| Videos (see all 5) |
| Junio Valverde | ... | Santi | |
| Francesc Orella | ... | Dimas | |
| Mar Sodupe | ... | Julia | |
| Jimmy Barnatán | ... | Leo | |
| Blanca Suárez | ... | Ángela | |
| Paul Berrondo | ... | Óscar | |
| Roberto Enríquez | ... | Antonio | |
| Josep Maria Domènech | ... | Teófilo (as J.M. Domenech) | |
| Andrés Herrera | ... | Fabián | |
| Juli Mira | ... | Dr. Fuentes | |
| Anna Ycobalzeta | ... | Gloria | |
| Berta Ros | ... | Erica Hassel | |
| Pau Poch | ... | Tito (as Pau Pouch) | |
| Lucy Tyler | ... | Ingrid | |
| Miguel Ángel Barroso | ... | Jonás | |
| Christian Nájera | ... | Raúl | |
| Ariadna Cabrol | ... | Raquel (as Ariadna Cabol) | |
| Aliosha Rodríguez | ... | Directora centro (as Aliocha Rodríguez) | |
| Pilar Rodríguez | ... | Monja coja | |
| Katia Klein | ... | Chica guapa | |
| Albert Hernández | ... | Novio chica | |
| José María Asín | ... | Cura | |
| Iñake Irastorza | ... | Madre Jonás | |
| Patxi Santamaría | ... | Padre Jonás (as Paxi Santamaria) | |
| Christian Stamm | ... | Padre Erika (as Christian Estamm) | |
| Martha Carbonell | ... | Dosía (as Marta Carbonell) | |
| Laia Alemany | ... | Guardia civil (as Laia Alemai) |
Directed by | |||
| Isidro Ortiz | |||
Writing credits | ||
| Hernán Migoya | (writer) | |
| José Gamo | writer | |
| Alejandro Hernández | writer | |
| Isidro Ortiz | writer | |
Produced by | |||
| Álvaro Augustín | .... | executive producer | |
| Javier Ugarte | .... | associate producer | |
| Ramón Vidal | .... | executive producer | |
Original Music by | |||
| Fernando Velázquez | |||
Cinematography by | |||
| Josep M. Civit | |||
Film Editing by | |||
| Bernat Aragonès | |||
Casting by | |||
| Pep Armengol | |||
Production Design by | |||
| Pilar Revuelta | |||
Costume Design by | |||
| Eva Arretxe | |||
Makeup Department | |||
| Oscar Aramburu | .... | hair stylist | |
| Arturo Balceiro | .... | special makeup effects artist | |
| Alma Casal | .... | makeup department head | |
| Samantha Crescente | .... | assistant makeup artist | |
Production Management | |||
| Nacho Alfaro | .... | production team | |
| Javier Arsuaga | .... | production manager | |
| Cristina Planell | .... | assistant production manager | |
| Ander Sistiaga | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Oriol Ferrer | .... | assistant director | |
Sound Department | |||
| Manuel Carrión | .... | foley artist | |
| Jaime Fernández Salcedo | .... | adr | |
| Jose A. Manovel | .... | sound mixer | |
| Jaume Meléndez | .... | sound | |
| James Muñoz | .... | sound designer | |
| David Rodríguez | .... | foley editor | |
| Ricardo Viñas | .... | dolby sound consultant | |
Special Effects by | |||
| Arturo Balceiro | .... | special effects makeup | |
| José M. Meneses | .... | special effects makeup | |
Visual Effects by | |||
| Gloria Bernabeu | .... | digital compositor | |
| Ignacio Lacosta | .... | visual effects supervisor | |
| Jaime Torelló | .... | digital compositor | |
Stunts | |||
| Gregory Brossard | .... | stunt coordinator | |
| Antonio Higueruelo | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Pol Aregall | .... | camera operator: DV | |
| Jon Barco | .... | b camera second assistant | |
| Sergi Bartrolí | .... | director of photography: second unit | |
| Diego Campos | .... | genny operator | |
| Xavier Carrión | .... | electrician | |
| Josep M. Civit | .... | camera operator | |
| Beatriz Delgado | .... | second assistant camera | |
| Llúcia Faraig | .... | still photographer | |
| Roger Martínez | .... | first assistant camera: second unit | |
| Dennis Noyes | .... | Steadicam assistant | |
| Xavier Pacheco | .... | second assistant camera | |
| Mireia Serrano | .... | video assist | |
| Eric Solé | .... | electrician | |
| Alfredo Suárez Pana | .... | first assistant camera | |
| Ramón Sánchez | .... | Steadicam operator | |
Costume and Wardrobe Department | |||
| Charo Diego | .... | set costumer | |
| Saioa Lara | .... | costume assistant | |
Editorial Department | |||
| Naiara Martinez de Marigorta | .... | post-production assistant | |
| Aarón Pedraza | .... | conform editor | |
| Pepín | .... | digital intermediate colorist | |
Music Department | |||
| Mikael Carlsson | .... | soundtrack producer | |
| Dimitar Danchev | .... | orchestra leader | |
| Asen Kanchev | .... | music production manager | |
| Juan Antonio Ros | .... | music score engineer (as Juanan Ros) | |
| Fernando Velázquez | .... | orchestrator | |
Other crew | |||
| Ana Fernández de Castro | .... | financial manager | |
| Ingrid Fernández de Castro | .... | production coordinator | |
| Itati Moyano | .... | script supervisor | |
| Arantxa Zunzunegui | .... | production staff | |
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| Disturbia | Disturbing Behavior | Intact | Black Circle Boys | Thumbsucker |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Spain section |
Horror is the only genre I feel nostalgic about. I fondly remember the days when I trawled through the horror bins of the local video store, marvelling at the outrageous covers promising unspeakable oddities not meant for the regular, god-fearing folk; Ze do Caixao, Nurse Sherri, Ilsa, I Drink your Blood, it was all there. The covers and ballyhoos were usually misleading, but the tingle of excitement out the store clutching the next film was the same every time. But for every five or six Nurse Sherris there came a Cannibal Holocaust to tear me asunder.
So I hadn't been in a video store in ages, and I got the craving the other day. I went down and trawled like I did then; only now the collection was small and mostly recent films. Yet lo and behold, the experience was just the same. Another mess, avidly promoted as a searing experience that I would not forget.
City people moving to a small village in the county surrounded by ominous forests, the village as a hotbed of dark secrets buried deep - within the woods -, mystery pursued through a google search that yields the crucial clue, and the revelation meant to throw us for a loop; a bunch of well-worn tropes mashed together into shapeless murk.
We're left with the dark forest and some time-lapse photography of shifting skies. But the forest means nothing, the skies mean nothing, and the shocking twist is plodding and stupid.
So lately the Spanish - probably inspired by Del Toro's well-received, Spanish-speaking efforts abroad - have been working out a genre industry of their own. They turned to horror, always a profitable market. I've seen very few of these to pass judgement, but what I've seen so far has been mostly crap. I lament this, because the essence of their world is religious suffering and so much could come from it. No, not Del Toro.
Watch this to be reminded again that you can make a better movie.