After twenty years in prison, Foley is finished with the grifter's life. When he meets an elusive young woman named Iris, the possibility of a new start looks real. But his past is proving to be a stubborn companion.
Three American students vacationing in Finland, cross the border into Russia for fun of it. When they are spotted by the Russian soldiers who are shooting to kill, it's not fun anymore. ... See full summary »
Though it's been some twenty years since they have spoken with one another, two estranged soul-singing legends agree to participate in a reunion performance at the Apollo Theater to honor their recently deceased band leader.
Special Agent Derrick Vann is a man out to get the man who killed his partner but a case of mistaken identity leads him to Andy Fidler, a salesman with too many questions and a knack of getting in Vanns way.
Samuel L. Jackson,
Principal photography was completed one day ahead of schedule, on March 15, 2007. It was also director Renny Harlin's 48th birthday. See more »
At the end, Ed Harris is pointing his gun at Samuel Jackson with the trigger in the rearward position, something that only happens when the double action/single action Beretta is cocked. The trigger should be at rest, in the forward position. When agitated, Ed cocks the hammer and we see that the trigger is still in the rearward position. Only at cocking should the trigger have gone from forward position to rear position. See more »
CLEANER is somewhat of an enigmatic movie: it starts out as though it is going to be a sassy comedy about a retired cop whose job it is to 'clean up' after homicides (a distinctly messy and repulsive job), turns into a rather grisly crime investigation story, adds a dollop of 'ain't life grand', and finishes as an exposé of police corruption. The story line by Matthew Aldrich is further fragmented by being so full of holes that the audience has to toss credibility overboard in order to make it through, and the method of direction by Renny Harlin can't seem to settle on which style to take. It is all kind of a mess and justifies the straight to DVD move. The saving grace of the film is a cast of stalwart actors who can make even a shaky script palatable.
Tom Cutler (Samuel L. Jackson) is a 'retired' cop who makes his living cleaning up the gory remainders of criminal acts of homicide and other grisly crimes. We learn his wife was murdered some years ago, leaving him as a single father of the bright and charming teenager Rose (Keke Palmer). Cutler happens on an assignment to clean a particularly gruesome homicide scene in the home of one Ann Northcut (Eva Mendes in a nicely understated role) and as the convoluted story develops, Cutler realizes that the crime scene represents a culmination of forces that threaten to uncork a long history of police corruption - a history that involves him and his best friend Eddie Lorenzo (Ed Harris) and the tough Detective Jim Vargas (a terrific Luis Guzmán). How the story ties together and ends is too loose to convey and would ruin the minimal drama present.
Each of the actors, even the minor roles played very well by such artists as Jose Pablo Cantillo and Robert Forster, give it the full court press. But the see-through script and the jumbled camera work and direction prevent this from being a significant film. Grady Harp
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