We are in 1885. In a ghostly train, the Oviedo Express, the actors that represent the theatrical adaptation of Clarín's 'The Regent' are traveling. The arrival of the comedians to the ... See full summary »

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Cast

Cast overview, first billed only:
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Benjamín Olmo
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Mariola Mayo
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Emma
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Alberto Jiménez ...
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Bárbara
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Álvaro Mesía
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Leopoldo
Rulo Pardo ...
Pirindolo
Abel Vitón ...
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Petra
Tino Díaz ...
Ángel
Eliana Álvarez ...
Periodista 1
Natalia Díaz ...
Periodista 2
Isabel Fraga ...
Periodista 3
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Storyline

We are in 1885. In a ghostly train, the Oviedo Express, the actors that represent the theatrical adaptation of Clarín's 'The Regent' are traveling. The arrival of the comedians to the Asturian capital will alter the daily life of the city. The mayor's wife will fall into the arms of the main actor, and the passions and delusions will surface with all its consequences. A depressed actor, a furious actress, a petulant director, a local journalist, a spirited mother, and an angel roaming the city unleash fun and dramatic events until the abrupt and unexpected fall of the curtain. Written by jsanchez

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Genres:

Comedy | Romance

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Release Date:

31 October 2007 (Spain)  »

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2.35 : 1
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Trivia

The movie revolves around an adaptation of La Regenta. Carmelo Gómez and Aitana Sánchez-Gijón previously played the same characters from La Regenta on the 1995 miniseries. Gonzalo Suárez also adapted to the cinema Alas Clarín's play on 1974. See more »

Connections

References La regenta (1995) See more »

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User Reviews

 
Friends will be friends
9 November 2007 | by (Madrid, Spain) – See all my reviews

Gonzalo Suárez is one of the most unique directors we have in Spain, capable of rare and fascinating pieces of work like "Rowing in the wind" (Remando al viento) or "The detective and the death" (El detective en la muerte), but this, his last work, is something that cannot be saved. The actors are great trying to catch some humanity of their characters (above them all, Jorge Sanz) but this is a weird and failed mix of literate dialogues and screwball comedy with no wit and no rhythm. It's like Suárez tries to justify this failure disguising it as a high comedy full of literate references, but this doesn't work, again, at all, though it didn't in other of his works.

What annoys me is how critics in Spain are behaving with this movie. Its premiere was at the Valladolid film festival (a grade-B festival which mostly brings the most awarded films from others, but which is quite comfortable and takes place in a beautiful city), and there only a few applauded (i got out of the movie past 30 minutes, this is something the people I went with told me). But, as it happened years ago with the terrible "Las razones de mis amigos", all the press lauded the movie in an unbelievable manner, and that is what is happening now. And this is, frankly, a fraud.

Watch the movie if you want to. But always keep your criteria to talk about it.


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