7.2/10
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86 user 153 critic

The Whistleblower (2010)

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A drama based on the experiences of Kathryn Bolkovac, a Nebraska cop who served as a peacekeeper in post-war Bosnia and outed the U.N. for covering up a sex scandal.

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8 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Peter Ward
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Jan Van Der Velde
Roxana Condurache ...
Paula Schramm ...
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Viko
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Irka
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Halyna
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Nick Kaufman
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Coca Bloos ...
Milena
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Jim Higgins
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Storyline

Inspired by true events, Kathy (Rachel Weisz) is an American police officer who takes a job working as a peacekeeper in post-war Bosnia. Her expectations of helping to rebuild a devastated country are dashed when she uncovers a dangerous reality of corruption, cover-up and intrigue amid a world of private contractors and multinational diplomatic doubletalk. Written by Production

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Taglines:

Nothing is more dangerous than the truth.


Motion Picture Rating (MPAA)

Rated R for disturbing violent content including a brutal sexual assault, graphic nudity and language | See all certifications »

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Details

Official Sites:

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Release Date:

27 October 2011 (Germany)  »

Also Known As:

La verdad oculta  »

Filming Locations:

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Box Office

Opening Weekend USA:

$61,002, 7 August 2011, Limited Release

Gross USA:

$1,120,914, 23 October 2011
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Company Credits

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Technical Specs

Runtime:

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

It took director Larysa Kondracki eight years to get the film made. The signing on of Rachel Weisz in the lead was instrumental in moving the project forward. See more »

Goofs

When Kathryn is asked to return her ID at the HQ, her right-side shirt collar is unfolded. When she is escorted, the collar is folded again, and in the next shot it is the left-side collar that is unfolded. See more »

Quotes

[first lines]
Raya: [in Ukrainian] I have to get home. Mama's gonna kill me.
Luba: No. You are staying with me tonight. Roman wants us there at nine in the morning. Raya, we've been over this. It's just a few months working in a hotel.
Raya: Yes, but...
Luba: You want to work at a Copyshack like your mother? He said it was both of us or nothing!
Raya: ...No.
[walks away]
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Connections

References Columbo (1971) See more »

Soundtracks

Watching the Rain Cloud
Written by Ralph Joseph
Performed by Broadway Sleep
Published by Sukha Publishing
Courtesy of Sukha Records
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User Reviews

Riveting performance by Weisz
12 September 2011 | by See all my reviews

The Whistleblower (2010) is a movie based on the sad but true story of human trafficking by the employees of a firm contracted by the UN to provide security in Bosnia after the Dayton peace accord that put an end to the bloody conflict in the Balkans. Rachel Weisz plays Kathryn Bolkovac, a cop from Nebraska, who arrives in Bosnia to work for this firm and is seconded to the gender-affairs department. Weisz sees the stint as a much needed change of scene leaving behind a broken marriage, plus as an opportunity to improve her financial position given the compensation that comes with such a hardship-posting.

The times are tough and the residues of communal hatred still linger - one situation shows the apathy of the local policemen towards a victim of domestic-abuse given that she is from the "other side". Weisz stumbles upon a racket of human trafficking that lures young girls into slavery who are abused by ruthless sadists -- all with the active connivance and involvement of some employees of the firm. Wiesz lone voice is silenced by the firm -- despite the support she receives from a plucky UN officer for gender-affairs, played by Vanessa Redgrave.

Eventually, Rachel takes the sordid story, of protectors who have turned predators, to the media in the UK, where the firm is registered.

Fighting workplace conspiracy that is fueled by apathy and greed can be lonesome and Wiesz portrayal of a gritty professional is engrossing. One is reminded of the roles of Julia Roberts in Erin Brokovich (2000) and Laura Dern in Damaged Care (TV 2002), standing up for what is right despite being stymied by the perpetrators whose acts have the undertones of gender-bias, and suffering the indignation while staying the course with deep conviction.

The movie is spartan in production-value, driving home the truth that a good script and great performances are more than enough to tell a story.

The story makes one wonder of the risks that arise out of the involvement of private enterprises in security and policing, notwithstanding the mandates under which they operate.


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