Rayne fights against the Nazis in Europe during World War II, encountering Ekart Brand, a Nazi leader whose target is to inject Adolf Hitler with Rayne's blood in an attempt to transform ... See full summary »
In the ironically named city of Paradise, a recently laid-off loser teams up with his cult-leading uncle to steal a peculiar bounty of riches from their local amusement park; somehow, the recently arrived Taliban have a similar focus, but a far more sinister intent.
Controversial director Uwe Boll depicts the harsh reality of the process inside one of the most infamous Nazi death camps by using brutally realistic imagery. Book-ended by documentary ... See full summary »
An modern-day assassin, wanting out, is hired for one final job - to kidnap the kids of a local businessman. Things go haywire when it turns out he's chosen to return to the Middle Ages and bring back order to a kingdom in chaos.
American journalists in Sudan are confronted with the dilemma of whether to return home to report on the atrocities they have seen, or to stay behind and help some of the victims they have encountered.
It's a hundred years later, and the dhampir Rayne has arrived in the town of Deliverance, Montana where a group of vampire cowboys have emerged. Led by Billy the Kid, hell-bent on creating his own kingdom, he slaughters townspeople and rounds up children. He spares the life of Chicago Chronicle reporter Newton Pyles. Rayne aligns herself with Pat Garret, a member of the long-thought-dead Brimstone society, a dishonest preacher, and a lowlife named Franson, to stop Billy the Kid and show the world how the West was really won. Written by
Chris Walker (email@example.com)
At first, I didn't realize that Uwe Boll had any involvement with this production. I can't begin to describe the sinking feeling in the pit of my stomach when his name flashed on the screen. But still, I figured that I would see what the film had to offer. And that was -- vampire cowboys! From the shaky camera-work (mount the camera on a stick if you don't have a tripod), to the unconvincing wardrobe that doesn't show any frontier wear and tear and finally, a vampire Billy the Kid with a bad Euro-trash accent.
I truly wish that I could rate this lower than one star -- the first film was worth one star and this "sequel" falls so far beneath it.
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