Benito González works construction in Melilla and dreams big - of building the tallest building in Benidorm, a great phallic symbol of power, González Towers. Over several years, we see ... See full summary »
Maria de Medeiros,
The young nobleman Calisto falls in love with Melibea, the daughter of a rich merchant. Calisto's servant Sempronio suggests they get the sorceress Celestina to further the romance. However... See full summary »
Juan Diego Botto
Residents of an enclosed neighborhood in the middle of Mexico DF are shocked by a violent crime, and for one resident in particular, young Alejandro, the drama is ratcheted up when he encounters the lone kid who escaped the event and is hiding out within the neighborhood's borders.
Daniel Giménez Cacho,
Manolo's life is in crisis: his marriage is failing, his relationship with his two children is not great,and he hates his monotonous job. However, everything changes when Antonio, a 15-... See full summary »
Francisco Goya (1746-1828), deaf and ill, lives the last years of his life in voluntary exile in Bordeaux, a Liberal protesting the oppressive rule of Ferdinand VII. He's living with his ... See full summary »
A group of old friends gets together for a weekend in a mountain cabin. Years have gone by and yet nothing seems to have changed between them. But lurking behind the laughter and stories is... See full summary »
Angela and her young son Guille travel to the big city to see Leo, her father and the boy's grandfather, when he suddenly takes ill. However, they arrive to discover that he has just passed... See full summary »
Ana's husband is the perfect wealthy middle-class man. Koro's husband is a cook with no more ambitions. One day, Ana meets Koro in a night club and she proposes Ana to seduce each others ... See full summary »
Gonzalo Suárez is one of the most unique directors we have in Spain, capable of rare and fascinating pieces of work like "Rowing in the wind" (Remando al viento) or "The detective and the death" (El detective en la muerte), but this, his last work, is something that cannot be saved. The actors are great trying to catch some humanity of their characters (above them all, Jorge Sanz) but this is a weird and failed mix of literate dialogues and screwball comedy with no wit and no rhythm. It's like Suárez tries to justify this failure disguising it as a high comedy full of literate references, but this doesn't work, again, at all, though it didn't in other of his works.
What annoys me is how critics in Spain are behaving with this movie. Its premiere was at the Valladolid film festival (a grade-B festival which mostly brings the most awarded films from others, but which is quite comfortable and takes place in a beautiful city), and there only a few applauded (i got out of the movie past 30 minutes, this is something the people I went with told me). But, as it happened years ago with the terrible "Las razones de mis amigos", all the press lauded the movie in an unbelievable manner, and that is what is happening now. And this is, frankly, a fraud.
Watch the movie if you want to. But always keep your criteria to talk about it.
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