quincy Gow | .... | production assistant | |
| Stephanie Holinski | .... | production assistant | |
| Rebecca Hughes | .... | production assistant | |
| Sarah Jene | .... | assistant to executive producer | |
| Dahla MacKenna | .... | educational supervisor | |
| Sandy Morrow | .... | script supervisor | |
| Pete Nilson | .... | on-set caterer | |
| Desmond Paes | .... | production accountant | |
| Lisa Perone | .... | assistant production coordinator | |
| Jeannine Sharp | .... | first assistant production accountant | |
| John Shone | .... | location assistant | |
| Abbey Taylor | .... | production assistant | |
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| Dark Water | The Woodsman | The Eye | Sisters | Death Wish |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Ever since I heard about it, I wanted to watch this American production of a Filipino horror film, with the same director (Yam Laranas) at the helm. However, when I heard it went straight to DVD instead of wide theatrical release, I knew I had to temper my expectations.
The first half of this movie moves at a literal snail's pace. There was nothing much to establish, yet it certainly took its time. Bobby Reynolds (Jesse Bradford) earns parole from his prison term and went to live in his mother's apartment, which had been abandoned since her recent death. However, he sees strange things and hears strange sounds while he is there. This entire scenario with the Mom was not in the Philippine version at all, yet so much time was spent on this side story here.
However, in the second half, the movie finally comes alive when the story about the family who lived next door to Bobby finally gets dealt with in more of its gruesome detail. These scary scenes were shot very well, with the right amount of nervous tension. Still we see the victims do what most "horror movie victims" stupidly do to deserve their fates. The ending would seem to be quite simplistic given the extensive build-up to that point. This is especially true for us who had already seen the original before.
Jesse Bradford did well to convey how a macho ex-con could be the central character of a horror film, which is not typical. He did much better than the original actor. I felt it was too bad that Iza Calzado, who was given the chance to reenact her original role in this American version, was given little opportunity to fully delve into her disturbed character of the abused wife. Some time could have been spent to describe her situation more, than the excessive time given Jesse to explore his apartment. Knowing her character more could have increased the audience's satisfaction with the story's final outcome.