Critic Reviews



Based on 30 critic reviews provided by
A grisly, authentic, meticulously researched, pulse-quickening political chiller about a hot-button topic that will keep you on the edge of your seat from start to finish.
This accomplished debut feature avoids most of the usual pitfalls, channeling its outrage into a tense, focused piece of storytelling with a powerful sense of empathy.
Weisz is a dazzling woman, but her beauty is barely noticeable in this role; her character's integrity and her mounting anger grab all the attention. In one scene Kathy finally confronts what she's up against and starts to cry. They are tears of rage, and the most powerful I've seen this year.
Rarely has a movie captured the obscene violence of sex trafficking with such unvarnished grubbiness. In the end, though, The Whistleblower is a corporate thriller.
Village Voice
Geographic diffusion aside, Kondracki's fact-based thriller remains somewhat focused on its grim subject, though its principled bid to allure and enlighten the VOD-surfing masses results in a surplus of Hollywood-style eye candy and narrative formula.
The film swings from melodrama to sermonizing, both blunting the human drama that needs to come to the fore.
Boxoffice Magazine
Severe and unflinching, The Whistleblower relies on journalistic realism to pack its punch.
Our heroine plods doggedly through her frequently stymied investigation, and The Whistleblower follows suit, trudging forward one encumbered step at a time.
Slant Magazine
It reaches a peak of dramatic anguish in star Rachel Weisz's single moment of naked fury, rather than through the tenacity and compassion that define her crusading title character.
The Whistleblower's loose camerawork and cool tones sometimes recall Steven Soderbergh's "Traffic," but without his control or unwillingness to strip away his characters' humanity.

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